An unusually contemplative solo record from New York pianist Matthew Shipp, belying the intricately subtle density of his inventive approach to solo piano improvisation, with an innate lyricism through unusual motive and direction; perhaps one of the most succinct and concise albums Shipp has released, and a beautiful reflection of his creative intentions.

A member of pianist McCoy Tyner's Trio and Joe Lavano's Quartet, New York drummer Francisco Mela's own career as a leader is heard in this energetic trio album with two of NY's finest--pianist Matthew Shipp and bassist William Parker--recording in the studio in Brooklyn in 2020 for two extended and powerful collective improvisations and a brief "Dark Light".

A member of pianist McCoy Tyner's Trio and Joe Lavano's Quartet, New York drummer Francisco Mela's own career as a leader is heard in this energetic trio album with two of NY's finest--pianist Matthew Shipp and bassist William Parker--recording in the studio in Brooklyn in 2020 for two extended and powerful collective improvisations and a brief "Dark Light".

A definitive album of modern creative jazz and free improvisation, from confident lyrical exchanges to creative interaction and rock solid foundations from a bedrock rhythm section, heard in these studio recordings from the New York quartet of Matthew Shipp on piano, Allen Lowe on alto & tenor saxophones, Gerald Cleaver on drums and Kevin Ray on bass.

A brilliant example of trans-Atlantic collective free improv from the quartet of New York free jazz heavies Matthew Shipp on piano, Joe Morris on double bass, Gerald Cleaver on drums, and UK tenor saxophonist Paul Dunmall, playing in the tradition of ecstatic and extended free jazz in a nearly hour long live performance recorded at Roulette in Brooklyn in 2012.

Meeting in France in 2017 for the Festival Météo de Mulhouse, Evan Parker alternating between soprano and tenor saxophones and Matthew Shipp on acoustic piano, present an epic extended improvisation that naturally evolves through several sections, followed by a brief post-script, each musician attentively focused as they support the clarity of each other's playing.

One of the most distinctive and introspective voices on the piano in modern improvised music, New York pianist Matthew Shipp presents a solo suite in four movements, each movement a side of this magnificently produced double LP, released to coincide with his 60th birthday, including liner notes from late poet and collaborator Steve Dalichinsky; a wonderful gift for 2020.

Using the traditional piano-bass-drums lineup, NY pianist Matthew Shipp's trio with Michael Bisio on bass and Newman Taylor Baker on drums balance their work between beautiful lyrical interplay of melodic counterpoint and rhythmic undertow and exploratory work accentuating unique eccentricities from all three players, a great next motion from this authoritative trio.

Since their 1988 duo album Sonic Explorations and through a number of group collaborations, the duo of alto saxophonist Rob Brown and pianist Matthew Shipp have extended and evolved their uniquely astute and confident dialog, as heard in this magnificent 8-part studio album, a reflection on their compatibility and perceptive artistry.

Matthew Shipp (piano), John Butcher (saxophones) and Thomas Lehn (electronics) in a studio album recorded in France in 2017, a uniquely voiced collective trio of transformative improvisation, Lehn's additions and modifications blending perfectly with Shipp's solid foundations and Butcher's advanced technical expression, for an engrossing and expressive set of recordings.

A meeting in the studio of long-time friends and collaborators, pianist Matthew Shipp and Daniel Carter performing on alto, tenor & soprano saxes, clarinet & trumpet, having played together in many groupings this is only their first duo recording, in a thoughtful set of free improvisations with an innate lyricism and beautiful sense of pacing; masterful and evolved.

After decades playing together, the quartet of Daniel Carter on tenor sax, trumpet & flute, Matthew Shipp on piano, William Parker on bass, and Gerald Cleaver on drums, release the first of two planned studio albums, with two extended and remarkably warm collective excursions bookending a shorter "Scintillate", in an exceptionally solid album of masterful modern jazz.

After decades playing together, the quartet of Daniel Carter on tenor sax, trumpet & flute, Matthew Shipp on piano, William Parker on bass, and Gerald Cleaver on drums, release the first of two planned studio albums, with two extended and remarkably warm collective excursions bookending a shorter "Scintillate", in an exceptionally solid album of masterful modern jazz.

"Efflorescence", to reach an optimum stage of development or blossom, as heard through four studio-recorded CDs, expanding on the warm and enduring duo of saxophonist Ivo Perelman and pianist Matthew Shipp in beautifully flowing, succinct improvisations with a lyrical inclination, allowing for exploration through the sophisticated support each brings; beautiful.

Six compositions by pianist Matthew Shipp for his String Trio with violist Mat Maneri and double bassist William Parker, their first Trio record since 2001's "Expansion, Power and Release" (Hat), their long history of working together in a variety of configurations creating a near-telepathic link between the players over Shipp's sophisticated frameworks.

An authoritative meeting between two of New York City's strongest players--Matthew Shipp on piano and Nate Wooley on trumpet--distilled to their essence after work with saxophonist Ivo Pereleman, here performing a set of 12 Shipp compositions brilliantly captured in the studio, illuminating Shipp's solid mastery of the keys and Wooley's remarkable technique and creative drive.

Captured live at the 2016 Jazz at the Factory Festival in Sao Paulo, this addition to New York pianist Matthew Shipp's catalog finds the masterful player presenting his own compositions like "Symbol Systems", "Gamma Ray" or "Invisible" light alongside unique takes on "Angel Eyes", "On Green Dolphin Street", "Yesterdays" and "Summertime".

Two extended examples of free improvisation from UK stalwarts, tenor saxophonist Paul Dunmall, bassist John Edwards, and drummer Mark Sanders, joined by New York pianist Matthew Shipp, all captured live at Cafe Oto in 2010; set one is an unflagging example of energetic collective improv, set two more introspective yet vital and demanding; a superb concert!

While working with Matthew Shipp on an Ivo Perelman album, drummer Whit Dickey and pianist Shipp agreed to record an album of their own and enlisted violist Mat Maneri to record this album of deep space-themed improvisations, collective music of heavy propulsion that bursts from impassioned exchange to convoluted clusters of sound.

Frequent collaborators, Matthew Shipp (piano) and Michael Bisio (bass) are joined by fellow Downtown New Yorker Mat Maneri on viola create what they refer to as a chamber ensemble, performing the 15 improvised and inspired chapters of Shipp & Bisio's "Gospel".

Pianist Shipp's long-standing trio with bassist Michael Bisio and drummer Whit Dickey, complex and inspired compositions that makes modern creative approaches to jazz beautifully accessible and essential.

Percussionist Scott Davidson, whose music is informed by jazz, classical Indian and Middle Eastern music, teamed up with pianist Matthew Shipp, bassist Michael Bisio, drummer Whit Dickey and reedist Lloyd Shorter for this album of world encompassing and rhythmic jazz.

Six "Rex", 2 "Wrecks" and 1 "XXX" from the duo of British reedist Evan Parker and NY pianist Matthew Shipp in a double CD release, one in the studio and one live at Vortex in London, exceptional interplay from two masters.

Joe Morris wrote this book to discuss aspects of free music, including responses to his questionnaire written by Joe McPhee, William Parker, Jamie Saft, Ken Vandermark, Marilyn Crispell, Nate Wooley, Jack Wright, Matthew Shipp, &c.

The duo of Downtown NY-ers poet Steve Dalachinsky and pianist Matthew Shipp improvising over 22 of Dalachinsky's sharply worded poems of "everyday" observation.