Investigating the experimental legacy of Victorian polymath Alexander J. Ellis, author of the 1880 paper, The History of Musical Pitch, composer Seamus Cater uses 74 tuning forks tuned to represent Elliss research of just ratios of 480Hz, in three compositions focusing on the most consonant tones of the system, and balancing them through minimalist chamber work from a 7-piece ensemble.

Dedicated to the late Mike Panico, who requested that viola player Ig Henneman develop a concept for the Relative Pitch label, this trio brings together the Amsterdam-based Henneman and flutist Anne La Berge with US trumpeter Jaimie Branch, three women in an eccentric and fearless trio of energetic interaction marked by masterful technique and exuberant delivery.

A series of improvised performances with the central idea of acoustic and electronic artists experimenting with the electronic medium in a live setting with musicians with whom they have never played with before.