Rich harmonics and interstitial interactions between two bass clarinets, as Utah-based Katie Porter and Berlin-based Lucio Capece exchanged recordings to develop two compositions, the first focusing on expression in the context of freedom in time, the 2nd using strict time to explore the effects of overlapping-phasing; reference The International Nothing.

The title referring to a condition of aural hallucinations, Anthony Pateras' composition is a work of tense motion, dissonance and resolution, commissioned by the Musica Sanae project and performed at the 17th Sacrum Profanum Festival in Krakow, 2019, using a recording improvised and assembled in Australia with his tape septet that underpins the performances in concert with his live septet.

"Fracture Mechanics" is the scientific study of cracks in any material, an apt title from these European experimental innovators--Burkhard Beins, Lucio Capece, Martin Kuchen, and Paul Vogel--pulling back the curtain on process and creating an impressive album crossing acoustic and electronic improv, organized sound, and inexplicable interaction; recommended.

A series of improvised performances with the central idea of acoustic and electronic artists experimenting with the electronic medium in a live setting with musicians with whom they have never played with before.