Live recordings of the trio of Yoshio Machida on steelpans and gamelan, Hiroki Chiba on double bass and electronics, and Jorge Queijo on drums & percussion, performing live at Foxhole and Apollo in Tokyo, 2015, free improvisation with Eastern attitudes and European propulsion.

The alternative dub steelpan trio of Yoshio Machida (steeldrums, voice, percussion, electronics), Tatus (bass, voice & electronics) and Norihide Saji (drums, laptop & electronics) for 10 tracks of embraceable tunes including a cover of Miles Davis "All Blues".

Using bass, drums, steelpan, electronics and programming, the trio of Tatsu, Norihide Saji and Amorfon label leader Yoshio Machida create a "pulse dub" album of polyrhythms and phase, producing warm, complex and embraceable music that includes a cover of Bjork's "Hyperballad".

Yoshio Machida's steelpan live recordings in Europe and Japan between 2001-2008; including early pieces by combination of self-made steelpan Gamelan sound and computer to recent acoustic steelpan pieces.

A soundtrack for their first retrospective exhibition at Mori Art Center in Tokyo in 2009-2010 commissioned to Yoshio Machida by legendary French jeweler Van Cleef & Arpels.

Drummer and percussionist Tatsuhisa Yamamoto meets steelpan player Yoshio Machida for an album of rhythmic and melodic intersections with electronic underpinnings.

Steelpan and electronics player and Amorfon label leader Yoshio Machida met the Serbian CINC band for these sophisticated and lovely post-rock pieces recorded in Belgrade, 2006.

Tokyo based transboundary sound & visual artist Yoshio Machida in his 2006 4th release of steel pan music, here solo or multi-tracked without electronics in 7 pieces including one inspired by Satie.

Miimo are a Japanese dub & electronica group consisting of Yoshio Machida, Norihide Saji and Tatsu, whose tracks have appeared in documentaries and TV spots throughout Japan.

2006 recordings from this avant Serbian folk band singing in English, Serbian, French, German, Czech and Japanese, naive and intellectual approaches to songwriting.

A series of improvised performances with the central idea of acoustic and electronic artists experimenting with the electronic medium in a live setting with musicians with whom they have never played with before.