Originally released in 1992 on the US Quinton Records label, this trio album by New York improvisers, pianist Matthew Shipp (this being his first CD under his own name), bassist William Parker and drummer Whit Dickey, presents the four-part "Circular Temple" composed by Shipp, leveraging the language of jazz in remarkable ways, particularly the 2nd movement, "Monk's Nightmare".

Originally released in 1992 on the US Quinton Records label, this trio album by New York improvisers, pianist Matthew Shipp (this being his first CD under his own name), bassist William Parker and drummer Whit Dickey, presents the four-part "Circular Temple" composed by Shipp, leveraging the language of jazz in remarkable ways, particularly the 2nd movement, "Monk's Nightmare".

Inspired by a poem Carter wrote about New York's interminable motion, the quartet of Daniel Carter on saxophone, Leo Genovese on piano, William Parker on bass, Gralla & Shakuhachi and Francisco Mela on drums & voice, turn in an ecstatic album of exotic collective improvisation in this first of two planned volumes from an excellent studio session.

Inspired by a poem Carter wrote about New York's interminable motion, the quartet of Daniel Carter on saxophone, Leo Genovese on piano, William Parker on bass, Gralla & Shakuhachi and Francisco Mela on drums & voice, turn in an ecstatic album of exotic collective improvisation in this first of two planned volumes from an excellent studio session.

The second volume from the trio of Tennessee-to-NYC transplant Zoe Amba on tenor saxophone & flute, legendary double bassist William Parker and Francisco Mela on drums, performing three compositions by Amba recorded in the studio in NYC; emphatic free jazz with a powerful rhythm section elucidating Amba's spiritually fueled approach to compelling, lyrical improvisation.

The second volume from the trio of Tennessee-to-NYC transplant Zoe Amba on tenor saxophone & flute, legendary double bassist William Parker and Francisco Mela on drums, performing three compositions by Amba recorded in the studio in NYC; emphatic free jazz with a powerful rhythm section elucidating Amba's spiritually fueled approach to compelling, lyrical improvisation.

A triple CD of extended and magnificent performances between 2004 & 2005 from the quartet of Steve Swell on trombone, William Parker on double bass, Hamid Drake on drums and Jemeel Moondoc on alto saxophone, to whom this album is dedicated; two concerts in Texas and one at the Guelph Jazz Festival, with compositions from Swell and Moondoc plus collective improvisations.

Sounding as though they'd played together for decades, this 1st meeting between pianist Joel Futterman, bassist William Parker, saxophonist Chad Fowler and drummer Steve Hirsh is a single 52-minute free jazz exposition as the four immediately fall into an invigorating conversation that continues through diverse moods from pinnacles of activity to reflective tone worlds; masterful!

Led by New York wind and reed player Chad Fowler, who performs here on stritch, saxello & alto flute, this collective free jazz album brings together frequent collaborators, bassist William Parker (with whom Fowler plays in Dopolarians) and drummer & trumpeter Anders Griffen (heard on Thinking Unthinking and the Music of Frank Lowe) for two extended improvisations from contemplative to assertive.

Focusing on lyrically inclined grooves with a relaxed pace, the details and thoughtfully "unthought" playing from the NY trio of Chad Fowler on stritch, saxello & alto flute, William Parker on bass and Anders Griffen on drums, are heard in the Park West Studios in Brooklyn for three extended collective improvisations of passionate, expressive and empathetic playing.

An incredible performance recorded at Roulette in NYC by a large ensemble of 16 jazz luminaries of various ages, cultures and musical backgrounds, led by composer and bassist William Parker, who explains that Universal Tonality is another name for love, the profusion of which is interpreted by vocalist Leena Conquest in a profoundly inspired concert of magnificent artistry.

The second volume of Music Frees Our Souls, the trio of Francisco Mela on drums, Cooper-Moore on piano and William Parker on bass, recording in the studio in Brooklyn two extended, far reaching and powerful collective improvisations of music performed under the influence of Mela's work with, mentorship by and encouragement from pianist McCoy Tyner.

The second volume of Music Frees Our Souls, the trio of Francisco Mela on drums, Cooper-Moore on piano and William Parker on bass, recording in the studio in Brooklyn two extended, far reaching and powerful collective improvisations of music performed under the influence of Mela's work with, mentorship by and encouragement from pianist McCoy Tyner.

Working together in tours and recording since 2005, the NY trio of multi-reedist and wind player Daniel Carter, bassis William Parker and drummer/percussionist Federico Ughi are joined by saxophonist Watson Jennison also on flute, recorder and keyboards for this enlightened album of modern and transcendent jazz in a limited, remastered LP edition with bonus material.

One of a pair of complementary CDs (Navajo Sunrise and Navajo Sunset) this 2010 trio recording of a live performance at Area Sismica, Ravaldino in Monte, Italy between Daniel Carter on alto sax & piano, William Parker on bass & shakuhachi and Federico Ughi on drums, is a solid example of the sensitivity and collaborative power of the Downtown NY creative jazz scene.

The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.

Recorded at Vision Festival XXIV in June of 2019, legendary drummer Alvin Fielder's friends and long time partners Kidd Jordan on tenor saxophone, Joel Futterman on piano and William Parker on contrabass are joined by drummer/percussionist Hamid Drake for an emotional and potent swinging free jazz tribute to Fielder, who passed away in January of that year.

An open and free album of modern jazz evoking loft-style collective improvisation but controlled under the compositions of pianist Christopher Parker, in his debut album as a leader with the incredibly talented sextet of Kelley Hurt on vocals, Daniel Carter on winds, Jaimie Branch on trumpet, William Parker on bass and Gerald Cleaver on drums

Four extended collective improvisations of implicit lyricism and transcendent power from Brazilian-born New York-based tenor saxophonist Ivo Perelman, recording in the studio with his quartet of frequent collaborator and masterful bassist William Parker, also performing on shakuhachi, along with pianist Christopher Parker and drummer Chad Anderson.

Four of New York's most versed free jazz players--Eri Yamamoto on piano, Chad Fowler on stritch & Saxello, William Parker on bass and Steve Hirsh on drums--aim for a form of Spontaneous Folk Music through post-bop/free jazz idioms, recording in the studio for naturally lyrical music that builds from a beautiful glimmer to a passionate fire of masterful interaction.

Reinventing their band with the late drummer Alvin Fielder and saxophonist Kidd Jordan, the core trio of vocalist Kelley Hurt, pianist Christopher Parker and alto saxophonist Chad Fowler bring together drumming legend Brian Blade, bassist William Parker and trumpeter Marc Franklin for three extended works, rich journeys in expressive, soulful and lyrical free jazz

New generation New York tenor saxophonist Zoe Amba, a Tennessee transplant whose spirit is illuminated with free styles that harken back to Ayler, recording in the studio with a trio of luminary players--William Parker on bass and Francisco Mela on drums--performing three Amba compositions, one featuring Amba on flute; the CD edition contains one bonus improvisation.

New generation New York tenor saxophonist Zoe Amba, a Tennessee transplant whose spirit is illuminated with free styles that harken back to Ayler, recording in the studio with a trio of luminary players--William Parker on bass and Francisco Mela on drums--performing three Amba compositions, one featuring Amba on flute; the CD edition contains one bonus improvisation.

The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.

The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.

A 2nd season from composer, improviser & bassist William Parker, after his 2000 Thirsty Ear release Painter's Spring, this new trio album with drummer Hamid Drake, wind player Daniel Carter performing on trumpet, flute and reeds, and Parker himself on bass, trombonium & shakuhachi, paint the season with sound as they celebrate the winter through visionary jazz music.

A truly wild concert of free jazz from Cecil Taylor's transatlantic orchestra, captured live at the 1984 Jazz Jamboree in Warsaw, Poland, bringing together impressive improvisers from the US--William Parker, John Tchicai, Jimmy Lyons, Karen Borca, Frank Wright, & Henry Martinez--with European Free Jazz leaders Tomasz Stank, Enrico Rava, Conrd Bauer & Günter Hampel.

A fierce free jazz concert recorded live at Levontin 7, in Tel Aviv by three players with a long history of collaboration and dynamic trio settings, from Israeli saxophonist formerly based in NYC Assif Tsahar, bassist William Parker and Chicago drummer Hamid Drake, in two extended, energetic and inventive improvisations and a concise closing "Stillness".

An unapologetically political album from double bassist William Parker in collaboration with poet Patricia Nicholson, confronting injustice and inequality through spoken word set over Parker's compositions, performed with James Brandon Lewis on tenor saxophone, Devin Brahja Waldman on alto saxophone, Francisco Mela on drums, vocals, Melanie Dyer on viola and Gerald Cleaver on drums.

A member of pianist McCoy Tyner's Trio and Joe Lavano's Quartet, New York drummer Francisco Mela's own career as a leader is heard in this energetic trio album with two of NY's finest--pianist Matthew Shipp and bassist William Parker--recording in the studio in Brooklyn in 2020 for two extended and powerful collective improvisations and a brief "Dark Light".

A member of pianist McCoy Tyner's Trio and Joe Lavano's Quartet, New York drummer Francisco Mela's own career as a leader is heard in this energetic trio album with two of NY's finest--pianist Matthew Shipp and bassist William Parker--recording in the studio in Brooklyn in 2020 for two extended and powerful collective improvisations and a brief "Dark Light".

A 10-album collection in a solid box set of vocal and instrumental suites recorded expressly for this set between late 2018 and early 2020, with women's voices at its core (both on voice & other instruments), taking a vast view of music from around the globe through free improvisation and re-imagined sonic collage, performed by groupings of extraordinary performers.

After a tour through upstate New York State with Chicago cellist and electronic artist Fred Lonberg-Holm, saxophonist Frode Gjerstad headed to New York City for a planned trio recording which evolved into this informed quartet with Steve Swell on trombone and William Parker on bass, tuba, cornet & flutes, an outstanding example of Transatlanic collective improvisation.

After decades playing together, the quartet of Daniel Carter on tenor sax, trumpet & flute, Matthew Shipp on piano, William Parker on bass, and Gerald Cleaver on drums, release the first of two planned studio albums, with two extended and remarkably warm collective excursions bookending a shorter "Scintillate", in an exceptionally solid album of masterful modern jazz.

After decades playing together, the quartet of Daniel Carter on tenor sax, trumpet & flute, Matthew Shipp on piano, William Parker on bass, and Gerald Cleaver on drums, release the first of two planned studio albums, with two extended and remarkably warm collective excursions bookending a shorter "Scintillate", in an exceptionally solid album of masterful modern jazz.

Legendary players, drummer Alvin Fielder, bassist William Parker, and saxophonist Kidd Jordan joined younger generation players pianist Christopher Parker, vocalist Kelley Hurt, and saxophonist Chad Fowler in New Orleans to record this exceptional album of modern jazz compositions primarily from Fowler, plus a collective improvisation and a narrative from Hurt.

A formidable meeting of three powerhouses of modern creative improvisation of diverse backgrounds -- Filipina-American drummer/percussionist Susie Ibarra, legendary New York bassist William Parker, and Spanish pianist Agusti Fernandez, in a spirited, masterful and stunning live performance at the Joan Miro Foundation in Barcelona recorded in 1998.

This album was developed to present Daniel Carter, typically a wind/reed/trumpeter player, on an album that included his piano playing, which then advanced by adding the goal of both Carter and long-time collaborator, drummer Federico Ughi, to record with bassist William Parker, who rounds out this excellent trio on bass, tuba and shakuhachi.

The 2nd volume in New York free improvising basist William Parker's "Conversations" series, more than 500 pages with 32 interview between William Parker and artists including Marshall Allen, Tim Berne, Wadada Leo Smith, Mark Dresser, Henry Grimes, &c &c, plus a CD excerpting those interviews and punctuated with duos between Parker and saxophonist Kidd Jordan.

Two recordings from multi-reedist Peter Kuhn from 1978-79; a reissue of an LP of a '78 radio broadcast with Toshinori Kondo (trumpet), Arthur Williams (trumpet), William Parker (bass), and Denis Charles (drums); and a live concert with Denis Charles in Massachusetts in '79.

1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation.

Joe Morris wrote this book to discuss aspects of free music, including responses to his questionnaire written by Joe McPhee, William Parker, Jamie Saft, Ken Vandermark, Marilyn Crispell, Nate Wooley, Jack Wright, Matthew Shipp, &c.

Jean Martin and Christine Duncan lead this Toronto collective with more than 60 choir members in a stunning improvisational setting, here performing at Christ Church Deer Park with NY bassist William Parker.

Never before released material from 1977 of Billy Bang's seminal NY loft band, Survival Ensemble: 2 CDs and a 40 page booklet of essays, images and flyers - essential!

This album was developed to present Daniel Carter, typically a wind/reed/trumpeter player, on an album that included his piano playing, which then advanced by adding the goal of both Carter and long-time collaborator, drummer Federico Ughi, to record with bassist William Parker, who rounds out this excellent trio on bass, tuba and shakuhachi.