An optimistic definition of "Defeat" through the exultantly dark and expressive work of Fire!, here as the quintet of Mats Gustafsson on flute, baritone sax & live electronics, Johan Berthling on electric bass, Andreas Werliin on drums, Goran Kajfes on quartertone trumpet and Mats Aleklint on trombone & sousaphone, in five works of richly creative and modern improv.

The followup to their 2019 Corbett vs. Dempsey album and formalizing their trio name as "The Underflow", is an epic double LP of diverse and inspired free-ea from the trio of Mats Gustafsson on flute, fluteophone, baritone saxophone & live electronics, David Grubbs on electric guiar & voice, and Rob Mazurek on piccolo trumpet, wooden flute, electronics, percussion & voice.

Named for a Don Cherry composition included on this album, the core trio of The Thing--Mats Gustafsson on reeds, Ingebrigt Haker Flaten on bass, and Paal Nilssen-Love on drums--is joined by saxophonist and pocket trumpter Joe McPhee, recording classic free jazz and harmolodic pieces by Don Cherry, Ornette Coleman, James Blood Ulmer, Frank Lowe, & Joe McPhee.

"Actions For Free Jazz Orchestra" was originally written by Polish composer Krzysztof Penderecki for the New Eternal Rhythm Orchestra, assembled by Don Cherry for the occasion and conducted by composer himself; this new extended reading and conduction of the score from 2018 was originated and directed by Mats Gustafsson, a powerful update and expansion of the original work.

Recorded during two nights at Underflow Records and Art Gallery in Athens, Greece in 2019, The Underflow trio of Mats Gustafsson (reeds, fluteophone, electronics) from Sweden, with Chicago-based Rob Mazurek (trumpet, electronics), and David Grubbs (electric guitar) present an album of wide-ranging, powerful, often explosively eccentric, and always informed improvisation.

After working together on the theater production Das Fliegende Kind (The Flying Child), the trio of Mats Gustafsson, David Sandstrom (Refused), and Andreas Werliin (Fire!) recorded this 18 minute improvisation, a work of percussive force and rolling sax tone that builds to an explosive fury of sound, released on a stunning 1-sided picture disc.

The genre-defying trio Fire! with Mats Gustafsson on saxophones & electronics, Andreas Werliin on drums, percussion and effects, and Johan Berthling on upright and electric bass, blend heavy and dark elements of free improvisation, free rock, free blues, sound and noise, and sampled overlays in their latest, cultured and crude album of brooding and gripping music.

Celebrating the 400th release of Clean Feed Records, Swedish free jazz phenomenon, saxophonist Mats Gustafsson meets with NY jazz pianist Craig Taborn for an unlikely yet highly satisfying encounter that pushes each improviser into unfamiliar, edge-of-their seats, territory.

A box set documenting the October 2015 3-day event held at Porgy and Bess in Vienna for the 50th birthday of saxophonist Mats Gustafsson (The Thing, Fire! and innumerable duo/trio/ensemble formations) with a who's-who of collaborators invited to join in various formations.

Surprisingly after long partnerships with Peter Brotzmann's Tentet and the saxophone trio Sonore, this is the first time that Ken Vandermark & Mats Gustafsson have recorded as a duo, here in 6 incredible improvisations balancing technique, power, and beauty.

Sweden's advanced free jazz piano trio Correction (Sebastian Bergstrom on piano, Joacim Hyberg on bass, and Emil Astrand-Melin on drums) are met by fellow Swede, baritone saxophonist Mats Gustafsson, for a stunning album ranging from abstract to hard blowing improv.

The trio of Mats Gustafsson on saxophone and electronics, keyboardist Pat Thomas and percussionist Roger Turner performing live in Derby in 1998, a challenging and fascinating set.

Gordon Grdina (Grdina's Box Cutter) in a trio with bassist Tommy Babin and drummer Kenton Loewen, joined by Mats Gustafsson on baritone sax for a vicious free jazz romp.

It started with a Mats Gustafsson's LP, for which Ozeki Mitkito created a polyvinyl chloride cutout, which Otomo manipulated on his turntable, recording this limited hand-numbered CD.

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