An almost ceremonial release in percussive approaches to improvisation from the trio of William Parker on double bass, shakuhachi, thumb piano & more, Hamid Drake on drums, cymbals and gongs, and Joe Morris on guitar, banjo, bass, pocket trumpet, fiddle & whistles.

Two recordings from multi-reedist Peter Kuhn from 1978-79; a reissue of an LP of a '78 radio broadcast with Toshinori Kondo (trumpet), Arthur Williams (trumpet), William Parker (bass), and Denis Charles (drums); and a live concert with Denis Charles in Massachusetts in '79.

Trombonist Steve Swell presents an homage to composer Bela Bartok, applying jazz techniques to the composer's music to find something new and unexpected, in an amazing quintet with Connie Crothers (piano), William Parker (bass), Chad Taylor (drums) & Rob Brown (sax).

The transatlantic quartet of Harrison Bankhead & Benjamin Duboc on double bass, and Hamid Drake & Ramon Lopez on drums and percussion in recordings from a 2014 tour of France as part of The Bridge, with guests William Parker, Jean-Luc Cappozzo, and Lionel Garcin.

The NYC trio of saxophonist Tony Malaby, bassist William Parker and drummer Nasheet Waits present their 3rd Tamarindo record of "high-impact free-form progressive jazz extravaganza", flowing music demonstrating the strength of all 3 players.

Joe Morris wrote this book to discuss aspects of free music, including responses to his questionnaire written by Joe McPhee, William Parker, Jamie Saft, Ken Vandermark, Marilyn Crispell, Nate Wooley, Jack Wright, Matthew Shipp, &c.

Saxophonist Tony Malaby's incredible Tamarindo trio with William Parker on bass and Nasheet Waits on drums is transformed to a quartet with trumpeter Wadada Leo Smith, performing live in NYC, 2010.

Insanely great improvisation in the 3rd recorded outing for this amazing trio, bringing Free Europe and New York Downtown players together for 3 extended compositions.

Frequent William Parker sideman alto saxophonist Rob Brown on his 1st Aum Fidelity solo record, studio recordings of the ensemble he put together for the 2006 Vision Festival.

This album was developed to present Daniel Carter, typically a wind/reed/trumpeter player, on an album that included his piano playing, which then advanced by adding the goal of both Carter and long-time collaborator, drummer Federico Ughi, to record with bassist William Parker, who rounds out this excellent trio on bass, tuba and shakuhachi.