The debut of Vancouver & Montreal violinist Joshua Zubot's string ensemble with fellow violinists Jesse Zubot & Meredith Bates, cellist Peggy Lee and acoustic bassist James Meger, performing ten Zubot compositions informed by his involvement in diverse musical styles, each allowing room for improvisation as he takes the string ensemble into unique and unorthodox territory.

Commissioned by the Vancouver artist-run center Western Front, NY saxophonist & composer Darius Jones developed this project during a succession of Western Front residencies between 2019 - 2022, culminating in this concert with fellow New Yorker, Gerald Cleaver (drums), and some of Canada's finest improvisers: Jesse Zubot (violin), Joshua Zubot (violin), Peggy Lee (cello) and James Meger (bass).

Rich in lyrical playing and creative freedom, Vancouver cellist Peggy Lee's 6th album expands on her goal to explore different strategies for improvisation within composition, featuring the unique voices of her ensemble including Brad Turner (trumpet), Jon Bentley (sax), Jeremy Berkman (trombone), Ron Samworth & Tony Wilson (guitars), Andre Lachance (bass) and Dylan van der Schyff (drums).

A document of bassoonist Sara Shoenbeck's collaborations recorded between 2019-2021 in recording studios across North America, showing the inspired curiosity she brings to improvisation through a diverse set of duos performed with Harris Eisenstadt, Nicole Mitchell, Nels Cline, Roscoe Mitchell, Matt Mitchell, Mark Dresser, Wayne Horvitz, Peggy Lee and Robin Holcomb.

A richly refined and sophisticated album drawing on improvisation, experimenation and rock elements from the collaborative Vancouver ensemble Sick Boss of core members guitarist Cole Schmidt, bassist James Meger and drummer Daniel Gaucher, with guests including guitarist Tony Wilson, cellist Peggy Lee, trumpeter JP Carter, synth player Tyson Naylor, &c. &c.

Presented at the Vancouver International Improvisation Festival and the Vancouver International Jazz Festival, guitarist Ron Samworth's conceptual work explores the life and dreams of a dog, with narration from Barbara Adler and an incredible ensemble including cellist Peggy, keyboardist Wayne Horvitz, trumpeter JP Carter, drummer Dylan van der Schyff, etc.

Vancouver based cellist Peggy Lee leads the Film in Music project with a cast of superb improvisers including Dylan van der Schyff (drums), Torsten Muller (bass), Jesse Zubot (violin), &c, writing compositional drama for the 8 band members as as a basis for adventurous improv.

The first recording of Tony Wilson's music inspired by the plight and lives of the homeless and drug addictied in Vancouver's Downtown Eastside, in a band with P Carter on trumpet, Jesse Zubot on violin, Peggy Lee on cello, Russell Sholberg on bass and Skye Brooks on drums.

Singer/songwriter Julie McGeer leads a band of some of Western Canada's foremost players from the jazz and indie scene including Peggy Lee, JP Carter, Paul Rigby, Cole Schmidt, Darren Parris & Barry Mirochnik in an embraceable album combining jazz, indie pop and folk roots.

The duo of violinist Carlos Zingaro and cellist Peggy Lee recording at Western Front in Vancouver in 1996.

The fifth album by composer and cellist Peggy Lee with her gifted band of Canadian musicians playing a range of creative arrangements varying from haunting melodies to energetic sonic voyages.

Out free improvising vocalist Viviane Houle's debut solo release in duos with a veritable who's-who of Vancouver's finest improvisers including Peggy Lee, Jesse Zubot, &c. &c.

Tony Wilson Sextet's was formed almost 20 years ago to perform his original compositions and arrangements, here performing Benjamin Britten's Lachrymae and 4 original works.

DarkBlueWorld is Elizabeth Fischer's essential rock vehicle for collaborations with noted Canadian musicians, including Tony Wilson, Peggy Lee, Amy Denio, Jesse Zubot, &c &c.

The 4th release by The Peggy Lee Band and the 1st with the band expanded from a sextet to an octet, with 3 horns and 2 guitars blending beautifully for a warm, full sound.

Vancouver veterans Wilson, Lee & Bentley in a percussion-less improvisational trio that balances introspective beauty with adventurous technical ability.

"The quality of an album roughly depends on material for 75 percent; the other 25 percent is pacing. Rub Harder scores a hundred. The Hard Rubber Orchestra's first CD (Cruel Yet Fair, 1998) suffered from improper inclusions, a lack of fo...