A play on the Percaso band name "Day & Taxi", the trio of Christoph Gallio on soprano & alto saxophones, Dominique Girod on double bass and Dieter Ulrich on drums & bugle recorded this extended improvisation, a combination of scrambling, determined expression and post-bop creative jazz, part of the series "Life At The Zoo" at Studio the Zoo in Berne, Switzerland.

Italian and Portuguese musicians meet in the studio in Berlin for a set of studio free improvisations, from Creative Sources father/son collaborators Ernesto Rodrigues on viola and Guilherme Rodrigues on cello meeting trombonist Davide Piersanti and vocalist Ligia Liberatori for twelve exceptionally open, informed and unusual conversations.

Recorded live in 2019 at Burgbachkeller in Zug, Switzerland, the international trio Jorge's Orbe creates tapestries of sound, bringing together free improvisers from three different parts of the world: Switzerland through trombonist George Francis Marti, Japan through pianist Tsukiko Amakawa, and Spain through Pelayo Fernandez Arrizabalaga on turntables and voice.

The Virtual Balboa trio of Philadelphia improvisers Zachary Darrup on guitar, Evan Lipson on double bass and Ben Bennett on percussion, all performers associated with Spring Garden Music & saxophonist Jack Wright, are joined by open-form trumpeter Greg Kelley for this wonderfully scrabbly and tenacious live set captured at Vermillion in Seattle in 2019.

With a history of collaboration in the Lisbon improvisation scene through bands including Variable Geometry Orchestra, IKB, Isotope Ensemble, &c., guitarist Abdul Moimême (performing on two guitars simultaneously) and electronics artist Carlos Santos join with Chicago cellist & electronic improviser Fred Lonberg-Holm for five elaborate alien soundscapes of impressive detail and skill.

Post-pandemic, the electroacoustic IKB ensemble returned to the stage in 2021 at O'Culto da Ajuda in Lisbon with some of Portugal's finest improvisers performing under the direction of violist Ernetso Rodrigues, to express in sound the large rainforest beetle Titanus Giganteus, represented in an extended collective improvisation of restraint fueled by masterful and creative skill.

An introspectively lovely and reflective album of electroacoustic composition through minimal electronics, piano, samples and electronics, from the collaboration of Italian sound artists Michelangelo Decorato and Leo Cicala, with trumpeter Luca Calabrese joining on one piece; sophisticatedly languid, alluring and detailed ambient music.

A set of succinct string improvisations using extraordinary technique and concentration with a chamber improvisation feeling, recorded at Vivaldisaal in Berlin from the quartet of Portuguese father & son improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, and Berlin performers Julia Brussel on violin and Klaus Kurvers on double bass.

Two extended acoustic improvisations of reductionist approaches recorded in the studio in Parede, Portugal in 2021 from the quartet of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet, Andre Hencleeday on piano and Joao Valinho on percussion, guided by a poem from Rodrigues as they slowly and exquisitly explore a "Closed Window" and an "Open Window".

Four string improviser convene at Ulrichsberger Kaleidophon, in Germany in 2021, two of them from Germany--Dietrich Petzold on violin, viola, clavichord & bowed metal, Matthias Bauer on double bass--and the Portuguese father/son complement of improvisers--Ernesto Rodrigues on viola and Guilherme Rodrigues on cello--for three works of delicately sinewy intersection & counterpoint.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

"The jazz is not always subject to their premises. Even the breaks in their future creative. The jazz in the present century, taking t...

A half composed, half improvised album for solo electric guitar from composer and improviser Justin Lepany, known for his work with musicians like Sven-Ake Johansson and his composition "Ringing Peace" premiered during the 2014 Peace Nobel Prize ceremony: three diverse pieces using effects to create both density and spacious sonic fields.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

Maria da Rocha's name may not be familiar to jazz and improvised music lovers in Portugal, and this is because this violinist and viol...

A live recording without an audience and the start of the Welcome To Silkeborg project between Lisbon improvisers Tiago Varela (Equinox Quartet, Isotope Ensemble) on melodicas & voice, and Monsieur Trinité (Equinox Quartet, IKB, Potlatch, Variable Geometry Orchestra) on percussive objects, their first encounter finding the two in a relaxed dialog of creative conversation.

Bringing together Lisbon artists active in contemporary classical, electroacoustic soundscape and improvisation, the quartet of Ernesto Rodrigues on viola, Joana Sa on soprano saxophone, Luisa Goncalves on piano and Carlos Santos on electronics delicately "Melt" or merge these elements in a subtle and absorbing concert captured live at Lisboa Incomun.

A diverse set of conversations between Austrian improvisers, drummer/percussionist Fredi Pröll (Trio Now!, Lull) and free vocalist Mara Kolibri, recording in the studio for seven concise and far-ranging dialogs, from cantankerous interactions to controlled incoherence of absurdly implied vocalization punctuated with creative percussive reaction, often returning to lyrical jazz-influenced moments.

Electronic improviser Carlos Santos, whose sound work started with VITRIOL in 1989, a laboratory for experimental sound actions, also studied painting and works as a graphic designer; here he joins with cellist and sound artist Ulrich Mitzlaff for two extended works taking their cue from the visual arts as they study and sonically reflect subtle modulations in color fields.

Three fully free studio improvisations recorded in Manchester from the quintet of David Birchall on electric guitar, Adam Fairhall on accordion, Michael Perrett on bass clarinet, Yoni Silver on bass clarinet and Otto Willberg on double bass, all masterful performers using a wealth of creative approaches to create unusual motion in rich sonic interaction.

The Hamburg-based performing quartet of Lorena Izquierdo on free improvised voice, Aziz Lewandowski on cello & voice, Kris Kuldkepp on double bass and Felix Mayer on trombone are heard in these eight studio recordings of quietly creepy conversation, generally slow motion and reflectively introspective work that occasionally rises in throttled crescendo.

A fascinating Italian project using improv techniques on voice, bass clarinet, prepared guitars & banjos and live electronics, allowing each musician to generate sounds by using their senses to listen and reflect on the world around them, from Elio Martusciello (live electronics), Chiara Liuzzi (voice), Francesco Massaro (reeds & electronics) & Adolfo La Volpe (guitars & objects).

Active since 2008, the PLASMA 8 duo of German pianist & vocalist Thomas Reuter and saxophonist Andreas Krennerich explore the geological deposits of porphyr, a hard igneous rock containing crystals, through free improvisation, expressed here in 20 concise interactions of piano keys & strings, soprano & baritone saxophones plus unusual vocal utterance.

Led by Sydney, Australia double bassist and composer Elsen Price, the Inlay Ensemble with violist Carl St. Jacque and violinist Susie Bishop merges contemporary composed and improvisational styles in an album with each piece reflecting a distinct mood based off a single motif, creating unique perspectives that the ensemble develops through improvisation.

Emulating a solar eclipse and a lunar eclipse in two evolving improvised chamber works that take the quartet of Guilherme Rodrigues on cello, Mariana Carvalho on piano, Joao Valinho on percussion and Ernesto Rodrigues (switching from viola to harp & deploying electronics) through mysterious soundwork that move from darkness to light in detailed and subtle ways.

Six "Segments" A to F of powerful restraint and extended technique, recorded at Ausland in Berlin, Germany from the free improvising quartet of Quentin Tolimieri on piano, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Fyodor Stepanov on double bass, the close associations between the Rodrigues' and Tolimieri & Stepanov evident through their shared aesthetic.

A strangely agitated garden sculpted from melody, dissonance and instrumental abberation through profound technique and unusual approaches to their instrument, by French double bassist Louis-Michel Marion and pianist Françoise Toullec, bringing a sense of wonder and turbulent environment through a shared passion balancing ominous space with astute activity.

Swedish saxophonist Per Gärdin on alto and soprano, and Spanish percussionist Vasco Trilla performing primarily on timpani & gongs, along with clock chimes, metronomes and a drum set, recording in the studio between 2020 & 2021 in both Stockholm and Barcelona, the two favoring spacious environments for their improvisations as they expand and dissipate energy in perceptive ways.

Exotic improvisation from Korean musician based in Berlin, You Jin Sung, performing on the gayageum, a large traditional Korean plucked zither sometimes augmented with electronics, in a duo with French cellist Vincent Laju, both performers using tension and space contrasted with moments of intensity through six improvisations of cross-cultural, contemporary conversation.

Though listing four tracks, this is an indexed continuous concert from the German Grid Mesh quartet of Christof Thewes on trombone, Frank Paul Schubert on alto & soprano saxophones, Andreas Willers on electric guitar and Willi Kellers on drums & percussion, performing at Spielraum Schiffweiler-Heiligenwald in Germany in 2020 for a wildly buidling concert of free collective force.

Since 2005 Italian guitarist Tommaso Colafiglio has led the Omegatre trio, composing and arranging all works on this album with drummer & percussionist Leo Cicala, peformed with Paolo Romano on double bass and electric bass, presenting seven electric jazz compositions that flow with the sophistication and grace each brings through years of collaborative and independent evolution.

Two Israeli tenor saxophonists of different generations--Stephen Horenstein, who is associated with Bill Dixon and the Kadima label, and Eyal Netzer of Lab Orchestra and works with Albert Beger--in an intimate dialog of passionate playing merging jazz forms and experimental approaches to improvisation, both taking up drums, Horenstein also performing on soprano sax.

A percussive "Natchtprogramm" and a tonal "Syntax" from composer Torsten Papenheim, recorded in the studio in Cologne and Berlin, the former performed with trombonist Matthias Much, double bassist Achim Tang and pianist Philip Zoubek; the latter with Johannest Trondle (violincello) & Axel Haller (electric bass), then with Elena Kakaliagou (french horn) & Evi Filippou (percussion).

Using percussion, cymbals, various objects, computer and sound sculptures made by Bruno Girardi, Italian percussionist Lucio Bonaldo, known for the group L'imbroglio, presents a set of recordings performed live and direct, captured between 2018 & 2019, including a Sonorization of a literary passage taken from "Traviso" by Alberto Cellotto, and "Altken", an overdubbed work.

Recording in live conditions and multitrack, French guitarist and multi-instrumentalist Jeremy Baysse performs a version of Terry Riley's classical minimalist composition "In C" using electric guitar, acoustic guitar, twelve string guitar, effects, banjo, bass, glockenspiel, maracas, cymbal, mandolin, synthesizer, percussion, and drum machine.

A solo album from Italian percussionsit Lucio Miele, presenting six works of layered percussion with live electronics and, on three tracks, recitation from actor Simona Fredella, each piece sound-oriented with an incredibly diverse set of percussive variety, detailed atmospheric settings and diverse rhythmic foundation; a remarkable and sometimes hair-raising album.

Since 2014 the collective [SNDNG STTNS] has explored theatrical situations between musictheatre, staging and composition with live music, instruments, recordings, samples, speach and live editing, this work featuring cellist Guilherme Rodrigues bridges the art of the brazilian "violeros" with contemporary music, acoustic and electronic composition and improvisation.

Acoustic and sublime minimal acoustic improvisation with an emphasis on strings from the Portuguese quintet of Ernesto Rodrigues on viola, Miguel Almeida on acoustic guitar, Andre Lanca on electric guitar, Bernardo Alvares on double bass, and Felice Furioso on percussion, performing live during the Small Format Materials Festival at Galeria Monumental, in Lisbon.

IKB, a ten-piece reductionist electroacoustic ensemble of strings, reeds, guitar, computer, percussion, piano, drums & objects, continues their exploration of exotic animal species with this 2020 live performance at O'Culto da Ajuda in Lisbon, Portugal, detailing the long-billed shore bird Limosa through intricate, restrained and remarkable expression.

With an ensemble of adept improvisers including Luis Vicente on trumpet, Nuno Torres, Jose Lencastre and Bruno Parrinha on reeds, Luis Lopes on guitar, &c, Creative Sources leader and violist Ernesto Rodrigues' Isotope Ensemble examines the element "Helium" in a monumental 44-minute electroacoustic improvisation recorded live at O'Culto da Ajuda, in Lisbon.

The 8-piece String Theory ensemble directed by violist Ernesto Rodrigues performs a beautiful and subtle work inspired by a poem written by Rodrigues, "Une Ombre Du Bonheur", realized through viola, violin, cellos, viola de gamba, double bass, piano, zither and objects, a stunningly beautiful and deceptively tranquil work of exceptional detail and dexterous execution.

Interested in exploring open form improvisation and pairing Western and Korean musical instruments & tradition, baritone saxophonist Simon Rose met gayageum player Youjin Sung, a member of the AsianArt Ensemble playing contemporary music, at the Berlin club Sowieso in 2019 to record these eight exotic and informed dialogs of unique timbral voicing and authoritative skill.

A live recording without an audience and the start of the Welcome To Silkeborg project between Lisbon improvisers Tiago Varela (Equinox Quartet, Isotope Ensemble) on melodicas & voice, and Monsieur Trinité (Equinox Quartet, IKB, Potlatch, Variable Geometry Orchestra) on percussive objects, their first encounter finding the two in a relaxed dialog of creative conversation.

The electroacoustic improv trio of flutist Paolo Pascolo and electronics guru Alberto Novello (JesterN') on modular synthesizer, and Slovenian drummer Vid Drašler, for seven haunting improvisations of unfaltering patience, electronic tones commingling with atmospheric flutes and subtle percussive intervention, creating rich sonic environments or quirky conversation.

The second album from the duo of cellist Paula Sanchez and oud player Christian Moser, a "restless hodgepodges of tensile agitation, percussive clatter, and nocturnal claustrophobia, with both Moser and Sanchez contributing conventional instruments abused with extended techniques (oud and cello, respectively) as well as objects and found ephemera."

The core of the German free improvising Takatsuki Trio is Rieko Okuda (piano, viola, &c.), Antti Virtaranta (bass), and Joshua Weitzel (shamisen, guitar), who, while touring, ask a guest from the area they're performing in to join them, here inviting tenor saxophonist Matthias Schubert in Kassel, Germany, and in Wiesbaden, Germany inviting saxophonist Dirk Marwedel.

Three active Portuguese improvisers in a trio of remarkably sensitive rapport from Gonçalo Mortágua on tenor saxophone, Guilherme Rodrigues on cello and Higino Andrade on double bass, their group name referencing "3 Old Women", though their playing is youthful and adept, bringing a sense of bright space in 14 concise and intensely creative conversations.

The trio of Bruno Parrinha on bass clarinet & alto sax, Abdul Moimeme on prepared electric guitar & objects, and Carlos Santos on electronics & objects performed this confrontational improvisation at the 2020 Small Formats Materials Festival, weaving acoustic and electronic expression with assertive confidence, affirming reductionist approaches as commanding statements.

An exquisite and mysterious album of free improvisation merging acoustic and subtle electroacoustic elements, from the trio of Bertrand Denzler on tenor saxophone, Ernesto Rodrigues on viola and Abdul Moimeme on electric guitar & objects, recording in the studio for this extensive work in four parts that transitions between moments of transfixing sound and cautious motion.

The 2nd release from this Sydney, Austrlian acoustic sextet, creating subtle yet dynamic improvisations influenced by the musical concepts of John Cage and Morton Feldman, balancing contemplative sections with building surges, these works developed on their 2019 Europe tour, which included performances at Copenhagen Jazz Festival as well as shows in Berlin and Stockholm.

German cellist and pianist living in Lisbon, Ulrich Mitzlaff recorded these two solo works titled "transparent — fluorescent sound fibers" #1 & #2 in 2015 and 2020, each voiced for extended and unusual instrumental technique in an interaction with percussive objects, the first from 2015 performing on cello, the second from 2020 performed on piano.

Argentinian sound artist Alexis Perepelycia explores his influences in an extended sonic work, drawing on his roots in the sounds of garage, punk, metal, industrial music into his work in academia, using abstract references of assertive and acousmatic sound with powerful electronic emphasis as he seeks his ghosts amidst references like Russolo, Stockhausen, &c.