The Squid's Ear Magazine


Lossing, Russ: Inventions (Blaser Music)

New York pianist Russ Lossing, known for his inventive work with his trio Three-Part Invention alongside bassist Mark Helias and trumpeter Ralph Alessi, steps into the spotlight alone on Inventions, a solo piano album that showcases his unique ability to weave quick-witted, spontaneous improvisations with beautifully introspective moments in this captivating set of live studio performances.
 

Price: $14.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Russ Lossing-piano


Click an artist name above to see in-stock items for that artist.




Includes an 8-page color booklet of images and liner notes by Bill Meyer

UPC: 0730706014895

Label: Blaser Music
Catalog ID: SONGS002CD
Squidco Product Code: 35300

Format: CD
Condition: New
Released: 2024
Country: France
Packaging: Cardboard Gatefold 3 Panels w/ booklet
Recorded at Square Water Studios, in Pennsylvania, in May, 2023, to January, 2024.

Descriptions, Reviews, &c.

"In 2023 Russ Lossing released Alternate Side Parking Music, a CD by his band King Vulture. Its tense rhythms, acid-toned Wurlitzer and Rhodes electric pianos, and titular acknowledgement of the travails of car ownership all betray the influence of living and creating in an urban environment. Even before the record was out, Lossing put the city in his rearview mirror. He now lives in a house on three acres out in the country near the Delaware Water Gap. With no neighbors close by, he can play through the night if he likes, and he never has to forsake the piano to park his car.

Just as Alternate Side Parking Music reflects the circumstances of city living, Inventions: A Suite of Improvisations can be understood in light of the setting in which it was made. Lossing recorded it on his own piano, in his living room, at night. He took his time, selecting the suite's six parts from pieces recorded between May 2023 and January 2024. But it does not seek to express the view from his room. The setting is a not a resource to be mined, but a precondition which enables Lossing to access the mindset necessary to spontaneously conceive and articulate this complex but logically organized music.

Lossing is no stranger to solo improvisation. While he has led his own bands for decades, and is a versatile, engaged facilitator of other people's music, solitary exploration within a determined framework is at the core of his creative practice. "I began classical piano studies in 1965 at the age of five. When I was ten years old, I became fully aware of the concept of improvisation. At that point I began my daily practicing by improvising before I started working on my lesson material. At first, I would improvise for 10-15 minutes non-stop, and then gradually increase the time to one hour over the next couple of years. Over the decades I developed my own vocabulary, concepts and strategies." Inventions is founded upon a lifelong study and practice of music, full stop. "My influences are very broad. All western classical music, all Jazz, Folkloric music of the world, Indian classical music, Electronic and Musique Concrete from history, Gamelan and the list goes on."

It is also born of an enduring, intimate relationship with the piano. Lossing proceeds with absolute confidence, both in the process that gives rise to each piece's thematic development and the technique that articulates it. He throws down in the first twenty seconds of the first invention, beginning with a theme, exposing one of its implications, and then restating it in light of what he's found. What he plays in that time span is information-rich, providing raw material for intricate statements to come and establishing the pace at which he will take them. It also issues a prescription for lucidity, which Lossing adheres to throughout the suite. Follow "Invention II" as it patiently descends a staircase of pitch and navigates a hallway of options, patient but never hesitant. That patience manifests differently on "Invention III;" the phrasing starts quick and gets quicker, but pauses permit the listener to sit with them, breath, and then continue. On each of these pieces, and the three that follow, he imagines and elaborates upon a sonic structure, taking the listener into a psychic and sensate space as real as any avenue or acreage."-Bill Meyer, from the liner notes


Includes an 8-page color booklet of images and liner notes by Bill Meyer

Artist Biographies

"Russ Lossing (born 1960) is an American jazz pianist, composer, improviser, arranger, educator, scholar.

Early life

Lossing was born in Ohio in 1960, and is from Columbus, Ohio. He had classical piano lessons from the age of 5 and began studying jazz aged 13 in Columbus at the Jazz and Contemporary Workshop with Dave Wheeler. After high school Lossing went on the road with a wide variety of bands including jazz, funk, rock, pop and country music for four years before attending university. He obtained a Bachelor of Music in piano at Ohio State University in 1986. In the early 1980s meetings with composer John Cage had a big effect:

We only had two occasions to get together and talk, but any time spent with him was utterly valuable. He read through my scores we played piano together. His thing was creating, not emulating: don't copy; trust YOURSELF. I was already going in this direction but this experience, listening to Cage's concepts and philosophy in this setting, made so much sense.

Later life and career

Lossing has been part of the New York jazz scene since 1986. In 1988 he earned a Master of Music from the Manhattan School of Music. He has led or co-led numerous bands, including: his own trio with Masa Kamaguchi and Billy Mintz; Three-Part Invention with bassist Mark Helias and trumpeter Ralph Alessi; and duos with saxophonist Tim Berne, drummer Gerry Hemingway, and guitarist Ben Monder. Others are: trio with Paul Motian and Ed Schuller (Dreamer and As It Grows); trio with Mat Maneri and Mark Dresser (Metal Rat); trio with John Hebert and Jeff Williams (Phrase 6); quartet with Loren Stillman, John Hebert and Eric McPherson (Personal Tonal); King Vulture with Adam Kolker, Matt Pavolka and Dayeon Seok; and duos with saxophonist Loren Stillman, bassist John Hebert (Line Up,Hatology), and saxophonost Michael Adkins.

Lossing played with drummer Paul Motian over a period of 12 years and recorded Drum Music, a solo piano tribute album to him in 2011. The JazzTimes reviewer of Drum Music commented that "his two-fisted takes on 'Fiasco', 'Dance' and 'Drum Music' capture the great drummer's unpredictable and audacious rhythmic pulse. Lossing's stark re-imaginings of [... other Motian pieces] all vibrate with a new spirit of exploration." Swiss newspaper Der Sonntag wrote that "Drum Music is a stunning improvisational solo recital, a convincing plunge into 10 Motian compositions. This is music in between contemporary jazz and up to date tonal concert music."

Lossing has performed in some of the world's leading jazz festivals including the London, Vienna, Harlem, Cully (Switzerland), Toronto and Venice (Italy) Jazz festivals to name just a few. He has also performed in jazz clubs in New York and Europe including The Village Vanguard (with Paul Motian), Blue Note NYC, The Jazz Standard, Birdland, Porgy and Bess (Vienna), Unterfahrt (Munich), Jazz Club Ferrara (Italy) and many more over a span of 25 years.

In February 2016, Lossing was invited by John Zorn to do a week long residency at The Stone NYC in which he presented 12 of his ensembles over 6 nights.

Lossing has composed over 400 pieces of music in many genres including jazz, contemporary classical (solo piano works, string quartets, orchestral works and song cycles), song writing in various styles, pop, rock, funk, fusion (in early life), film scoring (30+ films).[citation needed] In 2015, he founded the record label Aqua Piazza."

-Wikipedia (https://en.wikipedia.org/wiki/Russ_Lossing)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Inventions I 8:19

2. Inventions II 8:14

3. Inventions III 6:48

4. Inventions IV 4:14

5. Inventions V 8:34

6. Inventions VI 7:37

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Piano & Keyboards
Solo Artist Recordings
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Blaser Music.


Recommended & Related Releases:
Lossing, Russ Trio
Ways
(ezz-thetics by Hat Hut Records Ltd)
An essential part of the New York jazz scene since the mid-80s, pianist Russ Lossing's compositions employ concept and space in unique and personal ways, as heard in these 8 original works performed with his trio of long-time collaborators, double bassist Masa Kamaguchi and drummer Billy Mintz, for an album of highly evolved and lyrically sophisticated music.
Blaser, Samuel / Russ Lossing / Billy Mintz
Roundabout / Triple Dip [2 CDs]
(Jazzdor)
Recording in the NY Metropolitan area, this superb 2-CD collection of studio recordings begins with a series of duos between trombonist Samuel Blaser and pianist Russ Lossing performing lyrically and structurally interesting compositions from both performers, then joined by drummer Billy Mintz for a mix of original compositions plus 1 each from Blind Willie Johnson and John H. Mercer.
Blaser, Samuel / Consort In Motion
A Mirror To Madchaut
(Songlines)
The Consort in Motion ensemble of Samuel Blaser on trombone, Joachim Badenhorst on bass clarinet, clarinet & tenor saxophone, Drew Gress on double bass, Russ Lossing on piano, Rhodes & Wulitzer and Gerry Hemingway on drums & percussion adapt the late medieval court music of Guillaume de Machaut and Guillaume Dufay into arrangements for modern creative improvisation.
Lossing, Russ Trio
Ways
(ezz-thetics by Hat Hut Records Ltd)
An essential part of the New York jazz scene since the mid-80s, pianist Russ Lossing's compositions employ concept and space in unique and personal ways, as heard in these 8 original works performed with his trio of long-time collaborators, double bassist Masa Kamaguchi and drummer Billy Mintz, for an album of highly evolved and lyrically sophisticated music.
Blaser, Samuel
Spring Rain
(Whirlwind)
Swiss trombonist Samuel Blaser pays tribute to clarinetist and composer Jimmy Giuffre, in a quartet with Russ Lossing on piano & keys, Drew Gress on double bass, and Gerald Cleaver on drums, merging Giuffre's lyrical forms to create new and innovative compositions.
Lossing, Russ / Ed Schuller / Paul Motian
As It Grows
(Hatology)
Composer and pianist Russ Lossing explores the eloquence of silence as his music grows out of silence and the space between thought and gesture in this trio with Ed Schuller (bass) and Paul Motian (drums).
Adkins, Michael Quartet
Rotator
(Hatology)
New York tenor saxophonist and composer Michael Adkins with his quartet including Paul Motian on drums in a set of 9 original compositions.
Other Recommended Releases:
Shipp, Matthew
The Data [2 CDs]
(RogueArt)
Recording in the Merkin Concert Hall on a Steinway Grand Piano, New York pianist Matthew Shipp's seventeen numbered tracks of "The Data" takes listeners through a virtual history of jazz and contemporary improvisation, from beautifully lyrical moments to rapidly complex matrices of expression, balancing his approaches into an absorbing and rewarding album.
Hevleticus (Samuel Blaser / Daniel Humair / Heiri Kanzig)
Our Way
(Blaser Music)
A trio of all-star European jazz performers from three generations — drummer Daniel Humair (85), bass player Heiri Kanzig (66) and trombonist Samuel Blaser (42) — in their second album after 2020's album 1291, for a mixture of original compositions and standards including Monk's "Jackie-ing" & "Bemsha Swing", Ellington's "Creole Love Song" & "Tiger Rag".
Blum, John
Nine Rivers
(ESP-Disk)
An outrageously powerful improvised exposition of nine rivers from New York pianist John Blum, performing live in a solo concert as part of the 2013 Crosscurrent Festival in Pecara, Italy, Blum's commanding technique and density making clear his influence by former mentors Cecil Taylor and Borah Bergman, as he rolls and roars rapidly through each torrent.
Futterman, Joel
Intervals 2
(Fundacja Sluchaj!)
Technically brilliant and creatively inventive, pianist Joel Futterman expands on his 2020 Listen! Foundation CD with a second three-part journey into his powerfully investigative approach to solo jazz improvisation, referencing a history of styles and techniques that display both a dynamo of intricate ability and a sensitivity to timing, space and melodic expression.
Blaser, Samuel / Pierre Favre
Same Place, Another Time. [VINYL]
(Blaser Music)
Only the second vinyl LP of Swiss trumpeter Samuel Blaser's career and released on drummer Pierre Favre's 85th birthday, this is their second duo album, well reflecting the extensive collaboration and touring these improvisers from two generations of free jazz have made, bringing nuance, virtuosity and humor together through original free improv and two notable standards.
Taylor, Cecil
Respiration
(Listen! Foundation (Fundacja Sluchaj!))
An incredible solo concert from legendary New York pianist Cecil Taylor in October, 1968 at the Sala Kongresowa (Congress Hall, Palace of Culture and Science) in Warsaw during the Jazz Jamboree, recorded by Polski Radio and remastered in 2021, an excellent example of the nimble mind and quick technical skills of Taylor's personal take on improvisation; stunning!
Blaser, Samuel / Oscar Stranoy / Luciano Berio: Ensemble Songs & Sarah Maria Sun
Folk Songs
(Blaser Music)
The project and ensemble "Songs" brings together Swiss trombonist & composer Samuel Blaser and pianist & composer Oscar Strasnoy, taking the instrumentation and concept of Lucio Berio's Folksongs and expanding it into Blaser's "Worksongs", a set of songs around Mississippi Delta blues, and Strasnoy's "Chanzuns Popularas Rumanchas" based on the traditional music of the Canton of Grisons.
Futterman, Joel
Creation Series [5CD BOX SET]
(NoBusiness)
Five major works in a Creation Series concept from pianist Joel Futterman, each disc presenting from 2 to 4 parts in an ambitious and accomplished set of solo improvisations that start simply with monophonics and evolve into increasingly complex and inspired works of incredible creative control; a masterful release reflecting a lifetime of innovation and inventiveness.
Crispell, Marilynn
Labyrinths
(Les Disques Victo)



Customers Who Bought This Item Also Bought:
Nebbia, Camila / Angelica Sanchez
In Another Land, Another Dream
(Relative Pitch)
An intimate duo at Brooklyn's IBeam performance venue in November 2023 between visiting Argentine-born, Berlin-based tenor saxophonist Camila Nebbia and New York pianist Angelica Sanchez, performing six freely improvised and sophisticated dialogs that highlight the implicit lyricism of each player and the finesse of their virtuosic skills in subtle expression.
Berne, Tim / Michael Formanek
Parlour Games
(Relative Pitch)
With an extensive discography of collaboration together in a wealth of groupings, New York bassist Formanek and alto saxophonist Tim Berne are heard in this 1991 live duo performance at The Parlour in Providence, Rhode Island, a powerfully confident concert of informed dialogs captured seven years before their only duo album from 1998, Ornery People.
Butcher, John / Florian Stoffner / Chris Corsano
The Glass Changes Shape
(Relative Pitch)
A remarkable concert in 2023 at The Loft in Cologne, Germany, a superb example of collective free improvisation using extraordinary and masterful technique between UK saxophonist John Butcher, Swiss guitarist Florian Stoffner and NY drummer Chris Corsano, also performing on half clarinet; nine conversations of sophisticated and astute communication.
Reid / Kitamura / Bynum / Morris
Geometry of Phenomena
(Relative Pitch)
The next angle from the collective Geometry group of Tomeka Reid on cello, Taylor Ho Bynum on cornet & flugelhorn, Kyoko Kitamura on voice, and Joe Morris on guitar, exploring their "Geometry" first of "Caves", then "Distance", "Trees", and now "Phenomena", through highly attuned exploration of sonic complexities and intersecting approaches to their respective instruments.
Jurd, Laura / Paul Dunmall
Fanfares And Freedom
(Discus)
Paul Dunmall brings his quartet of Liam Noble (piano), Caius Williams (bass) and Miles Levi (drums) together with Laura Jurd's brass quintet of Jurd (trumpet), Chris Batchelor (trumpet), Alex Paxton (trombone), Raphael Clarkson (trombone) and Oren Marshall (tuba) for a live performance at The Vortex in London, written by Jurd as a commission from the Cheltenham Jazz Festival.
Rempis / Adasiewicz / Abrams / Damon
Propulsion
(Aerophonic)
The debut of the Chicago quartet of Dave Rempis on alto, tenor & baritone saxophones, Jason Adasiewicz on vibes, Joshua Abrams on bass and Tyler Damon on drums, recorded after a year of performances to develop their propulsive and expansive force, as heard in this concert at Elastic Arts, which was also the last of the weekly Thursday night series Rempis curated for 21 years.
Swell's, Steve Imbued With Light
Hommage a Galina Ustvolskaya
(Silkheart)
Continuing his series of hommages to classical composers, New York trombonist Steve Swell assembles his sextet to improvise under the influence of Russian composer Galina Ustvolskaya (1919-2006), whose truly unique "out of the box" approach to structuring sound brings force and intensity to Swell's compositions, yielding inspired performances from all musicians.
Moholo-Moholo, Louis
Viva La Blac
(Ogun)
South African drummer Louis Moholo-Moholo's 2nd album as a leader with his sextet Viva La Black, newly remastered and including two extra tracks from the original LP, issued for the first time on CD drawing out their unique approach to British jazz through compositions from Keith Tippett, Chris McGregor, Tristan Honsinger, Mongezi Feza, Harry Miller, and Moholo-Moholo himself.
Stein, Jason (Stein / Abrams / Cleaver / Boon)
Anchors
(Tao Forms)
Chicago-based bass clarinetist-composer Jason Stein returns from a six-year hiatus as bandleader with a beautifully personal, nuanced, and expansive album, created with bassist Joshua Abrams (Natural Information Society), drummer Gerald Cleaver, and guitarist and co-producer Boon, in a suite of seven Stein compositions ranging from meditative calm to gripping intensity.
Parker's, Evan Transatlantic Trance Map
Marconi's Drift
(False Walls)
Bringing together two groups of spectacular improvisers versed in free and electroacoustic improvisation for a live transatlantic performance, one group of seven musicians primarily from The UK & Europe performing from The Hot Tin venue in Faversham, Kent, UK, the other group of six musicians performing from Roulette, New York City, for this stunningly impressive group improvisation.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC