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![Kaze (Satoko Fujii / Natsuki Tamura / Christian Pruvost / Peter Orins): Unwritten (Circum-Libra / Libra) Kaze (Satoko Fujii / Natsuki Tamura / Christian Pruvost / Peter Orins): Unwritten (Circum-Libra / Libra)](https://www.teuthida.com/productImages/misc4/34394.jpg)
The Kaze quartet of trumpeter Natsuki Tamura, pianist Satoko Fujii, trumpeter & flugelhorn player Christian Pruvost and drummer Peter Orins, continues its avant-embracing and uniquely voiced project with this live performance at Lille, France, an episodic and spontaneously diverse set of three collective improvisations of intuitive, adventurous interaction.
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Satoko Fujii-piano
Natsuki Tamura-trumpet, voice
Christian Pruvost-trumpet, Flugelhorn
Peter Orins-drums
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Label: Circum-Libra / Libra
Catalog ID: Circum-Libra 207
Squidco Product Code: 34394
Format: CD
Condition: New
Released: 2024
Country: Japan/France
Packaging: Cardboard Gatefold
Recorded live at La Malterie in Lille, France, on May 14th, 2023.
"With Unwritten Kaze, the cooperative quartet featuring Japanese composer-pianist Satoko Fujii and trumpeter Natsuki Tamura along with French trumpeter Christian Pruvost and drummer Peter Orins, have released the first completely improvised album in their 13-year history. For them it was not such big stretch. "In fact, our compositions for Kaze have always been pretexts for the improvisation," says Orins. "Having played a mix of written music and free improvisation for so many years gives us a strong consciousness of structure, and in the end I think it's hard to tell that what we play on Unwritten is only improvised."
Orins points out that the album June by Trouble Kaze, a sextet recording with guests - pianist Sophie Agnel and drummer Didier Lasserre - was also improvised, but this is the first time the core quartet has recorded that way. He and Pruvost had been encouraging Fujii and Tamura to do only improvisation in concert, but they seemed reluctant. Then on a 2022 European tour with laptop musician Ikue Mori, she was unable to make the final concert. They didn't want to play the pieces they'd been doing with Mori earlier in the tour, so they improvised. "It was great," Tamura said, "So, we decided to just improvise on this record."
The opportunity came on a European tour in May 2023, during a concert at la malterje in Lille, France, the hometown of Pruvost and Orins. Their method was simple. "We just played without any discussion," Fujii said.
"We never really talk about music, except if it's written, but even then not very much," Orins said, adding wryly, "We prefer to talk about food."
Of course with musicians of this caliber, their spontaneous creations have both the immediacy of improvisation and the logic of composition. The opening improvisation, "Thirteen Years," is a marvel of balanced group development and an exercise in sonic extremes. As each bandmember adds their contributions to the evolving performance, the music grows organically through several arresting passages. At times it is hard to tell who or what is making the sounds or how. But if the sounds are often abstract, they always assume a musical shape. At more than 35 minutes long, the improvisation ranges from quiet and subtle to thundering intensity to haunting, otherworldly beauty.
Then in one of the band's surprising decisions that turns out to be perfectly apt, they decided to split a second improvisation into two separate tracks. The move throws a different light on the performance, yet feels honest to the original music. "I think we felt it quite natural," Orins said.
The moody "We Waited" traces an arc that rises to an apex and then subsides. Fujii's piano is a melancholy, lyrical presence throughout, as Pruvost's metallic trumpet drones, Orins' textural percussion, and Tamura's arresting, sorrowful vocalizations form a slowly shifting backdrop. The lamentation gives way to a climactic energized trio of trumpets and drums before the piano returns and music fades away.
An extended percussion monologue full of interesting textures and timbres opens "Evolving." Then with Orins focusing on the trap kit and the energy level steadily rising, Fujii jumps in strumming whirling figures on the piano strings and the final minutes erupt into rumbling piano, soaring trumpet flights, and tumultuous percussion."-Circum-Libra
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Artist Biographies
• Show Bio for Satoko Fujii "Born on October 9, 1958 in Tokyo, Japan, Fujii began playing piano at four and received classical training until twenty, when she turned to jazz. From 1985-87, she studied at Boston's Berklee College of Music, where her teachers included Herb Pomeroy and Bill Pierce. She returned to Japan for six years before returning to the US to study at the New England Conservatory in Boston, where her teachers included George Russell, Cecil McBee, and Paul Bley, who appeared on her debut CD Something About Water (Libra, 1996). Since then Fujii has been an innovative bandleader and soloist, a tireless seeker of new sounds, and a prolific recording artist in ensembles ranging from duos to big bands. She has showcased her astonishing range and ability approximately 80 CDs as leader or co-leader. With each new recording or new band, she explores new aspects of her art. Regular collaborations include her New York trio with bassist Mark Dresser and drummer Jim Black, augmented by trumpeter/husband Natsuki Tamura to form the Satoki Fujii Four; her duo with Tamura; the Satoko Fujii Quartet featuring Tatsuya Yoshida of the Japanese avant-rock duo, The Ruins; Orchestra New York, which boasts the cream of New York's contemporary avant garde improvisers, including saxophonists Ellery Eskelin and Tony Malaby, trumpeters Herb Roberton and Steven Bernstein, and trombonist Curtis Hasselbring, among others; Orchestra Tokyo, drawing on that city's best improvisers; Orchestra Nagoya; Orchestra Kobe; the co-operative trio Junk Box with Tamura and percussionist John Hollenbeck; ma-do, a quartet including Tamura on trumpet, bassist Norikatsu Koreyasu, and Akira Horikoshi; the Min-Yoh Ensemble with Tamura, trombonist Hasselbring, and accordionist Andrea Parkins; the Satoko Fujii New Trio, featuring bassist Todd Nicholson and drummer Takashi Itani― plus countless engagements and collaborations with some of the world's most important improvisers." ^ Hide Bio for Satoko Fujii • Show Bio for Natsuki Tamura "Japanese trumpeter and composer Natsuki Tamura is internationally recognized for a unique musical vocabulary that blends extended techniques with jazz lyricism. This unpredictable virtuoso's seemingly limitless creativity led François Couture in All Music Guide to declare that "... we can officially say there are two Natsuki Tamuras: The one playing angular jazz-rock or ferocious free improv... and the one writing simple melodies of stunning beauty... How the two of them live in the same body and breathe through the same trumpet might remain a mystery." Born on July 26, 1951, in Otsu, Shiga, Japan, Tamura first picked up the trumpet while performing in his junior high brass band. He began his professional music career after he graduated from high school, playing in numerous bands including the World Sharps Orchestra, Consolation, Skyliners Orchestra, New Herd Orchestra, Music Magic Orchestra, and the Satoko Fujii Ensemble, as well as in his own ensemble. He was the trumpeter for numerous national television shows in Japan from 1973-1982, including The Best Ten, Music Fair, Kirameku Rhythm and many others. In 1986, he came to the United States to study at Berklee College of Music. He then returned to his native Japan to perform and teach at the Yamaha Popular Music School and at private trumpet studios in Tokyo and Saitama, before coming back to the US to study at New England Conservatory. He made his debut recording as a leader in 1992 on Tobifudo. In 1997 he released the duo album How Many? with pianist Satoko Fujii, who is also his wife. It marked the beginning of an artistic collaboration that continues up to the present. The duo has made a total of five CDs over the years, including 2012's Muku. "Muku contains some truly stunning, spine-tingling music...its sheer beauty and elegance is what lingers most," wrote Dave Wayne in All About Jazz. "Fujii's orchestral technique, clear chromatic lines and "prepared piano" devices contrast effectively with Tamura's arsenal of extended techniques which he executes with a warm, vocalized tone throughout the trumpet's full range," Ted Panken said in his four-star DownBeat review. Tamura's collaborations with Fujii reveal an intense musical empathy, and have garnered wide popular and critical acclaim. Jim Santella in All About Jazz described their synergy well in his glowing review of the couple's 2006 Not Two disc, In Krakow, In November: "... the creative couple forcefully demonstrates what can happen when you let your musical ideas run free... Similarly, Tamura's mournful trumpet can fly high or low in search of his next surprise. Oftentimes, they both issue plaintive moans that sing like angels on high." Their sixth duet album is due out in 2017. In 1998, Tamura began recording his unaccompanied solo performances. The stunning solo trumpet debut release, A Song for Jyaki earned a Writers Choice 1998 in Coda magazine, and Andy Bartlett wrote in Coda, "A fabulous set of hiccuping leaps, drones and post-bop trumpet hi-jinx. Tamura goes from growling lows to fluid, free solo runs and echoes not only Don Cherry's slurring anti-virtuosic chops but also Kenny Wheeler's piercing highwire fullness." He followed it up in 2003 with KoKoKoKe, which Jon Davis described in Exposé as "Buddhist chants from an alien planet." Grego Applegate Edwards explains that on Tamura's most recent solo album, 2013's Dragon Nat, "he pares down to focus on simple unwinding melodic material, the sound of his trumpet as a sensuous thing, a periodicity. Taken as a whole it is a kind of environmental tone poem for the moment Natsuki is in now." 2003 was a breakout year for Tamura as a bandleader, with the release of Hada Hada, featuring his free jazz-avant rock quartet with Fujii on synthesizer. Peter Marsh of the BBC had this to say about the high voltage CD: "Imagine Don Cherry woke up one morning, found he'd joined an avant goth-rock band and was booked to score an Italian horror movie. It might be an unlikely scenario, but it goes some way to describing this magnificent sprawl of a record." The quartet's 2004 Quartet release Exit was deemed "...a brilliantly executed set with a neon glow," by Dan McClenaghan in All About Jazz. In 2005, Tamura made a 180-degree turn in his music with the debut of his all acoustic Gato Libre quartet. Focusing on the intersection of European folk music and sound abstraction, the quartet featured Fujii on accordion, Kazuhiko Tsumura on guitar, and Norikatsu Koreyasu on bass. The quartet's poetic, quietly surreal performances have been praised for their "surprisingly soft and lyrical beauty that at times borders on flat-out impressionism," by Rick Anderson in CD Hotlist. Dan McClenaghan in All About Jazz described their fourth CD, Shiro, as "intimate, something true to the simple beauty of the folk tradition...Tamura's career has largely been about dissolving musical boundaries. With Gato Libre and Shiro, the trumpeter extends his reach even deeper into the prettiest, most accessible of his endeavors." After the unexpected passing of Norikatsu in 2012, Tamura added trombonist Yasuko Kaneko to the group. The new configuration has toured Europe and Japan and released its debut recording, DuDu, in 2014. "DuDu follows the winning formula of its predecessors but, as with the other discs, eschews the formulaic. The result is another sublimely satisfying, elegant record that brims with raw excitement and a reflective nostalgia," writes Hrayr Attarian in All About Jazz. With the tragic death of guitarist Kazuhiko Tsumura, Gato Libre is now a trio. They will release a CD and LP in 2017. In 2010, Tamura debuted a new electric quartet, First Meeting, featuring Fujii, drummer Tatsuhisa Yamamoto and electric guitarist Kelly Churko. Their first release, Cut the Rope, is "is a noisy, free, impatient album, and ranks among Fujii and Tamura's most accomplished," according to Steve Greenlee in the Boston Globe. While fronting groups and recording as a leader, Tamura has also played an integral role in nearly all of Satoko Fujii's many projects. He is featured on all of the CDs by Satoko Fujii's various orchestras (NY, Tokyo, Nagoya, Kobe, and Berlin) and has contributed original compositions and arrangements to each of their 19 critically celebrated albums. In addition, he was a featured soloist in the Satoko Fujii Quartet, her avant-rock free jazz group that also included Tatsuya Yoshida of The Ruins. Of his work on the quartet's 2003 release Minerva, Mark Keresman wrote in JazzReview.com, "Natsuki Tamura's trumpet has some of the stark, melancholy lyricism of Miles, the bristling rage of late 60s Freddie Hubbard and a dollop of the extended techniques of Wadada Leo Smith and Lester Bowie." Tamura is a vital member of Fujii's Min-Yo Ensemble as well. "Tamura tempers his avant-garde antics with an innate lyricism," wrote Steve Smith of Time Out New York in his review of Fujin Raijin, the intimate acoustic quartet's debut CD. He's also been singled out for his contributions to Fujii's ma do ensemble. "With Tamura's brash and glowing lines, the band incorporates mesmeric ostinatos and thrusting opuses into the grand schema," Glenn Astarita wrote in Ejazznews about their first CD, Desert Ship. Collaborative groups also play an important role in Tamura's career. Most recently, Tamura joined Fujii and two French musicians, trumpeter Christian Pruvost and drummer Peter Orins, to form Kaze, which made their recording debut in 2011. In 2015, they released their third album, Uminari, which Jazz Magazine (France) called, "a compelling example of free jazz today. Compositions are perfectly scripted, with a well-oiled interaction and playing of beautiful power..." The collaborative trio Junk Box, which he co-founded in 2006 along with pianist Fujii and drummer John Hollenbeck, plays Fujii's "composed improvisations," graphic scores that take "ensemble dynamics to great creative heights," says Kevin Le Gendre in Jazzwise. Their music "is full of bluster and agitation that nonetheless retains moments of great melodic beauty, usually by way of concise, pertly pretty motifs that trumpeter Tamura plays in between bursts of withering roars that often dissolve into austere overtones." Their premiere CD, Fragment, appeared in 2006. As Daniel Spicer wrote of Fragment in JazzWise, "Tamura spits out gloriously rude Lester-Bowie-like snorts, lows like a herd of robotic cattle or makes like a wheezy howler monkey... Cool and clever." Glenn Astarita of All About Jazz declared it "Required listening." Along the way, there have been one-off cooperative groups and sideman appearances for Tamura as well. In the Tank, an ad hoc quartet with Fujii and electric guitarists Takayuki Kato and Elliott Sharp, is a "triumphant electro-acoustic adventure" according to Daniel Spicer of Jazzwise. "Think AMM meets blues guitar meets 1970s Miles Davis and you get some idea of the disc's flavor: a slow-moving panorama for the ears, where sounds are systematically added, repeated, refined, and replaced in turn," wrote Nate Dorward in Cadence. Tamura and Fujii were one of two piano/trumpet duos featured on the Double Duo Crossword Puzzle CD, a live recording with Dutch trumpeter Angelo Verploegen and pianist Misha Mengelberg. Tamura has also toured and recorded with saxophonist Larry Ochs' Sax and Drumming Core, and appeared on albums by drummer Jimmy Weinstein, saxophonist Raymond McDonald, and CDs by Japanese free-jazz pioneers trumpeter Itaru Oki and pianist Masahiko Sato. In 2014 he released Nax, a duet album with bassist Alexander Frangenheim. Tamua has toured throughout Japan, North America, and Europe, appearing at major jazz festivals, concert halls, and clubs." ^ Hide Bio for Natsuki Tamura • Show Bio for Christian Pruvost ^ Hide Bio for Christian Pruvost • Show Bio for Peter Orins "After classical music study, Peter Orins learns the drums, first in a rock and afro-cuban music school, then at the Conservatoire National de Région of Lille in the jazz section, where he studies with Guy Gilbert, Jean-François Canape, Gérard Marais... He graduates in 1997. In the meantime, he studies musicology at university, improvisation with Fred Van Hove, composition with Jean-Marc Chouvel and Ricardo Mandolini. Playing jazz from the middle of the 90's, he plays in the bands that will create in 2000 the Circum collective : Impression (for which he composes, became Flu(o) in 2012), Quartet Base, Stefan Orins Trio. He coordinates the Circum collective till its fusion with the CRIME in 2010, and creates the Circum Grand Orchestra, band with the 10 musicians of Circum, for which he composes also occasionally. At the same time Peter Orins get in the CRIME projects, improvised and experimental music collective also based at la malterie in Lille. He plays especially in La Pieuvre, big improvisation orchestra conducted by Olivier Benoit (nowadays Artistic Director of L'Orchestre National de Jazz). It's with the Crime that he'll develop his solo work (drums and electronic with Pure Data application), and improvised and experimental projects with David Bausseron, Laurent Rigaut, Ivann Cruz, Christian Pruvost, Jean-Luc Guionnet, Benjamin Duboc, Yanik Miossec, Falter Bramnk, ... in bands like DBPO, De Nouvelles Erreurs, Signal Box, Electropus, Ternoy/Cruz/Orins (that will become Toc, free-rock progressive band)... In 2006, he leads a french-vietnamese project called Hué/Circum with the support of Region Nord Pas de Calais, which combines 4 musicians from Circum and 3 traditional vietnamese musicians from Hué (tour in Vietnam, Japan and France, from 2006 to 2009). In 2010, he creates a french-japanese quartet with pianist Satoko Fujii and trumpet players Natsuki Tamura and Christian Pruvost, band for which he composes with Satoko Fujii. Several international tours with this band (Japan, Israel, Germany, France, USA, Canada). In 2011, Ivann Cruz, guitar player from Muzzix, and Maciej Garbowski, polish double-bass player, invite him to play in their quartet with the finnish saxophone player Kari Heinila. He also collaborates with theatre, composes for cinema or animation movies, dance... Since the creation of Muzzix in 2010, Peter Orins coordinates the artistic direction of the collective. He played with : Sophie Agnel, Jean-Luc Guionnet, Benjamin Duboc, Radu Malfati, Steve Dalachinsky, Andrew D'Angelo, Petr Cancura, Josh Sinton, Curtis Hasselbring, Joe Morris, Rene Hart, David Miller, Frank London, Nate Wooley, Renee Baker, Ernest Dawkins, Dave Rempis, Jeb Bishop, Michael Zerang, Jacques Di Donato, François Corneloup, Norbert Lucarain, Sylvain Kassap, Alain Vankenhove, Camel Zekri, ..." ^ Hide Bio for Peter Orins
8/26/2024
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8/26/2024
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8/26/2024
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8/26/2024
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Track Listing:
1. Thirteen Years 36:51
2. We Waited 17:26
3. Evolving 8:30
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Improvised Music
Jazz
Free Improvisation
Quartet Recordings
Collective Free Improvsation
Asian Improvisation & Jazz
European Improvisation, Composition and Experimental Forms
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