The Squid's Ear Magazine


Blaser, Samuel: Routes (Enja Records)

Taking a turn into the Caribbean and the music of Don Drummond, trombonist Samuel Blaser assembled a new group with Alex Wilson on keys, Ira Coleman on bass, Dion Parson on drums, Michael Blake on tenor sax and Soweto Kinch on alto and vocals, with guest performances by Carroll Thompson, dubs by the late Lee 'Scratch' Perry, and a multi-bone section including Steve Turre & John Fedchock.
 

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Personnel:



Samuel Blaser-trombone

Alex Wilson-piano, hammond organ, melodica

Alan Weekes-guitar

Ira Coleman-double bass, baby bass

Dion Parson-drums

Soweto Kinch-alto saxophone, vocals

Michael Blake-tenor saxophone

Edwin Sanz-percussion, drum

Carroll Thompson-vocals

Lee Scratch Perry-vocals, dub

Steve Turre-shells, trombone

John Fedchock-trombone

Glenn Ferris-trombone

Johan Escalante-trombone

Jennifer Warthon-bass trombone

Heiri Kanzig-double bass


Click an artist name above to see in-stock items for that artist.




UPC: 767522783520

Label: Enja Records
Catalog ID: 7835
Squidco Product Code: 33964

Format: CD
Condition: New
Released: 2023
Country: Germany
Packaging: Cardboard Gatefold 3 Panels w/ booklet
Recorded in 2020, 2021 and 2022.

Descriptions, Reviews, &c.

"Inspired by the legacy of Don Drummond, trombonist Samuel Blaser gathered a gang of greats to create the ultimate Jamaican repertoire. Routes is the result of their musical camaraderie, anchored in the musical tradition of the island and firmly rooted in jazz.

"With his brand new group consisting of Alex Wilson on keys, Hammond and melodica, Ira Coleman on bass, Dion Parson on drums, Michael Blake on tenor sax and Soweto Kinch on alto and vocals, one could argue that Blaser has successfully rounded up the ultimate lineup to present Jamaican jazz to a larger audience. But Blaser wouldn't be Blaser if he didn't ask himself: why stop there?!

And thus, the ambitious musician and winner of the 2019 European Jazz Award as well as the 2021 Downbeat Magazine Critics Poll ("Rising Star Trombone") decided to expand his efforts even further. Routes features a blend of Don Drummond classics and reggae, ska and jazz-infused originals, with guest performances by Carroll Thompson, dubs by the late-but-great Lee 'Scratch' Perry, and a full-on t-bone section for a newly arranged version of Drummond's Green Island. It is a project that breathes Blaser's hallmark grace, humor, and instrumental mastery, while celebrating the input, background and talents of his musical companions. Routes is an adventure, a party and a celebration, and you're invited."-Enja


Artist Biographies

"[...] Born and raised in La Chaux-de-Fonds, Switzerland - a lesser-known but no less significant jazz metropolis which was, for a time, home to expatriate Americans Sidney Bechet and Kenny Clarke, as well as Swiss jazz trombonist Raymond Droz - Blaser has also spent considerable time living in New York City and currently resides in Berlin; truly an international musician, then, in clear defiance of boundaries cultural, musical and stylistic. Beginning trombone lessons at the age of 9, he "couldn't go past third position and had to have a trolley to carry trombone because it was too heavy," says Blaser. Still, with plenty of music in the Blaser household, where he was the middle of three children - ranging from Swiss folk music to American R&B and jazz - Blaser progressed quickly, entering the local conservatory at 14 and graduating seven years later in 2002 after receiving a number of awards in both the jazz and classical spheres, including the 2000 Benny Golson Prize.

Continuing private studies, Blaser began a number of significant associations, including the heralded Vienna Art Orchestra and European Radio Big Band, leading to a Fulbright scholarship which enabled him to study in the United States at the Purchase College Conservatory of Music, going on to win the J.J. Johnson Prize, as well as both the Public Prize and Jury's Favorite Player awards at the 2006 Fribourg Jazz Festival.

All of these diverse accomplishments have ultimately - and inevitably - led to Blaser finding a personal nexus where disparate elements like Indian Tihi and Wagnerian opera meet. Blaser's impressive improvisational élan is predicated on instrumental mastery that is nothing more than the means to very musical ends. Together with his equally unfettered quartet, Blaser continues to expand the purview of jazz, redefining it in the new millennium as it enters its second century of existence.

Beyond Blaser's ability to combine knotty compositional form with incendiary improvisational prowess in the context of his own music, his unfettered yet ever-collaborative approach has resulted in a number of significant associations, among them his ongoing work with Swiss percussion legend Pierre Favre; a much-lauded duo with pianist Malcolm Braff; touring in 2012 as a member of François Houle's recent 5+1 group, and heard on the French Canadian clarinetist's Genera (Songlines, 2012); and recording/performing with Berlin-based Canadian saxophonist Peter van Huffel's HuffLiGNoN group with singer Sophie Tassignon. Blaser has also shared the stage with artists including trombonist David Taylor, bassist Michael Blake, drummer John Hollenbeck and pianist Hal Galper. It's no surprise that Rene Laanen of USA Trombone Online has called Blaser" one of today´s finest trombonists."

2013 will see Blaser touring with two new trios: one that, in addition to Marc Ducret, will also feature Danish drummer Peter Bruun; and another featuring French pianist Benoit Delbecq and American drummer Gerry Hemingway. Equally important, Blaser will also reunite his Consort in Motion (Kind of Blue, 2011) Quartet with pianist Russ Lossing, Belgian reed player Joachim Badenhorst, bassist Drew Gress and Hemingway, who replaces the sadly deceased Paul Motian. That record - Blaser's first and only to include a pianist, marrying the seemingly disparate elements of Renaissance and Baroque period composition with more open-ended jazz improvisation - was praised by All About Jazz's Troy Collins as " Fearlessly modern, yet respectfully regal." Collins continues, asserting that "Blaser's adventurous arrangements and reinterpretations offer the best of both worlds, enriching the raw impetuousness of avant-garde jazz with the proven sophistication of ageless classical forms. Consort in Motion is a high-water mark in the enduring lineage of the Third Stream, and all the more inspiring for the focus of its vision."

Meanwhile, with the release of As the Sea - like Boundless, a live recording but one culled from a single performance - Blaser reaps the rewards of greater trust and personal camaraderie built with Ducret, Oester and Cleaver through additional touring, following the release of their debut recording. "The music is quite different from the first record," says Blaser, "because things are more written. It's a little more complex rhythmically, too. But it's crazy, because I can play anything - a single note, even - and everybody will move with me. It's pretty intense."

Between recording and touring with his own groups and collaborating in other leaders' ensembles, Blaser's career continues an upward trajectory that seems to have no end in sight. "The world of music fascinates me to no end, and I´m determined to take one journey after another with my instrument and work," says Blaser. "It´s all about discovery and communicating new ideas. Believe me, I´m proof that a shiny trombone can send a message right to your heart and change your life." "

-Samuel Blaser Website (https://www.samuelblaser.com/biography/)
2/21/2024

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"Alex is an award-winning British born pianist, producer and videographer with nine solo albums and over a hundred video productions. He combines artistic flair with technical mastery to create emotions through music and film. He has produced for numerous artists and as a performer, Alex has appeared in over 60 countries with artists such as Wynton Marsalis, Rodrigo y Gabriela, Courtney Pine and many more.

Alex was born in the town of Belper in Derbyshire, UK, however he spent the first year of his life living in Freetown, Sierra Leone where his grandfather, Barthes Wilson, was Minister of Education. Following his grandfather's death, Alex's family returned to the UK for 9 years, followed by 6 years in Vienna.

Alex then finished his high school education at the International School of Geneva, by which time he had discovered his passion for jazz and the piano. He went on to study Electronic Engineering at the Universities of York (UK) and Santa Barbara (USA), while maintaining a parallel career as a student musician.

Following graduation, Alex moved to London and became professional, quickly working his way up from smaller concerts to playing international concert venues and festivals. In 2001, Alex went on to win the BBC Rising Jazz Star award and in 2019, Alex won the LUKAS Award for Jazz in Europe.

Now based in Switzerland, he has performed in over 60 countries with numerous renown artists and continues to grow and develop as a musician, composer and arranger.

He has nine albums under his own name, including the Mali Latino collaboration with Malian griot, Madou Sidiki Diabaté, which won a "Top of the World" accolade from Songlines Magazine.

With a prolific career in writing for screen, Alex has clocked up over 25 production music albums, with compositions placed on television worldwide through EMI and Warner.

During the first Covid lockdown, Alex launched his new company "emotions through music and film", to create video productions which attracted clients as diverse as pastors from the church to motivational speakers to music schools to corporate clients - all having one thing in common: benefitting from the intense emotions and complete dedication Alex puts into all his media production and live work."

-Alex Wilson Website (https://alexwilson.ch/about/)
2/21/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dion Gary Parson (born June 11, 1967) is an American jazz drummer from the U.S. Virgin Islands.

Parson was born on St. Thomas and played trombone as a child before picking up drums when he was fifteen years old. He studied at Interlochen and then at Rutgers, where he studied under Keith Copeland and took his bachelor's degree in music education in 1990. In the 1990s he was based primarily in New York City, where he worked with Monty Alexander, Ray Anderson, Dwayne Burno, Don Byron, Marc Cary, Laurent de Wilde, Donald Harrison, Ernest Ranglin, Justin Robinson, and David Sanchez. He has also worked extensively with Ron Blake and fellow Virgin Islander Reuben Rogers. He worked with the Broadway production of The Color Purple starting in 2006, and co-founded the organization United Jazz International with Steve Coleman and Branford Marsalis in 2007. He has taught at Rutgers University, Cheyney University, North Carolina University, and Harlem School of the Arts."

-Wikipedia (https://en.wikipedia.org/wiki/Dion_Parson)
2/21/2024

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"Soweto Kinch (born 10 January 1978) is a British jazz alto saxophonist and rapper.

Born in 1978 in London, England, to a Barbadian father, playwright Don Kinch, and British-Jamaican actress Yvette Harris, Soweto Kinch began playing saxophone at the age of nine after learning clarinet at Allfarthing Primary School, Wandsworth, SW London. He then moved to Birmingham, where he attended West House Primary School in Edgbaston, beginning a long association with Britain's second city.

After meeting Wynton Marsalis four years later, he discovered and became passionate about jazz, first concentrating on piano and later in his teens switching to alto saxophone as his main instrument. He attended Bromsgrove School, Worcestershire, from the age of 13, completing his A-levels when he was 18. Early musical influences include the vocalist and percussionist Frank Holder. Kinch went on to study Modern History at Hertford College, Oxford University. He also benefited from participation in the programmes of Tomorrow's Warriors, the music education and artist development organisation co-founded in 1991 by Janine Irons and Gary Crosby, and played with Crosby's Jazz Jamaica All Stars collective.

In 2001, Kinch established the Soweto Kinch Trio with bassist Michael Olatuja and drummer Troy Miller and supported Courtney Pine at Ronnie Scott's Jazz Club and performed at the Royal Festival Hall and the Cheltenham International Jazz Festival.

In 2006, Kinch released his second album, A Life in the Day of B19: Tales of the Tower Block, the first instalment of a two-part concept album documenting the lives of three Birmingham men. The album includes narration by BBC newsreader Moira Stuart.

Kinch is also a member of the Pop Idol backing band the Big Blue.

Kinch has performed for Don't Flop Entertainment, where he has competed in rap battles and faced opponents Dotz, Shuffle T and Charron. [...]"

-Wikipedia-Soweto Kinch Website, Wikipedia (https://www.soweto-kinch.com/soweto-kinch/BIOG.html)
2/21/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Michael Blake (born May 19, 1964) is a Canadian-born [Montreal] American saxophonist, composer and arranger. Blake is based in New York City where he has led a robust career leading his own bands. As a sideman Michael has performed with Charlie Hunter, The Lounge Lizards, Steven Bernstein/Henry Butler and the Hot 9, Ben Allison, Nicole Mitchell, Hamid Drake, Oliver Lake Big Band, Dafnis Prieto Big Band, Ricki Lee Jones and Ray LaMontagne. The New York Times jazz critic Ben Ratliff wrote,"Mr. Blake, on tenor especially, is an endlessly engaging improviser, and an inquisitive one"."

-Michael Blake Website (https://www.michaelblake.net/)
2/21/2024

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"Carroll Thompson, b. 1960, Letchworth, Hertfordshire, England. Thompson's voice was nurtured while singing in school and church choirs, but she studied for a career in the pharmaceuticals industry. In the mid-70s she provided backing vocals in a number of UK-based recording studios, following a successful audition to join the disco band Sugar Cane (the group was a further attempt at disco domination by Frank Farian, but was later abandoned). She sang on sessions for UK-based reggae performers, as well as Imagination and soca star Norma White. Thompson subsequently embarked on a solo career and by 1981 she had topped the reggae chart twice, with 'I'm Sorry' and 'Simply In Love', for the Itals. In 1982 she scooped two accolades at the GLR Reggae Awards. She was voted best female performer and 'Hopelessly In Love' was deemed the best song. She maintained a high profile with the release of 'Smiling In The Morning' for Excaliber, 'Your Love' and 'Hopelessly Without You' for S&G, with whom she also worked in a production role. Her prominence led to the release of a single by her harmony singer, Saffrice, 'Dreaming Of Your Love', through S&G. As they were unable to provide Thompson with the necessary promotion, the S&G group initiated an agreement with the Red Bus label to further her career. The releases of 'Just A Little Bit' and 'A Happy Song' were met with animosity from the media and the ballads faltered, resulting in a short-term agreement. Her prolific career continued, however, and in 1983 she secured further awards, including a citation from the Voice, and was voted top female vocalist for the second time by GLR listeners. She also recorded duets with Sugar Minott ('Make It With You') and Trevor Walters ('Love Won't Let Us Wait'). Her solo hits include 'Honest I Do', 'Give Me A Chance' and 'You Make It Heaven'. By 1984 her recorded output had dwindled, although the release of 'Baby Be True' secured an acceptable chart placing. Thompson maintained her high profile with commendable performances at both the GLR Reggae Awards and fifth Black Echoes Awards ceremonies. In 1985 she worked with the funk group Total Contrast, resulting in the release of 'Apple Of My Eye'. In 1990 she was invited to provide the lead vocals on a joint production with Aswad and Courtney Pine, for the release of a version of Diana Ross' 'I'm Still Waiting', which sat at the lower end of the UK chart. She also entered the UK chart in the same year as a featured vocalist for Movement 98 with 'Joy And Heartbreak' and 'Sunrise'. In 1994 Thompson joined Alton Ellis, Prince Lincoln, Justin Hinds, Dennis Alcapone and Owen Gray in a memorial concert for Gene Rondo."

-All Music (https://www.allmusic.com/artist/carroll-thompson-mn0000798934#biography)
2/21/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"One of the world's preeminent jazz innovators, trombonist and seashellist Steve Turre, has consistently won both the Readers' and Critics' polls in JazzTimes, Downbeat, and Jazziz for Best Trombone and for Best Miscellaneous Instrumentalist (shells). Turre was born to Mexican-American parents and grew up in the San Francisco Bay area where he absorbed daily doses of mariachi, blues and jazz. While attending Sacramento State University, he joined the Escovedo Brothers salsa band, which began his career-long involvement with that genre.

In 1972 Steve Turre's career picked up momentum when Ray Charles hired him to go on tour. A year later Turre's mentor Woody Shaw brought him into Art Blakey's Jazz Messengers. After his tenure with Blakey, Turre went on to work with a diverse list of musicians from the jazz, Latin, and pop worlds, including Dizzy Gillespie, McCoy Tyner, J.J. Johnson, Herbie Hancock, Lester Bowie, Tito Puente, Mongo Santamaria, Van Morrison, Pharoah Sanders, Horace Silver, Max Roach, and Rahsaan Roland Kirk. The latter introduced hum to the seashell as an instrument. Soon after that, while touring in Mexico City with Woody Shaw, Turre's relatives informed him that his ancestors similarly played the shells. Since then, Turre has incorporated seashells into his diverse musical style.

In addition to performing as a member of the Saturday Night Live Band since 1984, Turre leads several different ensembles. Sanctified Shells utilizes the seashell in a larger context, transforming his horn section into a "shell choir". Turre's Spring 1999 Verve release, Lotus Flower, showcases his Sextet With Strings. The recording explores many great standards and original compositions arranged by Turre for a unique instrumentation of trombone and shells, violin, cello, piano, bass and drums. Turre's quartet and quintet provide a setting based in tradition and stretching the limits conceptually and stylistically. In the Summer of 2000, Telarc released In The Spur of the Moment. This recording features Steve with three different quartets, each with a different and distinct master pianist: Ray Charles, Chucho Valdes, and Stephen Scott.

Turre's self-titled Verve release pioneers a unique artistic vision, drawing upon jazz, Afro-Cuban, and Brazilian sources. This innovative recording also features Cassandra Wilson, Randy Brecker, Graciela, Mongo Santamaria and J.J. Johnson. Previously Turre recorded Right There and Rhythm Within, featuring Herbie Hancock, Jon Faddis, Pharoah Sanders, and Sanctified Shells, on Verve's subsidiary label, Antilles.

Steve Turre continually evolves as a musician and arranger. He has a strong command of all musical genres and when it comes to his distinct brand of jazz, he always keeps one foot in the past and one in the future."

-Steve Turre Website (https://steveturre.com/about/)
2/21/2024

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"John Fedchock's illustrious career in jazz has spanned over four decades. Since his emergence on the scene in 1980, Fedchock has established himself as a world-class trombone soloist, a heralded bandleader, and a Grammy-nominated arranger. An in-demand performer and writer in New York City, his multifaceted talents have led him to become one of NYC's premier jazz artists. His critically acclaimed John Fedchock New York Big Band has become a marquee group, showcasing Fedchock's trombone and arranging as well as the band's all-star soloists. The JFNYBB's five CDs on the MAMA and Reservoir Music labels have all received high praise from critics and extraordinary success on national jazz radio charts. The early success of the band resulted in Fedchock's name appearing in DOWNBEAT's Readers Poll under the categories of Trombone, Arranger and Big Band, simultaneously for several consecutive years. In recognition of his formidable arranging skills, Fedchock is a two-time GRAMMY Award nominee for "Best Instrumental Arrangement". The JFNYBB's recordings have appeared in jazz radio's Top Ten, and the New York Times has applauded the band's "Cheerful Syncopation, Served With Spit-and-Polish Precision." Small group projects with his quartet and NY Sextet showcase A-list sidemen along with Fedchock's "incomparable trombone playing, which seems to have no limit, technically or musically" (JazzReview.com).

Fedchock began his career as a jazz trombonist when he joined the legendary Woody Herman Orchestra in 1980. He toured with Woody's "Thundering Herd" for seven years, during which time he was musical director and a featured soloist. He served as musical coordinator and chief arranger in the production of Herman's last two Grammy Award nominated albums "50th Anniversary Tour" and "Woody's Gold Star", and received accolades from jazz journalists worldwide. Famed jazz critic Leonard Feather called him the "unsung hero" of Woody's "50th Anniversary Tour" album and Woody said of Fedchock, "He's my right hand man. Everything I ask of John he accomplishes, and I ask a lot. He's a major talent." DOWNBEAT magazine stated that, "it was the young blood of musicians like Fedchock that helped keep Woody Herman's last years musically healthy and growing". Fedchock still maintains a close association with the Herman orchestra, performing with the group on occasion and continuing to add his own compositions and arrangements to the band's library.

Fedchock has toured with T.S. Monk, Gerry Mulligan Concert Jazz Band, Louie Bellson Big Band, Bob Belden Ensemble, Manhattan Jazz Orchestra, Jon Faddis Jazz Orchestra and the Carnegie Hall Jazz Band, and has performed at jazz festivals and concert halls around the world. As a solo artist, he appears throughout the United States and abroad performing as guest trombonist/composer/conductor. To add to his already diverse list of multiple talents, Fedchock is also a producer of note, and has lent his studio expertise to several recent recording projects.

Born in Cleveland, Ohio, Fedchock is a graduate of The Ohio State University with degrees in Music Education and Jazz Studies. He also holds a master's degree in Jazz Studies And Contemporary Media from the prestigious Eastman School of Music in Rochester, New York. He is an in-demand clinician, and conducts seminars and workshops at colleges and universities across the country. His compositions and arrangements are published by Jazzlines Publications, Kendor Music Inc, and Walrus Music Publishing. John Fedchock is a trombone artist for XO Professional Brass and plays XO trombones exclusively. His collaboration with the prominent instrument company to create the XO1632 trombone has proven to be an overwhelming success in both innovative design and industry popularity."

-John Fedchock Website (https://www.johnfedchock.com/about/biography/)
2/21/2024

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"There might not be too many musicians who can claim to have backed up both Steve Lacy and Duran Duran, and surely very few trombonists. Glen Ferris, a native of Los Angeles, got started early as a jazz professional. He has used his city's busy studio scene as a launching platform for a variety of different musical journeys, the styles coming and going in the process. Prototype fusion jazz efforts with Billy Cobham and George Duke were said to have sounded dated in the late '80s, but were considered hip again only a decade later, so it is safe to say that this trombonist will bask in several waves of recognition from his projects over the years.He was a classical student when he began his study of the instrument sometimes insultingly referred to as "a pitch imitator." From 1964 through 1966, he studied theory and composition with Don Ellis, a snorting, trumpet-blasting bandleader who wore Nehru jackets and particularly liked providing audiences with a lengthy, detailed list of the time signature changes that were about to come in the next scheduled tune on the program. One impressive statistic involving numbers is that, at only 16, Ferris was ensconced in the orchestra of said madman, remaining there through 1970. The experience must have been good preparation not only for the sight-reading demands of the studio world, but for the complex demands of later bosses such as Frank Zappa, with whom he worked in 1972, or Harry James, with whose big band he performed in 1973 and 1974. In the second half of the '70s, more of an edge developed in his playing, much of it courtesy of the driving drumming of Cobham, who stuck the trombonist in the front line of various projects between 1974 and 1976. Yet it would still be decades until the trombonist's talents as a bandleader began to emerge.Flesh & StoneMeanwhile, on the Los Angeles front, Ferris was also lucky enough to become involved in musical happenings with trumpeter Bobby Bradford, an inspirational spirit from the acoustic, swinging free jazz side of things. Freelancing in a wide range of classical, soul, pop, and rock live and studio projects, Ferris kept both his wits and a lean melodic edge to his playing that prevented him from ever being disregarded as just another tuneless fusion blaster. In 1977, he took on the ambitious project Celebration, his own ten-piece unit, and also worked in a fine duo setting with Milcho Leviev, the latter music considered to be some of Ferris' best work by jazz purists. He worked with clarinetist Tony Scott in 1981, then did some excellent jazz playing as a member of trumpeter Jack Walrath's group in 1982-1983. The following decade he finally did three solo albums for the Enja label, the series beginning with the excellent Flesh & Stone in 1995. Palatino is an even more recent project, a cooperative quartet that got excellent notices for its live performances. The trombonist is joined in this group by trumpeter Paolo Fresu, Italian jazz veteran Aldo Romano on drums, and bassist Michel Benita.A strange aspect of Ferris' career, which just by nature of its versatility has thrown the more simpler music business bloodhounds off the trail, is the fact that some of the most exciting sounding groups he was in were never recorded. He seems to have had bad luck with Frank Zappa, playing in several ensembles that rehearsed endlessly and then broke up before recording anything, including an early, somewhat gargantuan Hot Rats/Grand Wazoo orchestra. During the most experimental period of the great songwriter Tim Buckley, a cryptic note about the dismal business prospects of his decision to go avant-garde once again includes a mention of Ferris: "Buckley could not record his group (John Balkin on bass, Emmett Chapman on ten-string electric stick, Glen Ferris on trombone, Maury Baker on tympani)." "-Eugene Chadbourne-All Music (https://www.allmusic.com/artist/glenn-ferris-mn0000656998/biography)
2/21/2024

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"My Name is Johan Escalante, I'm a Trombone Player, Music Producer, Brass Arranger, Have my Recording Studio and Music Copyist."

-Sound Better (https://soundbetter.com/profiles/117110-johan-escalante)
2/21/2024

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Track Listing:



1. Silver Dollar 4:37

2. Rainy Days 6:30

3. Thoroughfare 4:39

4. Green Island 7:06

5. Chronicles 4:34

6. Beautiful Bed Of Lies 5:06

7. Lady Rawlinson 5:25

8. Rainy Days Dub 6:30

9. Green Island Dub 7:06

10. End Of The Beginning 3:08

Related Categories of Interest:


Improvised Music
Jazz
European Improvisation, Composition and Experimental Forms
Mexico, Central & South Americas + Islands
Large Ensembles
Melodic and Lyrical Jazz
Unusual Vocal Forms
Song Based Music
New in Improvised Music

Search for other titles on the label:
Enja Records.


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(Illusions)
Taking on one of Shakespeare's most famous and frightening female characters, Lady Macbeth, in an 11-piece ensemble that include luminaries Liudas Mockunas, Samuel Blaser, and French guitarist Marc Ducret himself, using operatic form to focus his compositions on the emotional depth of his character, blending composed, improvised and sonic material into an exciting and unsettling work, drawing incredible performances from his players.
Blaser, Samuel / Gerry Hemingway
Oostum [VINYL]
(NoBusiness)
A fantastic album of free improvisation between two creative and versatile players captured live at Kerkje van Oostum, Groningen, The Netherlands in 2015--percussionist Gerry Hemingway and trombonist Samuel Blaser--both using immense talent and unorthodox approaches to their instruments as they shift from unexpected atmospheres to lyrical richness.
Blaser, Samuel
Spring Rain
(Whirlwind)
Swiss trombonist Samuel Blaser pays tribute to clarinetist and composer Jimmy Giuffre, in a quartet with Russ Lossing on piano & keys, Drew Gress on double bass, and Gerald Cleaver on drums, merging Giuffre's lyrical forms to create new and innovative compositions.
Blaser, Samuel / Benoit Delbecq / Gerry Hemingway
Fourth Landscape
(Nuscope)
Trombonist Samuel Blaser leads a trio of Benoit Delbecqu (piano & keys) and Gerry Hemingway (drums & percussion) through 11 tracks that merge modern improvisation with conceptual compositional elements creating intense, introspective & intelligent music.
Blake, Michael / Kresten Osgood
Control This
(Clean Feed)
A set of saxophone & drums duo from Ex-Loung Lizard Blake and Copenhagen/NY drummer Osgood, free and melodic music with great rhythmic and harmonic diversity.
Van Huffel, Peter / Sophie Tassignon
HuffLiGNoN
(Clean Feed)
Vocalist Sophie Tassignon & saxophonist Peter Van Huffel in a series of improvisations showing an intimate dialog amidst Tassignon's uniquely inventive vocal styling.
Other Recommended Releases:
Blaser, Samuel / Russ Lossing / Billy Mintz
Roundabout / Triple Dip [2 CDs]
(Jazzdor)
Recording in the NY Metropolitan area, this superb 2-CD collection of studio recordings begins with a series of duos between trombonist Samuel Blaser and pianist Russ Lossing performing lyrically and structurally interesting compositions from both performers, then joined by drummer Billy Mintz for a mix of original compositions plus 1 each from Blind Willie Johnson and John H. Mercer.



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The Squid's Ear Magazine

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