The Squid's Ear Magazine


Great Sakata Quintet (Sakata / Schwedt / Eckhardt / Borghini / Lillinger): Tornado (Euphorium)

After three Luten and two Brotzmann quintets, pianist Oliver Schwerdt, drummer Christian Lillinger and two double bassists--John Eckhardt and Antonio Borghini--invite Japanese multi-reedist and vocal improviser Akira Sakata to join them in concert at naTo, in Leipzig for a wild concert, releasing a monumental improvisation in a full length CD and a 2nd set on 3" CD.
 

Price: $15.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List Shipping Weight: 4.00 units

Sample The Album:





product information:

Personnel:



Akira Sakata-clarinet, voice, bells, alto saxophone

Oliver Schwerdt-grand piano, percussion, little instruments

John Eckhardt-double bass

Antonio Borghini-double bass

Christian Lillinger-drums, percussion


Click an artist name above to see in-stock items for that artist.




UPC: 9783944301617

Label: Euphorium
Catalog ID: EUPH 072
Squidco Product Code: 33911

Format: CD
Condition: New
Released: 2023
Country: Germany
Packaging: Jewel Case
Recorded naTo, in Leipzig, Germany, on December 10th, 2018, by Robert Amarell,.

Descriptions, Reviews, &c.

"Got famous working out the three brilliant quintets of the late East-German reed superstar Ernst-Ludwig Petrowsky in 2013-2015, Oliver Schwerdt and Christian Lillinger succeeded in 2016 with the album Karacho! feat. Peter Brotzmann. Now the most powerful youngsters of German Free Jazz culture are celebrating their vital art with Japanese legend Akira Sakata.

Great the quintet!, in which Oliver Schwerdt and Christian Lillinger with their successful double bass line-up after three Luten and two Brotzmann quintets (Tumult! Rumpus! Rabatz!, Karacho! Bambule!) weld in the third saxophone hero. After the two German free jazz founding fathers, Akira Sakata, the second alto of the Japanese improv-kamikaze superstar Yosuke Yamashita, takes the lead.

Listen to Schwerdt's four-tone bass portato halfway through and hearing the polytactic agitato of his rhythm section, Akira Sakata unveils his house-high voice: a magnificant incantatory overture before the tumult! well-known deforestation strategy sparked a legendary 'tornado'!"-Oliver Schwerdt (via google translate)

See also the associated 3" CD.

Artist Biographies

"Akira Sakata (坂田明; born 21 February 1945 in Kure, Hiroshima) is a Japanese free jazz saxophonist.

Sakata began studying music seriously at high school, where he played clarinet.[1] He played alto sax in a jazz band when at Hiroshima University.[1] He trained as a marine biologist.

Sakata joined the Yamashita Yosuke Trio from 1972 till 1979 and toured internationally with them. In 1986, he performed with Last Exit with Bill Laswell. This performance was released as 1987's Noise of Trouble: Last Exit Live in Tokyo. Laswell went on to play bass on and produce Sakata albums such as Mooko, Silent Plankton and Fisherman's.com, the last of which also featured the reclusive Pete Cosey (who had worked with Miles Davis) on guitar.[2]

In 1994, Sakata organized a one-month tour of Uzbekistan, Mongolia and China with the Flying Mijinko Band, consisting of 14 members from Japan, Africa and America. Some of those included were Laswell, Anton Fier and Foday Musa Suso.

He has more recently worked with DJ Krush[3] and Chikamorachi (Darin Gray and Chris Corsano)."

-Wikipedia (https://en.wikipedia.org/wiki/Akira_Sakata)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Oliver Schwerdt (born 13 November 1979) is a German musicologist and musician (piano, percussion) in the field of free improvisation.

Born in Eisenach, Schwerdt attended school in Eisenach until his university entrance qualification and received classical piano lessons at the municipal music school there. He did his military service as a piano accompanist in the training music corps of the German armed forces. He began his studies of music and cultural sciences as well as art history at the Leipzig University in 1999 and completed them in 2006 with a master's thesis on Georg Simmel and Dadaism submitted to Klaus Christian Köhnke [de]. In 2012 he received his doctorate from Sebastian Klotz at the Institute for Musicology at the University of Leipzig [de], for which he also worked as a lecturer. His dissertation focuses on the musical strategies of central actors in the scene of free improvised music in the wake of Free Jazz and their spatial theoretical interpretation. He has taught at the Museum of Musical Instruments of Leipzig University and with the Bauhaus Dessau Foundation.

From his musicological work, Schwerdt identified the challenge facing contemporary museum practice in relation to the "reinvention of the drum set combination" as they are "in European improvised music" of the 20th century became reality. He is committed to securing the "acutely endangered, historically so delicate, aesthetically highly fascinating and epistemologically valuable object complexes". the first generation of European free jazz or contemporary improvised music. As an author of music-critical articles, Schwerdt wrote for the Neue Musikzeitung, the Jazzthetik [de] and the Jazzzeitung [de], among others. He also wrote accompanying texts for albums by Günter Sommer/Wadada Leo Smith and Alexander von Schlippenbach/Evan Parker/Paul Lovens and Urs Leimgruber. In 2003 he founded the publishing house Euphorium Productions.

Since 1999 Schwerdt has been artistic director of the EUPHORIUM_freakestra, a project ensemble between contemporary improvisation, jazz, Neue Musik and theatre with Günter Sommer, Friedrich Schenker, Rudi Mahall, Paul Rutherford, Ernst-Ludwig Petrowsky, Frank Möbus, Wadada Leo Smith, Axel Dörner, Barre Phillips, Alexander von Schlippenbach, Evan Parker, Paul Lovens, Sven-Åke Johansson, Ulrich Gumpert, Manfred Hering, Dietmar Diesner, Roger Turner, Barry Guy, Akira Sakata and others worked together. At the 2009 33. Leipziger Jazztage, he performed with the project Transatlantic Freedom Suite Tentets at the Leipzig Opera.

From the project ensemble the quartet ember with Urs Leimgruber developed, Alexander Schubert and Christian Lillinger. From 2006 to 2016 Schwerdt worked with Lillinger and Petrowsky in the New Old Luten Trio. The recording of Petrowsky's late works, documented from 2013 to 2015 with the albums Tumult!, Krawall!, Rabatz! in a quintet formation expanded by the double bassists John Edwards and Robert Landfermann received great attention. With Schubert and Friedrich Kettlitz, Schwerdt operates the electrified Noise-Ensemble trnn.

In 2006, Schwerdt received the Leipzig Jazz Young Talent Scholarship of the Marion-Ermer-Foundation for his performance as pianist and ensemble leader. The critics Ken Waxman (Jazzword) and Rigobert Dittmann (Bad Alchemy) hear reminiscences of Oscar Peterson, Bill Evans, Cecil Taylor and Alexander von Schlippenbach in Schwerdt's piano playing.

Schwerdt uses the following pseudonyms: Edithrakneff Weinermond, Frautastem!, Ingrid Ingulfwieher, Rita Deixis, Solveig Reberp-Klamt and Elan Pauer."

-Wikipedia (https://en.wikipedia.org/wiki/Oliver_Schwerdt)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Whether performing today's most challenging double bass repertoire, developing his own music, or working sound systems with his bass guitar or a set of turntables - John Eckhardt is testing the limits of being a bassist on planet earth in the 21st century, working towards a broader vision of what bass always was and can become in the future.

Seeking to combine scope with depth, John Eckhardt is constantly involved in the creation of new music and has both collaborated with a wide spectrum of artists and created his personal brand of solo projects. He worked with many composers including Helmut Lachenmann and Pierre Boulez, top new music groups such as Ensemble Modern, Klangforum Vienna and musikfabrik, improvisors from Evan Parker, Elliott Sharp and Peter Evans, to today's new blood in a wide field of today's music.

John Eckhardt has performed on over 30 recordings, among them Iannis Xenakis' masterpiece "Theraps" (Mode Rec.) and three internationally acclaimed solo releases. These share an interest in low frequency and spectral immersion, spatial depth, and themes of repetition and evolutional process.

The Evan Parker produced "Xylobiont" (Psi Rec. 2008) turned into a work in progress with 40 solo double bass recitals all over the world up to today. "Forests" (Depth of Field Music, 2014) expanded these themes into a set of branching, overdubbed bass string quartets. Along with high resolution audio and 200 photographs, they were released on a wooden USB memory stick in a transparent box containing actual forest material - nearly selling out an edition of 250 within one year.

As Forresta, John Eckhardt performs on bass guitar and live electronics, and released "Bass, Space & Time" (Depth of Field Music, 2016) in a special edition of 100 moss-green, marbled double-vinyl records in a hand made, embroidered carton box. Each contains a foto print as front cover chosen by the listener from 100 images of John Eckhardt's corresponding photographic project. This music is also the musical foundation of visual bassic, his long standing collaboration with analog light projection artist Katrin Bethge.

Driven by curiosity and passion for different styles, cultures and artistic means, John Eckhardt keeps drawing new connections and expands a bass cosmos of unusual dimensions. The latest addition is his Basswald DJ project that presents a diverse spectrum of bass music with a special ear for sound system culture. It is accompanied by a steady flow of downloadable podcasts.

John lives within earshot of the Hamburg harbor."

-John Eckhardt Website (https://www.johneckhardt.de/bio)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Antonio Borghini: Double bass player and composer.

Born in Milan in 1977, he grows up in Rome where, at the age of ten, begins his musical studies privately and later on at "G.B. Martini" conservatory in Bologna. Based there, he joins in the late 90's the musicians collective "Bassesfere", and starts collaborating with many bands (Cristina Zavalloni "Open quartet", "Orange room", "Headless cat", "Mrafi", "Chant trio" a.o.)

In 2003 begins his long term collaboration with cellist Tristan Honsinger playing in the group "Small Talk". In the years 2004-2006 he plays concerts around Europe with many projects such as "Domino quartet" with Sean Bergin, Gianluca Petrella and Hamid Drake; David Murray trio and quartet; the "Anthony Braxton quartet" and the Butch Morris Orchestra. His sextet "Memorial Barbecue" is invited to the international jazz festival in S.Anna Arresi. From 2007 till 2010 he's the bass player in Mike Patton's project "Mondo Cane". In 2008 he publishes the first record of his music with the group "Malebranche"; the quartet "Eco d'Alberi" is the first italian group playing at the Vision festival in New York.

Through these years he played, toured and recorded with many other musicians such as Han Bennink, Taylor Ho Bynum, Mary Halvorson, John Tchicai, Leo Smith, Cristiano Calcagnile, Edoardo Marraffa, Pasquale Mirra, Vincenzo Vasi, Mirko Sabatini, Fabrizio Puglisi, Francesco Bigoni, Stefano Bollani, Aldo Romano.

In 2009 he moves to Berlin and quickly becomes part of the so-called "echtzeitmusik" scene. Out of countless musical meetings he co-founded "Hook, Line and Sinker", a music theater ensemble with Tristan Honsinger, Axel Dörner and Tobias Delius; "Der Lange Schatten" with Michael Thieke and Håvard Wiik; "Die Hochstapler", with Pierre Borel, Louis Laurain and Hannes Lingens; "Schnell", a bebop-trance trio with Christian Lillinger and Pierre Borel.

He is also regularly playing in Tristan Honsinger's company "Hopscotch"; Alexander Von Schlippenbach quartet; "Quartetto trionfale" with Günter Sommer, Manfred Schoof and Gianluigi Trovesi; the double bass quartet "Sequoia" featuring Klaus Kürvers, Meinrad Kneer and Miles Perkin; the piano trio "Frisk" with Håvard Wiik and Steve Heather and "Parrot's feathers" with Matthias Schubert and Rudi Fischerlehner.Furthermore he plays in various combinations with many others such as Achim Kaufmann, Olaf Rupp, Henrik Walsdorff, Hilary Jeffery, Tony Buck, Rudi Mahall, Almut Kühne, Aki Takase, Sven-Åke Johanson and Chino Suichi."

-Antonio Borghini Website (antonioborghini.com)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Christian Lillinger (born April 21, 1984 in Lübben ) is a drummer, composer and percussionist of modern creative style and new improvisational music.

Lillinger studied at the University of Music Carl Maria von Weber Dresden at Günter Sommer from 2000 to 2004. Between 2001 and 2003 he was a member of the Bundesjugendjazzorchester.

Lillinger plays in the trio Gropper | Graupe | Lillinger, until 2015 under the name Hyperactive Kid, with the saxophonist Philipp Gropper and the guitarist Ronny Graupe, where he is largely confined to the conventional drum kit. In 2008, he composed his first band Christian Lillingers Grund, whose first two released albums were released at Clean Feed Records at the end of 2009 and 2013. In addition Lillinger works as a sideman with well-known musicians such as Rolf Kühn, Joachim Kühn, Miroslav Vitouš, Beat Furrer, Rudi Mahall, John Schröder, Barre Phillips, Ernst-Ludwig Petrowsky, Wadada Leo Smith, Frank Gratkowski, Simon Nabatov, Tobias Delius and Axel Dörner, Thomas Lehn, Michael Wollny, Louis Scyvis, Bruno Chevillon, David Liebman, Edmund Lehmugruber, Theo Jörgensmann, John Edwards, Greg Cohen, William Parker, Joe Lovano and Tony Malaby. Since 2004 he has been working continuously in the EUPHORIUM, the international ensemble of contemporary performing arts and music around the Leipzig-based Oliver Schwerdt, especially in the trio with Schwerdt alias Elan Pauer and Ernst-Ludwig Petrowsky. Since 2009, Lillinger has also been working in the Klaviertrio Grünen with Achim Kaufmann and Robert Landfermann, who presented a first album on the Portuguese label Clean Feed Records in 2010. Since 2010, Lillinger has also worked in the trio Dell Lillinger Westergaard, which also performed with John Tchicai. In 2011 he founded the Trio Starlight with Petter Eldh and Wanja Slavin, who moved his debut CD 2013 to the Swiss label Unit Records. With Eldh and Slavin he also founded the Quartet Amok Amor with the American trumpeter Peter Evans, who released his first album of the same name in 2015.

Lillinger is also a member of the following groups: Rolf Kühn Unit, Henrik Walsdorff Trio, Pascal Niggenkempervision 7, Ronny Graupes Spoom, Schmittmenge Meier, Marc Schmolling Trio, Wanja Slavin Quintett, Carl Ludwig Hübschs Drift, Hübschacht, Uwe Steinmetz Stream Ensemble, The upper class, Ember, Gerhard Gschlößl's group of four, Gerhard Gschlößls G9, KUU! And also plays with Joachim Kühn in trio.

From 2012 to 2013, Christian Lillinger was a member of the board of the Union of German Jazzmusicians."

-Wikipedia (translated by Google) (https://de.wikipedia.org/wiki/Christian_Lillinger)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Tornado! 42:51

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Quintet Recordings
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Euphorium.


Recommended & Related Releases:
Other Recommended Releases:
Sakata, Akira / Ken Ikeda
GAUCHE
(Ftarri)
Legendary Japanese free jazz reedist Akira Sakata's first release on the Ftarri label, in a concert with sound artist and synthesist Ken Ikeda, recording live at Fatrri's own Tokyo space in two improvised performances of approximately 30 minutes each of subtle, expressive interactions through even-tempered discourse and spacious patience, punctuated by Sakata's bell.
Great Sakata Quintet (Sakata / Schwedt / Eckhardt / Borghini / Lillinger)
Circus [3'' CD]
(Euphorium)
After three Luten and two Brotzmann quintets, pianist Oliver Schwerdt, drummer Christian Lillinger and two double bassists--John Eckhardt and Antonio Borghini--invite Japanese multi-reedist and vocal improviser Akira Sakata to join them in concert at naTo, in Leipzig for a wild concert, releasing a monumental improvisation in a full length CD and a 2nd set on 3" CD.
Stemeseder, Elias / Christian Lillinger (+ Peter Evans / Russell Hall / DoYeon Kim / Brandon Seabrook)
Umbra
(Intakt)
The other shaded region to their 2022 Penumbra album, keyboardist Stemeseder and drummer Christian Lillinger explore "utopias in sound production" through acoustic and electronic composition, creating evolving melodies and sonic tapestries in performance with Peter Evans on Piccolo trumpet, Russell Hall on bass, DoYeon Kim on Gayageum and Brandon Seabrook on banjo & guitar.
Grdina, Gordon / Mat Maneri / Christian Lillinger
Live at the Armoury
(Clean Feed)
The premiere encounter of the uniquely orchestrated trio of two legendary string improvisers--Gordon Grdina on guitar & oud, and Mat Maneri on viola--with drummer Christian Lillinger (New Old Luten, Punkt vs. Plastik, EUPHORIUM_freakestra) recording in the studio in Vancouver, BC for three impressive, innately lyrical, dexterous and magnificent conversations.
EUPHORIUM_freakestra (feat Wadada Leo Smith / Barre Phillips)
Free Acoustic Supergroup (Chicago New York Berlin, Dresden Luzern Leipzig) [2 CDs]
(Euphorium)
The incredibly creative EUPHORIUM_freakestra as a mid-size ensemble performing at naTo in Leipzig, Germany are joined by legendary free jazz players, Wadada Leo Smith on trumpet and Barre Phillip on double bass, extending the incredible assemblage of players including Oliver Schwerdt, Axel Dorner, Ernst-Ludwig Petrowsky, Urs Leimgruber, Christian Lillinger, Gunter Baby Sommer & Michael Haves.
Hochstapler, Die
Within
(Umlaut Records)
Their group name Die Hochstapler translating to "The Impostors", the fifth exuberant free jazz album from the Berlin quartet of Pierre Borel on alto saxophone, cymbals & bird calls, Louis Laurain on trumpet & vocals, Antonio Borghini on double bass and Hannes Lingens on drums & vibraphone was recorded during their February 2022 residency at Au Topsi Pohl.
Hochstapler, Die
Beauty Lies
(Umlaut Records)
Their group name Die Hochstapler translating to "The Impostors", the fourth exuberant free jazz album from the Berlin quartet of Pierre Borel on alto saxophone, cymbals & bird calls, Louis Laurain on trumpet & vocals, Antonio Borghini on double bass and Hannes Lingens on drums & vibraphone was recorded during their February 2022 residency at Au Topsi Pohl.
Honsinger's, Tristan Hopscotch
Cloud Reading Society [VINYL]
(Umlaut Records)
An idiosyncratic and wonderfully wild improvisational music theater group revolving around composer & cellist Tristan Honsinger, using spoken word and song through eclectic and active free improvisation including strings, reeds, trumpet, toy piano, tap dance, bass & drums, a truly unique and joyfully quirky album that fulfills Honsinger's goal of uniting music, theater & poetry.
Big Bad Brotzmann Quintet
Bambule!
(Euphorium)
An intense concert of collective European Free Jazz in two extended improvisations recorded at naTo in Leipzig, German in 2019 from the quintet of Peter Brotzmann on tenor saxophone, clarinet & tarogato, Oliver Schwerdt on grand piano, percussion & little instruments, John Edwards and John Eckhardt on double bass, and Christian Lillinger on drums & percussion.
Freakestra
Das Besuchte Getrank (Eine Suite Fur Zwei Unendliche Parallelen. Sie Treffen Sich.)
(Euphorium)
After the earliest versions of the Euphorium_freakestra toured in Weimar, Leipzig, Dresden, Krakow & Gottingen in 2000, pianist Oliver Schwerdt and guitarist Friedrich Kettlitz came together to develop a suite for grand piano, acoustic guitar and free vocals, a prelude to the album Gay - Saunawirt ten years later, and the start of the professional recording history of the EUPHORIUM ensembles.
EUPHORIUM_freakestra
Soundz Offfe Drzk Wahuh [2 CDs]
(Euphorium)
In many ways a prelude to the EUPHORIUM_freakestra to come, this double album of Oliver Schwerdt's open-minded ea-improv big band was recorded in Eisenach, Germany in 2000, in Bellers, Germany in 2001 and finally in Leipzig in 2001 & 2002; despite the vastly different band configuration the concepts of the Freakestra are clear in these spectacular recordings.
Dorner, Axel / Elan Pauer / Christian Lillinger
Dirn Bridge
(Euphorium)
Four impressive free improvisations of tremendous mastery and advanced and unusual technical skill from the trio of Axel Dorner on trumpet, Elan Pauer on piano & percussion and Christian Lillinger on drums & percussion, performing at naTo, in Leipzig, Germany in 2013, augmented on one track by John Edwards knocking on the venue door.
New Old Luten Septet
Remmidemmi!
(Euphorium)
This evolutionary project titled as "loud, colorful hustle & bustle" started with the trio of wind & reed player Ernst-Ludwig Petrowsky, pianist Elan Pauer and drummer Christian Lillinger (Radau!), then expanded to a quintet with two double bassists-John Edwards & Robert Landfermann--and here as a septet with saxophonist Urs Leimgruber and trumpeter Axel Drner.
New Old Luten Quintet
Rabatz!
(Euphorium)
The second step in this evolutionary project, the title referring to "noisy bustle; Riot" started with the trio of wind & reed player Ernst-Ludwig Petrowsky, pianist Elan Pauer and drummer Christian Lillinger (Radau!), then expanded to this quintet with two double bassists-John Edwards & Robert Landfermann--captured live at naTo/ in Leipzig, Germany in 2015.
Schwerdt, Oliver / Baby Sommer / Barry Guy
One For My Baby And One More For The Bass [2 CDs]
(Euphorium)
A trio sounding much larger than its three contributors--Oliver Schwerdt on grand piano, percussion & little instruments, Baby Sommer on drums, cymbals & percussion and Barry Guy on double bass--captured in concert at naTo, in Leipzig, Germany in 2019 for a joyful and assertive album of collective free improv that merges contemporary, free and jazz idioms seamlessly.
Euphorium_freakestra
Free Electric Supergroup [2 CDs]
(Euphorium)
Since 2002 this large ensemble electric supergroup or "freakestra" has performed uncompromising free improvisation that draws on the best of modern approaches in a staggering display of style and technique.



Customers Who Bought This Item Also Bought:
Roebke, Jason
Four Spheres
(Corbett vs. Dempsey)
Brilliantly unusual approaches to jazz scores from Chicago bassist Jason Roebke in a quartet with legendary saxophonist and clarinetist Edward Wilkerson Jr., pianist Mabel Kwan and drummer Marcus Evans, all four also performing on metronome, and Roebke providing low-fi cassette interruptions, a fascinating merging of jazz forms and methods of making the music stop.
Lamb, Catherine / Kristofer Svensson
Translucent Harmonies - two duos for violin and viola, performed by andPlay
(Another Timbre)
The New York-based andPlay duo of violinist Maya Bennardo and violist Hannah Levinson perform two extended works commissioned for their performance series, Translucent Harmonies: first an acoustic rendering of Catherine Lamb's "Prisma Interius VIII (Melodic Duo)"; then Kristofer Svensson's work of contrasts, surprises, modulations, and transformations.
Lehman, Steve / Orchestre National De Jazz
Ex Machina
(Pi Recordings)
A collaboration between NY saxophonist & composer Steve Lehman and the French Orchestre National de Jazz (ONJ), performing compositions by both Lehman and ONJ's artistic director, Frédéric Maurin that blur the boundaries between jazz, experimental and composed forms, using spectral harmonies and real-time interactive electronics developed at IRCAM; powerful!
Sorey, Tyshawn Trio (w/ Aaron Diehl / Matt Brewer)
Continuing
(Pi Recordings)
Drummer Tyshawn Sorey takes his sophisticated piano trio of pianist Aaron Diehl and bassist Matt Brewer into deeper territory following their debut album Continuing, here expanding the breadth of their playing in four extended and passionate interpretations of works by Wayne Shorter, Ahmad Jamal, Sorey's mentor Harold Mabern, and the standard "Angel Eyes".
Ruhl, Joris
Feuilles
(Umlaut Records)
Clarinetist Xavier Charles, accordionist Jonas Kocher and percussionist Toma Gouband join French improviser Joris Ruhl for this extended improvisation of multiphonics, textures and timbres, evolving from subtle harmonics into vast waves of sound, pausing to punctuate with pointillist interaction, then expanding into dramatic waves of sound before carefully fading away; sublime.
Rummel, Simon Ensemble
Singinging
(Umlaut Records)
Bringing together a vast range of jazz, song form, theater, and experimental approaches into a joyfully exciting journey of musical forms from German pianist and composer Simon Rummel, recorded with an versatile 11-piece ensemble at LOFT in Cologne, including Georg Wissel and Joris Ruhl on reeds, Matthias Muche and Carl Ludwig Hubsch on brass, and Michael Griener on drums.
Avenel, Jean-Jacques / Siegfried Kessler / Daunik Lazro
Ecstatic Jazz (Crypte Des Franciscains Beziers 12 Fevrier 1982)
(Fou Records)
Referencing the collective NY Loft scene of the 1980's, the trio of Jean-Jacques Avenel on bass, Siegfried Kessler on piano, keys & ring modulator and Daunik Lazro on alto sax & tuba sax, are heard in a Béziers Jazz Action concert recorded in the crypt of a Franciscan theater, in two suites of collective improvisation, the 2nd adding unusual electronics from Kessler.
Foussat, Jean-Marc / Guy-Frank Pellerin
Les Beaux Jours
(Fou Records)
The title translating to The Good Days, Fou label leader and synth player Jean-Marc Foussat joins with soprano & tenor saxophonist Guy-Frank Pellerin (Dieci Ensemble) for three extended electroacoustic improvisations and a shorter coda, employing piano, toys, field recordings, a whispered poem from Tristan Tzara, and a sense of limitless creativity and imagination.
Armonicord (Querlier / Minor / Houari / Traindl)
Libres (Festival de Massy 26 Octobre 1975)
(Fou Records)
Four free players from the assertive history of French free jazz--Jean Querlier on alto saxophone & soprano oboe, Jouk Minor on baritone & sopranino saxophones, Rachid Houari (the original drummer for Gong) on drums and Joseph Traindl on trombone--are heard in this exceptional and determined set performing two compositions by Jouk Minor at the 1st Massy Independent Festival in 1975.
Foussat, Jean-Marc / Leo Remke-Rochard
jouent pour Stephane Guillaumon qui danse sans faire de bruit
(Fou Records)
An immersive collection of electroacoustic improvisation from the French duo of Jean-Marc Foussat performing on synth, piano, toys and voice, and Léo Remke-Rochard (Riverdog/Skuury) on electronics and ethnic instruments, in a mix of engulfing abstractions and fragmented narrative elements, six works of remarkable soundscape and inspired alien interaction.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC