The Squid's Ear Magazine
July 11-13, 2025: Previously Played Sale - Save 20% on all Used CDs!


Dunmall, Paul / Olie Brice: The Laughing Stone (Confront)

Taking their song titles from Basil Bunting's 1966 poem "Briggflatts", a mixed freeverse work with a changing rhyme scheme that is noted for its use of sound through word play to move its listeners, an apt analogy to the masterful and sophisticated dialog between double bassist Olie Brice and multi-reedist Paul Dunmall, Dunmall performing on alto & tenor saxophones, flute & clarinet.
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Paul Dunmall-tenor saxophone, alto saxophone, clarinet, flute

Olie Brice-double bass


Click an artist name above to see in-stock items for that artist.




Label: Confront
Catalog ID: core 31
Squidco Product Code: 33357

Format: CDR
Condition: New
Released: 2023
Country: UK
Recorded at Sansom Studios, in Birmingham, UK, on November 2nd, 2021, by Olly Sansom.

Descriptions, Reviews, &c.

Track and album titles borrowed from Basil Bunting's 'Briggflatts':



"Briggflatts is a long poem by Basil Bunting published in 1966. The work is subtitled "An Autobiography". The title "Briggflatts" comes from the name of Brigflatts Meeting House (spelled with one "g" in Quaker circles), a Quaker Friends meeting house near Sedbergh in Cumbria, England. Bunting visited Brigflatts as a schoolboy when the family of one of his schoolfriends lived there, and it was at this time that he developed a strong attachment to his friend's sister, Peggy Greenbank, to whom the poem is dedicated. It was first read in public on 22 December 1965 in the medieval Morden Tower, part of Newcastle town wall, and published in 1966 by Fulcrum Press. Bunting also wrote another poem with "Briggflatts" in its title, the short work "At Briggflatts meetinghouse" (1975).

The poem itself has a five-part structure. The first part has a regular structure of 12 stanzas each containing 13 lines. In the following four parts the stanzas vary in length from couplets to quatrains to stanzas of more than 20 lines. The rhyme scheme also changes throughout the poem as the bulk of the text appears in free verse while other lines do contain rhyming patterns.

The poem is noted for its use of soundBunting believed that the essential element of poetry is the sound, and that if the sound is right, the listener will hear, enjoy and be moved; and that there may be no need for further explanation:

"Poetry, like music, is to be heard. It deals in soundÑlong sounds and short sounds, heavy beats and light beats, the tone relations of the vowels, the relations of consonants to one another which are like instrumental colour in music. Poetry lies dead on the page until some voice brings it to life, just as music on the stave is no more than instructions to the player. A skilled musician can imagine the sound, more or less, and a skilled reader can try to hear, mentally, what his eyes see in print: but nothing will satisfy either of them till his ears hear it as real sound in the air. Poetry must be read aloud."-Basil Bunting

"-Wikipedia



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Paul Dunmall was born 1953, Welling, Kent; saxophones, clarinets, bagpipes, miscellaneous wind instruments.

As told to Watson (1989), Paul Dunmall was a working class lad from Welling who left school at 15 and spent two years repairing instruments at Bill Lewington's shop in Shaftesbury Avenue, London. He turned professional at 17 and, following two years touring Europe with a progressive rock band (Marsupilami), joined the Divine Light Mission, a spiritual movement led by Guru Maharaj Ji and moved from London to an ashram in America. He told Isham (1997), 'I moved to an ashram full of musicians - a music ashram - but it was still spiritual practice. That gave me a spiritual understanding through meditation, Coltrane's music, and all the rest of it, led me to that, and that's been a fundament in my life ever since - that I can actually sit down and meditate and forget my body. I realise how important meditation is in my life... but I don't do it so much these days.' During the three years he lived in America, Dunmall played with Alice Coltrane (in a big band with the Divine Light Mission) and toured for twelve months with Johnny 'Guitar' Watson.

Back in England, he played with Danny Thompson and John Stevens as well as folk musicians Kevin Dempsey, Martin Jenkins and Polly Bolton and then, in 1979 he became a founder member of Spirit Level (Tim Richards, piano; Paul Anstey, bass; Tony Orrell, drums), staying with the group until 1989. During his time with Spirit Level, Dunmall joined the two-tenor front line group Tenor Tonic with Alan Skidmore (1985), played and broadcast with Dave Alexander and Tony Moore in the DAM trio (1986) and formed the Paul Dunmall Quartet with Alex Maguire, Tony Moore and Steve Noble (1986).

In 1987 Paul Dunmall joined the London Jazz Composers Orchestra, being a constant member and appearing on all their recorded output from that date onward. The following year the improvising collective quartet Mujician was formed by Keith Tippett, Dunmall, Paul Rogers and Tony Levin and has continued to be a regular performing, touring and recording group, sometimes augmented by other musicians. Dunmall has also played in a trio with Keith and Julie Tippetts and in Keith Tippett's big band Tapestry. Two other duos have also sprung out of Mujician: Dunmall with Tony Levin (two CD releases) and Dunmall in folk-influenced outings with Paul Rogers. Another regular playing partner throughout this period and up until the present includes Elton Dean.

In 1995, two trios were formed, the first with Oren Marshall, tuba and Steve Noble, percussion, the second with John Adams, guitar and Mark Sanders, percussion, these sometimes coming together as a quintet. More recently, Dunmall has played in another reeds/guitar/drums trio with Philip Gibbs and Tony Marsh and there appears to be regular crossover between all these players. The Paul Dunmall Octet was founded in 1997."

Dunmall also has released a large number of albums and a box set on the UK FMR label, in various configurations and instrumentation.

-EFI (http://www.efi.group.shef.ac.uk/musician/mdunmall.html)
7/9/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"I'm a jazz and improv double bassist, based in Hastings, SE England.

I lead and compose for The Olie Brice Quintet, which released our debut album 'Immune to Clockwork' in 2014. The quintet was named as one of the 'new bands 2014' in the El Intruso Critics Poll, and was described by Richard Williams as "one of the most interesting and satisfying bands on the current UK scene". The current line-up of the quintet features George Crowley on tenor, Alex Bonney on cornet, Mike Fletcher on C-melody sax and Jeff Williams on drums. Our 2nd album, 'Day After Day' will be released in Jue 2017 on the Babel label.

I'm also involved in several collaborative projects, including;

a Trio with Tobias Delius - tenor sax, clarinet and Mark Sanders - drums

duos with Achim Kaufmann - piano, Rachel Musson - tenor sax and Tom Challenger - tenor sax

BABs (James Allsopp - bass clarinet, Alex Bonney - laptop)

and am in a few people's bands, including:

Mike Fletcher Trio (Mike Fletcher - C melody sax, Jeff Williams - drums)

Dee Byrne's Entopri (Dee Byrne - alto sax, Andre Canniere - trumpet, Rebecca Nash - piano & Matt Fisher - drums)

Alex Ward Quintet (Alex Ward - clarinet, guitar, Rachel Musson - tenor sax, Tom Jackson - bass clarinet, Hannah Marshall - cello)

Loz Speyer's Inner Space Music (Loz Speyer - trumpet, Chris Biscoe - alto sax, alto clarinet, Rachel Musson - tenor & soprano, Gary Willcox - drums)

Alex Bonney Quartet (Alex Bonney - trumpet, James Allsopp - reeds, Jeff Williams - drums)

Other musicians I've appeared with include Tony Malaby, Evan Parker, Paul Dunmall, Ingrid Laubrock, Ken Vandermark, Steve Swell and many others..."

-Olie Brice Website (https://oliebrice.com/about/)
7/9/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Shuffle and Bark 12:56

2. Dust Swirling 8:47

3. As Ripples Skip in a Shallow 13:26

4. Lit Feathers Sweeping Snow 6:21

5. Let the Fox Have His Fill 7:52

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
London & UK Improv & Related Scenes
Recordings by or featuring Reed & Wind Players
Stringed Instruments
Duo Recordings

Search for other titles on the label:
Confront.


Recommended & Related Releases:
Dunmall, Paul Quartet (w/ Noble / Edwards / Sanders)
Here Today Gone Tomorrow
(RogueArt)
UK saxophonist Paul Dunmall, on tenor and soprano, leads a remarkable quartet with pianist Liam Noble, bassist John Edwards, and drummer Mark Sanders, delivering free improvisation rooted in deep collective interaction and sophisticated dialogue, with Dunmall's melodic originality complementing Noble's textural ideas and Edwards and Sanders providing intense, dynamic rhythms.
Jackson, Tom / T.J. Borden
Parr's Ditch
(Confront)
London clarinetist Tom Jackson, active in both free improvisation and contemporary classical music, meets with cellist Tyler J. Borden, who concentrates on the extremes of his instrument through unusual and extended techniques, interpret one of London's "lost rivers"--Parr's Ditch--in three extended, interpretative improvisations of powerful impressions.



Customers Who Bought This Item Also Bought:
Parker, Evan / Jean-Marc Foussat
Insolence [VINYL]
(NASHAZPHONE)
A collaboration between two towering improvisers — soprano saxophonist Evan Parker and synth/voice experimentalist Jean-Marc Foussat — presenting two incisive live duo performances from the 2023 Improtech Festival, paired with archival solo works from the early 1980s, in a release that bridges free improvisationÕs enduring quest for expressive freedom across decades.
Niblock, Alan / John Butcher / Mark Sanders
Tectonic Plates
(577 Records)
A formidable trio debut from Irish double bassist Alan Niblock with British improvisers John Butcher on saxophones and Mark Sanders on drums and percussion, recorded live at The Black Box in Belfast and unfolding across five tectonically inspired pieces that channel collective intuition, dynamic interplay, and seismic shifts of intensity and form.
Perelman, Ivo / Nate Wooley
Polarity 3
(Burning Ambulance Music)
Ten improvisations in the 3rd release of New York trumpeter Nate Wooley and tenor saxophonist Ivo Perelman's Polarity series, their dialogs an incredible weaving of creative ideas and technical prowess that started in 2020 after recording a series of larger group albums, their affinity and cooperative approach to instrumental dialog exceptional and exemplary.
Hove, Erik
Solo
(Tour de Bras)
Splitting time between Montreal and New York, Canadian saxophonist Erik Hove recorded these twelve deceptively restrained solo improvisations in various locations in 2020 & 2021, applying electronics to his playing which is influenced by both improvisers like Steve Lehman, Henry Threadgill or Steve Coleman and spectral composers like Gerard Grisey or Tristan Murail.
Beche ta motte (Falasie / Cote / Gaudet-Asselin)
Sont des Racines
(Tour de Bras)
The title referring to roots alongside the subtitled comment "agricultural improvisations" in this 2022 free improv recording from the Bêche ta motte (dig your mound) trio of Quebec luminaries Bernard Falaise on guitar, Michel F Cote on percussion & synths and Thomas Gaudet-Asselin on double & electric bass, in twelve succinct experimental improvisations of unusual rhythmic and sonic natures.
Heinemann, Jakob
Opacity
(Kashe Editions)
The debut as a leader for Chicago double bassist and composer Jakob Heinemann, in a series of peacefully sophisticate, through-composed compositions of acoustic orchestration with subtle field recording & object accents from Heinemann, each piece leaving room for improvisation, performed in a quartet with Ishmael Ali on cello, Jeff Kimmel on clarinet and Molly Jones on flutes.
Dunmall / Brackenbury / Brice / Bianco
Prema
(FMR)
Part of a series at Birmingham, UK's East Jazz Club by saxophonist Paul Dunmall with some of the UK's finest improvisers, here in a quartet of two string players—Olie Brice on bass and Faith Brackenbury on violin—plus long-time collaborator Tony Bianco on drums, the title Prema referring to divine love or higher love, as heard in this tremendous, extended performances.
Bucher / Countryman / Gaerlan
The Cosmic Stream
(FMR)
Captured as a live stream recording in 2023 at Tonehouse Studios in Singapore, after 26 days of touring South East Asia by the 12 year collaborative trio of Swiss drummer Christian Bucher, American ex-pat living in the Philippines Rick Countryman on alto sax and Filipino bassist Johnny Gaerlan, a great free jazz session summing up a satisfying tour.
Interstellar Nao Quartet (Countryman / Castanon / Cano / Lauber)
Odisea
(FMR)
A wild odyssey in collective free jazz referencing the 16th century trade ships "La Nao de la China" from four players improvising in the studio in Mexico City for three extended, energetic exchanges of acoustic and electric excitement, from Philippine-based alto saxophonist Rick Countryman, Jalisco guitarist Juan Castanon, and Mexican bassist & drummer Itzam Cano & Gabriel Lauber.
Lash, Dominic / Stale Liavik Solberg
Hey Kye
(Confront)
John Butcher mastered this live recording immaculately captured by Alex Ward at the Vortex in London in 2022 between two exceptional free improvisers, Dominic Lash on electric guitar and Ståle Liavik Solberg on drums & percussion, their three-part dialog sliding in and out of jazz, non-idiomatic and experimental modes in quick-witted and masterful exchanges.
Lumpeks
Polonez
(Umlaut Records)
Ethnic folk flavors of traditional Polish dance music and song merge with modern jazz in the Polish Lumpeks quartet, researching the history of their music and working with musicians of multiple generations as they update their antecedents through free improvisation, and augmenting their repertoire with exotic instrumentation including bird calls, cabasa, baraban, basy, and drone box.
Ballister (Rempis / Lonberg-Holm / Nilssen-Love)
Smash And Grab
(Aerophonic)
"Smash", "Even More Smashing" and "Grab" sums up the intense energy that the Ballister trio brought to their 2022 performance at Elastic Arts in Chicago as part of the Catalytic Sound Festival, impelled by Paul Nilssen-Love's powerful drumming and Fred Lonberg-Holm's demanding cello work, with Dave Rempis roaring on alto, tenor and baritone saxophones; wow!
Tabbal, Tani Quartet (w/ McPhee / Bisio / Siegel)
Intentional
(Mahakala Music)
Drummer with some of the most significant of free jazz icons--Roscoe Mitchell, David Murray, Henry Threadgill, Anthony Braxton, &c.--Tani Tabbal's own trio with fellow New Yorkers Michael Bisio on bass and Adam Siegel on alto sax are joined by Joe McPhee on tenor sax, with compositions from each of Tabbal, Bisio and Joe McPhee, plus four collective improvisations.
Gush (Gustafsson / Sandell / Strid)
Afro Blue
(Trost Records)
Recorded in 1998 but sounding absolutely modern, exuberant and often explosively inspired, this live recording at Jazzclub Fasching in Stockholm brings the then 10-year collaboration of drummer Raymond Strid, pianist Sten Sandel and saxophonist Mats Gustafsson to ecstatic heights, bridging free jazz forms and rendering Coltranes "Afro Blues" with intense passion.
Gregorio, Guillermo
Two Trio
(ESP)
Pivoting between his home base of Chicago for 25 years and his current home in New York City, Argentina-born clarinetist and improviser Guillermo Gregorio presents two concerts, the first at the 2018 Edgefest Festival with Chicago luminaries Fred Lonberg-Holm on cello and vibraphonist Carrie Biolo; then in New York with Ivan Barenboim on contralto clarinet and Nicholas Jozwiak on cello.
Blum, John / David Murray / Chad Taylor
The Recursive Tree
(Relative Pitch)
An assertive album of collective free jazz from three masterful NYC players — John Blum (piano), David Murray (tenor sax) and Chad Taylor (drums) — recording in the studio for eight high-octane improvisations inspired by the mathematical and natural concept of recursion, comparing nature's expansive growth with the growth of jazz through the incremental expansion of ideas and influences.
Dunmalll, Paul (Dunmall / Kinch / Cole / Mwamba / Kane / Drake)
Bright Light A Joyous Celebration
(Discus)
Recalling his Sun Quartet album, UK saxophonist Paul Dunmall's new sextet pivots off the jubilant rhythm section of drummer Hamid Drake, double bassist Dave Kane and vibraphonist Corey Mwamba, with three saxophonists--Dunmall on tenor & c-soprano saxophones, Xhosa Cole on tenor and Soweto Kinch on alto & tenor saxophones--in a truly joyful bright celebration of free flowing jazz.
Omawi (Warelis / Gvaert / De Joode)
Waive
(Relative Pitch)
The band name Omawi is a conglomerate of this Dutch trio's name, appropriate for the nearly telepathic interaction of pianist Marta Waleris, drummer Onno Govaert and double bassist Wilbert de Joode, captured in their first live performance after the pandemic lockdown at Zaal100, in Amsterdam, their enthusiasm and pent-up expression clearly evident in five extraordinary improvisations.
Extra
Spiral/Athletics
(Love Earth Music)
The third album from the collaboration of sound artists Howard Seltzer, who typically works with consumer grade tape players, and Brian Grainger, head of the Milieu Music mailorder label, in an extended work of textural cassette sound, field recordings, drone music and modular synthesis, a journey through rich and well-controlled sound.
Ayler, Albert (incl. Milford Graves, Cecil Taylor, Jimmy Lyons, Sunny Murray, &c)
More Lost Performances, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Remastering previously unavailable and vital performances from three configurations of saxophonist Albert Ayler's bands, including their 1967 Newport Festival concert with Milford Graves, their performance at John Coltrane's 1967 Funeral at St. Peter's Lutheran Church in NYC, and an incredible 1962 concert with Cecil Taylor's group with Jimmy Lyons and Sunny Murray in Copenhagen.
Kim / Rodrigues / Rodrigues / Cholet
Taedong
(Creative Sources)
Emulating the Korean river Taedong through it's undulating flows, uproar, flux and treachery in eleven succinct chamber-oriented improvisations from the quartet of South Korean tenor saxophonist Jung-Jae Kim, French-born South Korean-based drummer Quentin Cholet, with the Portuguese father/son duo of Ernesto Rodrigues on viola and Guilherme Rodrigues on cello.
ZYFT (Felixbrodt / Taubenfeld / Zwerver)
Triangle Moments
(Creative Sources)
The sophomore release for the acoustic free improvising Amsterdam trio of Ziv Taubenfeld on bass clarinet, Henk Zwerver on guitar, and Maya Felixbrodt on viola, upping the intensity in a set of abstract improvisations of an active nature using unorthodox and extended techniques; upbeat and often exciting collective discourse that leads to great moments of individual expression.
Nicols, Maggie / Matilda Rolfsson / Mark Wastell
Semiotic Drift
(Confront)
Extending the duo of British improvisers, legendary vocalist and leader of London's The Gathering, Maggie Nicols, also performing on taps and percussion, and Confront label-leader, percussionist Mark Wastell performing on cymbals and frame drum, with Swedish percussionist Matilda Rolfsson on bass drum, captured in a captivating concert at All Ears in Oslo in 2023.
Leap Of Faith
The Origin Of Mass
(Evil Clown)
The second album of collective free improvisation from Leap of Faith expanded by Chinese musicians, from the core duo of multi-reedist David Peck and cellist Glynis Lomon, here with Chinese improviser, Boston-based Beijing guzheng player Jiaxin Wan, alongside trumpeter Bob Moores, for two exotic improvisations of patiently evolving global elements.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC