A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.
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Label: Sublime Retreat
Catalog ID: SR011
Squidco Product Code: 32782
Packaging: Cardstock Sleeve, sealed
Recorded in January, 2021, by the artist.
Bruno Duplant-composer, performer
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• Show Bio for Bruno Duplant
"Bruno Duplant is a composer, improviser and multi-instrumentist (double bass, percussion, electronics, phonography...) living in the north of France. He has collaborated with lot of instrumentalists around the globe and has also made solo works for such labels as B-Boim, Engraved Glass, Peira, Ilse, Impulsive Habitat, Con-v, Unfathomless, Et le feu comme matière formatable technologiquement, Audiotong, Insubordinations and his own label curated with Pedro Chambel, Rhizome.s...
For him, composing, playing, improvising music is like imagining, creating and sometimes decomposing new spaces/realities, new entities. But it is also a reflection on 'memory', not the historic one, but a memory of all things, spaces & moments.
His new works, mostly based on phonographies & graphic scores, perfectly reflect that."-Another Timbre (http://www.anothertimbre.com/az8.html)
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1. Le Jour D'apres 30:00
sample the album:
"....The always prolific Bruno Duplant returns to the solo dimension by packaging a new immersive itinerary with decidedly crepuscular traits. The nocturnal one, on the other hand seems to be a dimension particularly dear to the French composer considering the frequency with which it is elected as the setting of his electroacoustic drifts.
In "Le Jour D'après," however, we find ourselves at its limit, in the presence of a cold dawn that accompanies the unfolding of an action made of ambient resonances and concrete textures trapped in distorted modulations. The formula is still that of a long, slowly developing sequence plan punctuated by sparse piano stille - the track is not by chance dedicated to Guy Vandromme - diluted in this deeply tactile crackling matter.
The interest in 20th-century avant-garde research interpolated with a love of literature, of static and moving images always shines through with relentless clarity, infusing a pronounced cinematic sense to a rarefied sound stream capable of inexorably rapturing"-Peppe Trotta @ "SoWhat"
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