The Squid's Ear Magazine


Wachsmann, Philipp / Matthew Hutchinson: Startle The Echoes (Bead)

Beginning their collaboration during the 1970s in the Chamberpot Ensemble, the duo of violinist Philipp Wachsmann and keyboard and electronic improviser Matthew Hutchinson are heard in live recording from three London Concerts in 2002 & 2003, Wachsmann's violin extended via live signal processing and transformations, extending their dialogs in expansive ways.
 

Price: $15.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 4.00 units

Sample The Album:





product information:

Personnel:



Philipp Wachsmann-violin

Matthew Hutchinson-keyboards, electronics


Click an artist name above to see in-stock items for that artist.




UPC: 5024545279825

Label: Bead
Catalog ID: Bead CD05 SP
Squidco Product Code: 32532

Format: CD
Condition: New
Released: 2004
Country: UK
Packaging: Jewel Case
Tracks 1 and 3 recorded at The Red Rose, in London, United Kingdom, on March 17th, 2002; Tracks 4 and 6 recorded at The Charteris Centre, in London, United Kingdom, on December 15th, 2002-12-15; Tracks 2 and 5 recorded at Camden People's Theatre, in London, United Kingdom, on June 29th, 2003.

Descriptions, Reviews, &c.

"The Wachsmann / Hutchinson duo has existed since the 1980's. It grew out of the influential Chamberpot ensemble that started in the early 70's, and which recorded on Bead Records. Since then the duo has been performing in a wide variety of venues and at times in extended groups.

The music in this recording is taken from three London concerts. The six tracks contain music that is wide ranging, provocative, haunting often with juxtapositions of unlikely and seemingly unreconcilable elements that include the tonal, the abstract, the absurd, the funny, and the sublime. Sometimes with stunning disparity the music tells an unusual story.

Both musicians are concerned with live electronics as a spontaneous and fluent extension of their musical intents - be it with different approaches.

Philipp Wachsmann's electronics began with two contact mics on the violin and later introduced self made circuits such as ring modulation. Later he added further analogue and then digital transformation as they became available. His electronics complement, extend and feed his acoustic playing from the use of simple sound reinforcement to the dazzling and complex use of signal processing (and manipulation), with the acoustic violin remaining at the heart of it.

Matthew Hutchinson began primarily as an acoustic pianist but later relied increasingly on electric piano due to the lack of suitable pianos at many venues. His work on electric piano led naturally to the additions of transformations and to extend sound generation (namely synthesisers). He produces sounds in such a way that his electronically generated sources often gain the sensitivity and type of presence more normally associated with acoustic instruments.-Bead Records


Artist Biographies

"Philipp Wachsmann. Born Uganda, 1944; violin, viola and electronics.

In the CD booklet to Gushwachs, John Corbett notes that Phillip Wachsmann came to free improvisation from a predominantly classical background, particularly via the contemporary experiments of "indeterminacy, graphic and prose-based scores, conceptualism and electroacoustics, listening to Webern, Partch, Ives, Berio and Varèse, reading 'Die Reihe' and interrogating the rhythmic, harmonic and melodic preoccupations of Western art music. Starting in 1969, Wachsmann was a member of Yggdrasil, an ensemble performing works by Cage, Cardew, Feldman, Ashley and others and in this group he used contact mikes on the violin and made his own electronic instruments, ring modulators and routing devices. Ironically, his studies with Nadia Boulanger in Paris (1969-1970) pushed him hard in the direction of free music. He recalls: 'Despite her neoclassical orientation, her insistence that composition is about the imagination of performance and its realisation, the live moment, and her stunning ability to make this happen was a powerful influence on me, steering towards 'performance' and therefore 'improvisation'.'"

Wachsmann moved from Yggdrasil to Chamberpot - recorded on Bead 2 - and shortly thereafter appeared on Tony Oxley's influential February papers, forward looking in the virtual 'industrial' orientation of some of the tracks, years before this became an accepted genre; the two musicians have continued to work together, in various groupings but notably in the percussionist's Celebration Orchestra. Philipp Wachsmann has also performed and/or recorded with: Derek Bailey's Company, e.g. on the recording Epiphanies; Georg Graewe; Barry Guy; Iskra 1903; King Übü Orchestrü; London Jazz Composers' Orchestra; Evan Parker, particularly as part of the Evan Parker Electronic Project; Quintet Moderne; Fred Van Hove's ML DD 4; Rüdiger Carl's COWWS (now CPWWS) Quintet; and Lines, with Martin Blume, Jim Denley, Axel Dörner and Marcio Mattos. He also plays as a solo musician.

Phillip Wachsmann also administers Bead Records."

-EFI: European Free Improv (http://www.efi.group.shef.ac.uk/mwachs.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Matthew Hutchinson is a UK pianist, known for Chris Burn's Ensemble, Timothy Victor's Folk Orchestra and his work with Phil Wachsmann, Richard Beswick, Hugh Metcalfe, Trevor Taylor, and Paul Medley.

-Discogs (https://www.discogs.com/artist/617231-Matthew-Hutchinson)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Spike(d) Dance 8:42

2. Dream Spaces 15:46

3. Sight Line 9:23

4. Recourse 14:28

5. Discourse 7:46

6. Interiors 6:55

Related Categories of Interest:


Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Stringed Instruments
Electronic Forms
Duo Recordings
European Improvisation, Composition and Experimental Forms
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Bead.


Recommended & Related Releases:
King Ubu Orchestru 2021
Roi
(FMR)
Originally formed in 1985, this free improv ensemble continues in a new rendition of the Örchestrü, with original members Mark Charig (cornet), Paul Lytton (percussion), Alfred Zimmerlin (cello) and Phillipp Wachsmann (violin) joined by new members including Axel Dorner (trumpet), Phil Minton (voice), and Melvyn Poore (tuba), for two exceptional examples of advanced collective and cooperative improvisation.
London Jazz Composers Orchestra
Krakow 2020 [6 CD BOX SET]
(Not Two)
To celebrate its 50th year since bassist Barry Guy assembled the London Jazz Orchestra for its first 1970 performance on BBC Radio, the now multinational band convened in Poland in 2020 for a series of concerts at Alchemia Club and Manggha Hall in configurations of duos to quintets, culminating in a full ensemble performance of two magnificently powerful works: "Flow" and "Harmos-Krakow".
London Jazz Composers Orchestra
That Time
(Not Two)
Released for their 50th anniversary, The LJCO, in configurations of up to 21 musicians including Derek Bailey, Trevor Watts, Evan Parker, Peter Brotzmann, &c., perform works by Kenny Wheeler, Barry Guy, Paul Rutherford and Howard Riley, captured live at the Berliner Jazztage in 1972; at Donaueschingen Musiktage in 1972; in the studio in 1980; and London's Round House in 1980.
Wachsmann, Philipp / Trevor Taylor / Paul Medley / Matthew Hutchinson
Old Dreams New Horizons
(FMR)
Quartet, trio and duo sessions between Paul Medley on alto saxophone & bass clarinet, Trevor Taylor on percussion & electronics, Matthew Hutchinson on piano, and Philipp Wachsmann on violin & electronics; improv and ea-improv that uses space and patient pacing, merging approaches from Circuit Electro-Acoustic Ensemble with an overall acoustic chamber feel--beautiful.
Brighton, Ian
Marsh Gas [REISSUE]
(FMR)
Reissuing the 1977 album from UK guitarist Ian Brighton, written as an instrumental story for children, apparently very sophisticated children, in a mix of composed and freely improvised passages, using non-idiomatic approaches with unusual and extended techniques, open atmospheric passages and strange transitions, a peculiar and wonderful album of imaginative playing.
Other Recommended Releases:
Durrant, Phil / Daniel Thompson
Live / Studio
(Bead)
The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.
Sjostrom, Harri / Erhard Hirt / Philipp Wachsman / Paul Lytton
Especially For You
(Bead)
A concert recording on the occasion of the 10th anniversary of Einstein Kultur in Munich from the quartet of Erhard Hirt on guitar & computer and Paul Lytton on drums, percussion & objects (half of the Quartet XPACT) plus Harri Sjostrom on soprano & sopranino saxophones and Philipp Wachsmann on violin & electronics, presenting a remarkable set of collective ea-improvisations.
Wachsmann, Philipp / Trevor Taylor
Two
(FMR)
Eight studio compositions recorded in Kingston, London in 2022 between FMR label-leader Trevor Taylor on percussion and electronics, and violinist Philipp Wachsmann, also processing his sound through electronics, the two finding common ground and great compatibility in reserved pacing that seemingly allows each note and gesture to express itself fully.
Spaces Unfolding (Metcalfe / Wachsmann / Karlsen)
The Way We Speak
(Bead)
All three having met in the London Improvisers Orchestra, Neil Metcalfe on flute and violinist Philipp Wachsmann each worked with drummer Emil Karlsen in separate projects including Tern, and then at Karlsen's suggestion creating this new Spaces Unfolding trio, heard in their first album, recording in the natural resonance of St. Mary's Old Church in Stoke Newington.
Wachsmann, Philipp / Lawrence Casserley
Garuda
(Bead)
Both members of Evan Parker's Electro Acoustic-Ensemble and Colourscape, the ea-improv duo of Philipp Wachsmann on violin & viola and Lawrence Casserley using a signal processing instrument and percussion, are heard in these 2012 studio recordings in Buckinghamshire in 9 wide-ranging dialogs exploring permutations of playing, processing and transforming their instruments.
Wachsmann, Philipp / Michael Bunce
Refractions In Air
(Bead)
Philipp Wachsmann's acoustic violin is routed through his own electronics and then fed into the Live Electronic Sampling & Transformations (LiSa) systems of Michael Bunche, processed and re-performed using time-based transformations shaped by gestural input or as static samples, creating new and unexpected trajectories, sounds snd forms for Wachsmann's playing.
Wachsmann, Phillip
Chathuna
(Bead)
Recordings from a unique concert at the Synagogue in Oerlinghausen, Germany in 1996 between long-term collaborators Philipp Wachsmann and artist Sarah Brigitte Eckel, Wachsmann improvising in the resonance of the synagogue on violin, viola, electronics & tape in response to Eckel's exhibition extemporizing five canvas painting and a floor installation.
Imaginary String Quintet (Philipp Wachsmann / David Leahy / Bruno Gustralla / Trevor Taylor / Catherine Hope Jones)
Wood: Paper, Paint, Sound
(FMR)
Free string improvisations from Philipp Wachsmann on violin, David Leahy on double bass and Bruno Gustralla on cello, creating subtle and spacious intersections of strings that focus on unusual techniques, melodic fragments spliced over resounding bowing, plucking and instrument errata, while percussionist Trevor Taylor adds sparse punctuation; inscrutably authoritative improv.
Tern (Philipp Wachsmann / Martin Hakett / Emil Karlsen)
In Air
(FMR/Bead)
Two sessions from the free improvising electroacoustic trio of Philipp Wachsmann on violin & electronics, Martin Hakett on synthesizer and Emil Karlsen on drums & percussion, first for three studio recordings in 2019, and then in concert at the 2020 "Sounds Like This" festival at Leeds College for two wonderfully idiosyncratic and masterful conversations.
Various Artists (Bauer, Casserley, Florodos, De Joode, Kujala, Narvesen, Taramontana, Schiaffini, Wachsmann)
SoundScapes Festival # 3 - Munich 2021 Schwere Reiter [2 CDs]
(Listen! Foundation (Fundacja Sluchaj!))
14 musicians from 9 different countries in various collaborative groupings performing acoustic & electronic free improvisations, the focus on soundscape and limited to 15 minute performances, developed by saxophonist Harri Sjöström in 2013 as "SoundScapes Festivals" and presented in Helsinki and now in Munich as part of the art-project "Aspects of Free Improvisation 2021".
Oxley, Tony
Unreleased (1974 to 2016)
(Discus)
The second in Discus Music's "Unreleased" series selected from percussionist and electronics legend Tony Oxley personal collection, here in three configurations: a quintet with Barry Guy, Dave Holdsworth, Howard Riley and Paul Rutherford; a quintet with Howard Riley, Larry Stabbins, Phillip Wachsmann and Hugh Metcalfe; and a duo with Stefan Hoekler.
Parker, Evan ElectroAcoustic Ensemble (w/ Sainkho Namtchylak)
Fixing the Fluctuating Idea
(Les Disques Victo)
Evan Parker's Electroacoustic Ensemble, merging reeds, strings and percussion with live signal processing to create something indescribably transformative is further amplified with the addition of free improvising vocalist and Tuvan throat singer Sainkho Namtchylak, adding an unearthly layer of interaction and transmogrification to this incredible 1996 FIMAV performance.
Oxley, Tony
February Papers
(Discus)
Reissuing percussionist and electronic innovator Tony Oxley's 1977 Incus album, collecting works from Oxley's evolving approaches, including a quartet with bassist Barry Guy and violinists David Bourne & Philipp Wachsmann; a trio with Barry Guy and Ian Brighton on electric guitar; and solo pieces including a piece for Evan Parker emulating his sound through electronics.
Circuit (Seagroat / Chatzigiannis / Taylor / Hutchinson / Medley / Wachsmann)
Cell
(FMR)
UK percussionist and electronic artist Trevor Taylor's Circuit project in an extended electroacoustic version with Jon Seagroat on reeds & electronics, Tim Chatzigiannis on computer & electronics, Mathew Hutchinson on piano, Paul Medley on reeds, and Philipp Wachsmann on violin & electronics, in carefully controlled and sublimely detailed improvisation.
Kraabel, Caroline
Last1 And Last2
(Emanem)
LAST is part of a series by Caroline Kraabel (LIO, Remote Viewers) mixing live improvisation with pre-recorded material provided by Robert Wyatt for this purpose, performed live at Cafe OTO in two versions: first where the 15-piece ensemble has not yet heard the Wyatt interventions, and second where they were familiar with and use his voice to structure what they play.
Circuit (Dunmall / Long / Wachsmann / Taylor)
December
(FMR)
Trevor Taylor's Circuit electroacoustic ensemble, here as a quartet with Paul Dunmall on saxophone, Ashley John Long on double bass, Philipp Wachsmann on violin & electronics, and Trevor Taylor on percussion & electronics, recording at Kingston University for the five-part work "DE" "CE" "EM" "BE" "R", intricate and introspective improv that builds and recedes through restrained squalls.
Josephson / Wachsmann / Lindsay / Smith / Blume
Zero Plus
(Balance Point Acoustics)
The Triple D Trio of Aurora Josephson (voice), Jacob Lindsay (clarinet) & Damon Smith (bass) met with visiting European improvisers Philipp Wachsmann (violin) and Martin Blume (drums) to record these live concerts in Oakland and SF.



Customers Who Bought This Item Also Bought:
New Monuments (Don Dietrich / Ben Hall / Camille Dietrich / Tony Gordon)
Language is the Skin [CD w/ DOWNLOAD]
(Torn Light)
Recording in Detroit in 2021 the ruggedly extreme free jazz quartet New Monuments of Don Dietrich (Borbetomagus) on saxophone, Ben Hall on percussion, Camille Dietrich on cello and Tony Gordon on electric bass guitar shred through six collective improvisations, taking time for burning solo moments and electrically-fueled exchanges; scorching!
Coltrane, John Quartet
Song Of Praise, Live New York 1965 Revisited
(ezz-thetics by Hat Hut Records Ltd)
Recorded during an extended stay at the Half Note in NYC from saxophonist John Coltrane's Quartet with pianist McCoy Tyner, double bassist Jimmy Garrison and drummer Elvin Jones, originally recorded for radio broadcast, here reissued and resequenced to demonstrate Coltrane's evolution in presentation & performance, while also mapping a future to his music.
Ayler, Albert
La Cave Live, Cleveland 1966 Revisited [2 CDs]
(ezz-thetics by Hat Hut Records Ltd)
Never-before released recordings of tenor saxophonist Albert Ayler's 1966 band recording in his home town of Cleveland at club La Cave, recorded over two nights in a superb sextet with brother Donald on trumpet, Frank Wright on tenor sax, Michel Samson on violin, Clyde Shy on double bass and Ronald Shannon Jackson on drums, performing Ayler's compositions and Don Cherry's "D.C.".
Hope, Cat
Decibel
(ezz-thetics by Hat Hut Records Ltd)
A diverse set of works from Australian composer Cat Hope, employing acoustic instrumentation--strings, keys, flutes, reeds & percussion--along with electronics and field recordings, in chamber configurations from duos to quintets, performed by the Western Australia Decibel new music ensemble for which Hope is both director and a performer.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC