More Research From The Same Dept. [ [CASSETTE + DOWNLOAD]
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A followup to The Latest Research From The Department Of Electrical Engineering, Dutch experimental sound artist Michel Banabila shows his most explorative side through eleven compositions using electronics, found sounds, field recordings, synthetics and acousmatic sources, a wonderfully inspired set of contructions that float like machines in a dream.
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Label: Tapu Records
Catalog ID: TRBOP 23
Squidco Product Code: 32260
Michel Banabila-composer, performer
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• Show Bio for Michel Banabila
"Michel Banabila, born 1961, is a sound artist, composer, and producer. Banabila releases music since 1983 and has produced musical scores for numerous films, documentaries, theatre plays and choreographies. He worked / performed in The Netherlands, Poland, Lebanon, UK, South Africa, Russia, Japan, Spain, China, USA and Belgium. Banabila is especially keen on mixing disciplines and music styles, using elements and influences from jazz, electronic music, classical and world music. Therefore there is no particular genre to categorize Banabila's music. In addition to acoustic instrumentation, Banabila uses electronics, field recordings, and snippets from radio, tv and internet. He collaborated with different types of artists like Anton Goudsmit, Erkan Oğur, Hanyo van Oosterom, Holger Czukay, Joshua Samson, Machinefabriek, Mete Erker, Oene van Geel, Radboud Mens, Salar Asid, Sandhya Sanjana, Scanner, Yaşar Saka , Eric Vloeimans, and Zenial, among others.
Besides making albums and musical scores, Banabila works with theatre, dance and visual art on more conceptual artistic projects. He builds a database with samples; uses the city environment as a recording studio, collects fragments of spoken texts, which he composes into soundscapes, audio/visual installations and performances. Using recordings of speech in several languages Banabila experiments with the tonality of words and the "sound system" of languages. Banabila worked on various projects with video artists Geert Mul, Olga Mink, and photographer Gerco de Ruijter. With Geert Mul he has an audiovisual set, Big Data Poetry, which they performed live in venues like The Barbican (London) during the Logan Symposium 2014, Yukunkun (Beirut) during the Global Week For Syria 2014, and TENT (Rotterdam) during Sound Spectrums 2012. With Olga Mink he performed at the LUX Festival (Sevilla), the VAD Festival (Girona) and the State Of The Image Festival (Arnhem) in 2006. For Gerco de Ruijter he did sound design for several stop-frame animations, like the critically acclaimed Crops, shown in the Hirhshorn Museum (2013 / Washington DC) and Ringdijk at Panorama Mesdag (2016 / The Hague)"-Michel Banabila Website (http://www.banabila.com/biography)
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1. Cricket Robotics 5:08
2. More Research From The Same Dept. 1:57
3. The Magnifying Transmitter 5:03
4. A Giant Cyborg And Tiny Insect Drones 4:32
5. Kafka Remix 6:00
1. Alien World 4:59
2. Tesla's Lab 6:46
3. Sunbeams 6:01
4. Cryptography 5:31
sample the album:
"Although active for maybe thirty years now, it seems that Michel Banabila is working his ass off in the last couple of years, having lots of new releases all the time, and playing around with his mates from Rotterdam, such as Radboud Mens, Rutger Zuydervelt and Roel Meelkop. Here's his latest album, which we, perhaps, should see as the follow-up to 'The Latest Research From The Department Of Electrical Engineering' (Vital Weekly 837), which I may regard with some hindsight as the album which turned me back to Banabila's music. Before that I assumed that his music was more or less third world music, ethnic perhaps yet electronic. That album proved me wrong and since then I have a keen ear for his music. Banabila uses a variety of instruments from electric sources, such as Korg monotribe and monotron and EX24 sampler, but also soft synths, found objects, fluorescent tube sounds, refrigerator sounds and plug sounds and creates some excellent electronic music with that. Nothing third world, nothing even remotely exotic, unless you think abandoned factories are exotic places; some of Banabila's music sound straight from such sites of industrial desolation. Some bits are still functioning but not all of it. Banabila's music is a construction of sounds, sometimes in the form of a collage and at other times in more straight forward moving lines, sustaining sounds. A work of electronic music indeed, and to some extends also from the world of musique concrete. However, none of these eight pieces last very long and Banabila doesn't apply very complex compositional techniques - maybe that's the only thing that has any relation to the world of 'pop' - whatever that means in this context. Electrical interference is sampled into a rhythm, phrases are repeated, and on top there is a whole extra layer of weirdness. Intelligent, experimental music. Not too difficult or alienating, but wonderfully accessible. Excellent release!"-Fras da Waard, Vital Weekly
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