The Squid's Ear Magazine


Parker, Jeff / Eric Revis / Nasheet Waits: Eastside Romp (RogueArt)

Though having worked together in various collaborations, the trio of Jeff Parker on guitar, Eric Revis on double bass and Nasheet Waits on drums had never recorded as a trio before this 2016 studio date in Pasadena, CA, each player contributing compositions for the album, along with one collective improvisation and a cover of Marion Brown's "Similar Limits".
 

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product information:

Personnel:



Jeff Parker-guitar

Eric Revis-double bass

Nasheet Waits-drums


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UPC: 3760131271133

Label: RogueArt
Catalog ID: ROG-0113
Squidco Product Code: 32227

Format: CD
Condition: New
Released: 2022
Country: France
Packaging: Cardboard Gatefold 3 Panels
Recorded at Nolan ShaheedŐs Recording Studio in Pasadena, California, on May 31st, 2016, by Nolan Shaheed.

Descriptions, Reviews, &c.

"Why did it take six years for this album to be released? It didn't take long to make: electric guitarist Jeff Parker, double bassist Eric Revis, and drummer Nasheet Waits spent just one day recording Eastside Romp in a Pasadena studio in late May 2016, and it's been mixed since 2018. The music certainly hasn't languished because of an issue with its quality-the session was basically a summit between the formerly Chicago-based string bender and the rhythm section from celebrated jazz ensemble Tarbaby, and all three players shine. The album wastes no time shifting into high gear. After stating the jubilant theme of Marion Brown's "Similar Limits," the musicians launch into a propulsive three-way slalom, then converge with a clash like an explosion in a Slinky factory-only to seamlessly snap into a restatement of the theme. For the rest of Eastside Romp, the trio play a variety of instrumentals composed by each member. Parker's "Wait" is an importuning ballad whose melody practically demands to be delivered with one knee on the ground and one hand over the heart-except that it'd be tough for the guitarist to hold that pose, given that it sounds like he needs four limbs to play the shimmering, effects-laden solo that clinches his plea for pause. Revis's ironically titled "Drunkard's Lullaby" draws a zigzagging path that even a stone-cold-sober gymnast might have a hard time walking without stumbling; the trio negotiate it handily, with a thrilling combination of rhythmic precision and electronic distortion. And Waits's "A Room for VG" uses sparse notes and reluctantly deployed drumbeats to mold silence into exquisite shapes. Maybe one day we'll find out why this music spent so long under wraps, but even without that answer it's profoundly satisfying to hear Parker, Revis, and Waits reconcile accessibility and abstraction."-Bill Meyer, The Chicago Reader

Also available on vinyl LP.
Get additional information at The Chicago Reader

Artist Biographies

"Jeff Parker (born April 4, 1967) is an American jazz and rock guitarist based in Los Angeles. Parker is best known as an experimental musician, working with avant-garde electronic, rock, and improvisational groups.

Parker currently plays guitar in the post-rock group Tortoise and also was a founding member of the ensembles Isotope 217 and the Chicago Underground Trio in the 1990s and early 2000s. He is also a member of the Association for the Advancement of Creative Musicians, as well as working with musicians George Lewis, Ernest Dawkins, Brian Blade, Joshua Redman, Fred Anderson (musician) and Jason Moran. He has released three solo albums: Like-Coping, The Relatives and Bright Light in Winter."

-Wikipedia (https://en.wikipedia.org/wiki/Jeff_Parker_(musician))
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"One of the most talented and accomplished musicians of his generation, Grammy Award-winning bassist and composer Eric Revis has, over the past 15 years, become an important voice in jazz. Branford Marsalis states, "Eric's sound is the sound of doom; big, thick, percussive." Scores of musicians across various disciplines agree. Revis has performed and recorded with Betty Carter, Peter Brotzmann, Jeff "Tain" Watts, Kurt Rosenwinkel, Steve Coleman, Ralph Peterson, Lionel Hampton, McCoy Tyner, Andrew Cyrille, and Tarbaby (the experimental trio he tri-leads with Orrin Evans and Nasheet Waits).

Manning the bass chair with Branford Marsalis' powerfully flexible quartet since 1997, Revis has also recorded four brilliant albums as a leader. 2004's Tales of the Stuttering Mime and 2009's Laughter's Necklace of Tears have both revealed his startling range as a musician and composer. Informed by his past but not tethered to it, a glimpse into the musical trajectory of this artist is indelibly clear on his latest release Parallax (Clean Feed ) and the soon to be released City of Asylum (Clean Feed).

"Tales of the Stuttering Mime was an amalgam of songs I'd been composing for quite some time," Revis explains. "Being that there were a lot of different influences at play, it required that I use various band configurations on almost every tune, which was great in that I had a very real connection to all of the musicians involved." With Laughter's Necklace of Tears the same conceptual construct was in place in terms of the confluence of musical influences, but the goal was to present it in a more cohesive fashion in terms of having one group navigate the songs for the record as opposed to five or six".

Conceptually improvisational and thematically broad, Parallax (Clean Feed) is timeless and borderless. The albums' approach is one of inclusion, extrapolation and exploration. Joined by Jason Moran, Ken Vandermark and Nasheet Waits, it is a true document of Revis' growth as a composer, bassist and sounding board. As on previous recordings, Revis' playing is personal and distinctive: his tone deep and woody, his execution, agile, melodic and clear. A musical polyglot, Revis is comfortable in any setting, any direction. His skills as a band leader and composer are equally profound and inspiring."

-Eric Revis Website (https://ericrevis.com/about/bio/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Nasheet Waits, drummer/music educator, is a New York native. His interest in playing the drums was encouraged by his father, legendary percussionist, Frederick Waits. Over the course of his career, Freddie Waits played with such legendary artists as Ella Fitzgerald, Sonny Rollins, Max Roach, McCoy Tyner, and countless others.

Nasheet's college education began at Morehouse in Atlanta, GA, where he majored in Psychology and History. Deciding that music would be his main focus, he continued his college studies in New York at Long Island University, where he graduated with honors, receiving his Bachelor of Arts in Music. While attending Long Island University, Waits studied privately with renowned percussionist, Michael Carvin. Carvin's tutelage provided a vast foundation upon which Waits added influences from his father, as well as mentor Max Roach. It was Max that first gave Nasheet's formidable talent international spotlight, hiring him as a member of the famed percussion ensemble M'BOOM. One highlight of Nasheet's tenure with M'BOOM was the live concert performance of M'BOOM with special guests Tony Williams and Ginger Baker.

Nasheet's talent came to the attention of reedman Antonio Hart, who asked Waits to originate the percussion chair of his first quintet. Waits remained a standing member of Antonio's various ensembles, recording three albums and touring nationally and internationally in noted venues, jazz festivals, as well as live television and radio performances. Nasheet remained a member of Antonio's group through 1998.

Most recently Nasheet has been a member of Andrew Hill's various bands, Jason Moran's Bandwagon, and Fred Hersch's trio. As an originating member of pianist Jason Moran's Bandwagon, Jason, bassist Tarus Mateen, and Nasheet have been deemed, "the most exciting rhythm section in jazz" by JazzTimes, The 2001 recording "Black Stars" with the Bandwagon, featuring Sam Rivers was named the "Best CD of 2001" in (Jazz Times, Jan 2002) and "The New York Times".Nasheet's recording and performing discography is a veritable who's who in Jazz, boasting stints with jazz notables such as Geri Allen, Mario Bauza, Hamiett Bluiett, Abraham Burton, Ron Carter, Marc Cary, Steve Coleman, Stanley Cowell, Orrin Evans, Stefon Harris, Andrew Hill, Bill Lee, Jackie McLean, The Mingus Big Band, The New Jersey Symphony Orchestra, Greg Osby, Joshua Redman, Vanessa Rubin, Antoine Roney, Wallace Roney, Jacky Terrason, Bunky Green, and Mark Turner. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United Stat

Amidst his performing, recording and touring activity, Nasheet teaches private lessons to youth and adults, stressing a personal approach to the drums and music. He has been heralded for his musicality and creativity by such virtuosos as Ed Thigpen, Max Roach, Andrew Hill, and Stanley Cowell . True to his personal philosophy of the necessity to balance Tradition and Modernism, Waits collaborates and performs regularly with a wide range of artists. He remains dedicated to exploring his role and creative path in music."

-Nasheet Waits Website (http://www.nasheetwaits.com/biography.htm)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Similar Limits 4:16

2. Wait 8:13

3. Between Nothingness And Infinity 7:05

4. Drunkard's Lullaby 5:44

5. That Eastside Romp 3:41

6. A Room For VG 4:55

7. Watusi 4:39

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Chicago Jazz & Improvisation
West Coast/Pacific US Jazz
Trio Recordings
New in Improvised Music
Recent Releases and Best Sellers
Last Copy of Items that will not be restocked...

Search for other titles on the label:
RogueArt.


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