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Kaluza / Steyer / Rodrigues / Rodrigues / Mengersen: Echoes In A Further Range (Creative Sources)

This string and reed quintet presents a fluid approach to chamber-oriented improv with dexterous melodic and harmonic motion, utilizing contemporary and jazz idioms as they create something masterfully unique; from Anna Kaluza on alto sax, Edith Steyer on alto sax & clarinet, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Ulf Mengersen on double bass.
 

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product information:


UPC: 5609063407334

Label: Creative Sources
Catalog ID: cs733
Squidco Product Code: 32063

Format: CD
Condition: New
Released: 2022
Country: Portugal
Packaging: Cardboard Gatefold
Recorded in Berlin, Germany, on November 22nd, 2021, by Guilherme Rodrigues.


Personnel:

Anna Kaluza-alto saxophone

Edith Steyer-alto saxophone, clarinet

Ernesto Rodrigues-viola

Guilherme Rodrigues-cello

Ulf Mengersen-double bass

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Artist Biographies:

"Anna Kaluza studied jazz saxophone in Cologne with Frank Gratkowski, in Vienna with Klaus Dickbauer and in London with Jean Toussaint. As a student she joined Big Bands as the Freiburger Schüler Jazzorchester and the Landesjazzorchester Berlin. She was a member of Simon Rummel's Fantasmofonika, which was awarded the jazz art prize NRW in 2004. With the German Band Futür she released the album "Kein Schnee" in 2007 (Jazzhausmusik). She played festivals in Essen, Idstein, Leipzig, London, Hamburg, Köln, Düsseldorf, Saarbrücken, St. Johann, Sibiu, Palermo, Heiligenkreuz... From 2008 to 09, she lived in London, pursued a Master's degree at City University/Guildhall School of Music and Drama (funded by the German Academic Exchange Service). During this year she became a member of the London Improvisers Orchestra (L.I.O.) and the group Splatter and played with musicians from the not applicable network and label. Since returning to live in Berlin she has been establishing the Berlin Improvisers Orchestra (which includes musicians from the L.I.O.) and regularly plays with international guest musicians. She is a member of the Hanam Quintet (with Alison Blunt /vl, Niko Meinhold /p, Manuel Miethe /ss, Horst Nonnenmacher /b // 2 CDs released by AUT records), the Kaluza Quartett (with Christof Thewes /trb, Jan Roder /b and Kay Lübke /dr), the Frankfurt-based trio Baustelle No 5 (with Julian Keßler and Johannes Held), the Heisenberg Quintet (with Niko Meinhold /p, Hannes Buder /guit, Stephan Bleier /b, Rui Faustino /dr) and Ruth Schepers' little Big Band Rusira Mixtett. In 2013 she released the album Tone Hunting (cleanfeed records) with Artur Majewski (trp), Kuba Suchar (dr) and Rafal Mazur (b)."

-Anna Kaluza Website (https://akaluza.wordpress.com/about/)
11/28/2022

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"Edith Steyer was born in 1968 in Munich. After studying anthropology, she decided to become a saxophone and clarinet player and finished her degree at the Bruckner-Konservatorium in Linz, Austria. Since then she has been working professionally as a jazz musician and in the field of improvised music. She recieved support and grants for CD productions with various ensembles from the GEDOK, the Berliner Senat (SenBildJugWiss) and as a member of "The Composers Orchestra Berlin" from the Initiative für Neue Musik. She worked at the Staatstheater Cottbus, leading a saxophone quartet. She has been on tour in many places throughout europe and in the US and played with outstanding musicians such as Michael Griener, Jan Roder, Andreas Willers, James Falzone, John Niekrasz, Adam Pultz-Melbye, Kathrin Lemke, Johannes Schleiermacher, Yorgos Dimitriadis, Joel Grip, Tobias Delius, Clayton Thomas, Susanna Hood, Marialuisa Capurso, Jean-Marc Foussat, Luiz Rocha etc."

-Edith Steyer Website (http://www.edith-steyer.de/projekte/affare-bela-b/)
11/28/2022

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"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/28/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/28/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Ulf Mengersen is a German bassist living in Berlin. He studied at Hochschule für Musik Franz Liszt Weimar. He is a member of Berlin Improvisers Orchestra, Ensemble MIA.

-Squidco 11/28/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. I 14:47

2. II 10:35

3. III 10:34

4. IV 12:55
sample the album:








descriptions, reviews, &c.

"[...] bowed string instruments retain a fascination for me, meaning that I've surely discussed a disproportionate share in this space.... That includes albums by a prolific string player such as Ernesto Rodrigues, who besides his amazing work curating Creative Sources, continues to release a variety of stimulating and enjoyable ensemble results of his own.

While that embraces a wide variety of style, there's something of an orientation on other string players there too, including of course cellist Guilherme Rodrigues. And the latter made the recording of the recent quintet album Echoes in a further range last November in Berlin: It's another substantial album from the Rodrigueses, including Ulf Mengersen on double bass, as well as Anna Kaluza and Edith Steyer on alto saxes (with the latter also on clarinet). There's also more of a classical-romantic traditional approach to the music being articulated across what can feel like a four-movement "sonata" form, including a lyrical orientation that seems to suit Guilherme Rodrigues well, but also some extended techniques and investigations of stillness.

In this, both viola and cello participate regularly in the "front line" of the interaction, including virtuosic contributions (e.g. double stop passages) at times. There's still a sense of register, though, such that Echoes In A Further Range doesn't present as as "egalitarian" as e.g. the (D)IVO sax quartet (reviewed here last month), i.e. the bass plays a more foundational role: Upper registers thus suggest a kind of font or flowering from below, with cello-tenor at center (or as stem?).

Although Ernesto Rodrigues is actually the only musician in common, the result recalls the Lisbon String Trio for me too, i.e. their inclusion of different horn players, e.g. Blaise Siwula on K'Ampokol Che K'Aay: There's a similar sort of intricacy and formal arrangement, although the albums differ thematically - and of course Echoes In A Further Range now involves two horns, forging a quintet. (And I was unfamiliar with Kaluza, but Steyer had been mentioned here, in April 2019, with the Bertch Quartet, in an entry around Henk Zwerver. And Mengersen had also appeared on Creative Sources already, but his previous mention here was actually with the "DIY"-vibe album, Grappling with the Orange Porpoise, in July 2020....)

Per (D)IVO, the interaction also involves great clarity and spacing, i.e. often a classical sense of chromatic space and counterpoint. There's also more contrast in tempi. Indeed, Echoes In A Further Range projects considerable mastery around a "classical" (but extended...) string backbone, horns coming both to intensify and mellow the timbres of that backbone. There's then a relatively easy sense of melody and harmony, far ranging, but not really pushing boundaries. (And so notable for its fluency....)

I thus tend to think of this configuration as developing a newly-classic idiom for contemporary improvisation around strings (i.e. still a quintet, but instead of percussion/piano). And that does include a jazzy, and certainly a rhetorical (or even languid...), feel at times - wrapped in a satisfying (overall, formal) package. A lot happens too, i.e. alluding to a wide range of human activity and feeling"-Todd McComb, Jazz Thoughts


Get additional information at Todd McComb's Jazz Thoughts
Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Chamber Jazz
European Improvisation, Composition and Experimental Forms
Quintet Recordings
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