The Squid's Ear Magazine


Padang Food Tigers (Stephen Lewis / Spencer Grady): God's Plenty (Shhpuma)

Blurring abstract electronics with folk improvisation in gently evolving music with an experimental edge, the London Panang Food Tigers duo of Stephen Lewis and Spencer Grady use keyboards, guitars, dobro, charango, field recordings and electronic sources to create contemplative atmospheres, a sort of ambient-folk music drawing out forgotten daydreams and moods; beautiful.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Stephen Lewis-dobro, lap steel, piano, keyboards, acoustic guitar, charango

Spencer Grady-banjo, piano, keyboards, field recordings, radio


Click an artist name above to see in-stock items for that artist.




UPC: 5609063800678

Label: Shhpuma
Catalog ID: SHH067
Squidco Product Code: 31154

Format: CD
Condition: New
Released: 2021
Country: Portugal
Packaging: Cardboard Gatefold
All music recorded between 2018 - 2020. Recorded, mixed and produced by Stephen Lewis & Spencer

Descriptions, Reviews, &c.

"Padang Food Tigers - comprised of London duo Stephen Lewis and Spencer Grady - release their fifth album, God's Plenty, an enchanting, often surreal, ambient-folk tapestry full of dreamlike reveries and poignantly real memories.

Weaving minimal acoustic abstractions of dobro and banjo atop organ-led drones and keening lap- steel flickers, the pair's emotive music sees them engage in a succession of playful improvisational back-and-forths, while imbuing their more traditionally-minded tendencies with a spectral, hypnagogic gauze and spontaneous sense of wonder.

Still marked by the signature traces of Ry Cooder, Virginia Astley, Scott Tuma and Bruce Langhorne's The Hired Hand that characterised earlier works, God's Plenty finds Padang Food Tigers relocating to an increasingly phantasmagorical realm, a locus where family ghosts co-habit with bizarre radio transmissions and the reverb-drenched blues of an electric guitar mournfully makes its plea beside a doleful gutbucket refrain."-Shhpuma


Artist Biographies

Stephen Lewis is a multi-instrumentalist, performing on dobro, lap steel, piano, keyboards, acoustic guitar, charango, &c. He is a member of Padang Food Tigers, Rameses III, and Toast.

-Discogs (https://www.discogs.com/artist/648325-Stephen-Lewis-2)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Spencer Grady is a multi-instrumentalist and sound artist, performing on banjo, guitar, keyboards. He is a member of Padang Food Tigers, Rameses III, Rose Paste Chorale, The Seen, The Spencer Grady 3, and Toast.

-Discogs (https://www.discogs.com/artist/648326-Spencer-Grady)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Cask of Amontillado 3:21

2. Comedown Peculiar 3:37

3. Dial You a Wonderhorse 5:07

4. God's Plenty 2:35

5. Hissy Cups 1:58

6. Natchez Trace 2:37

7. O, Worshipful Company of Sleepers 7:04

8. Questionable Runes 1:35

9. Slide & Tenison 2:18

Related Categories of Interest:


Clean Feed
Electro-Acoustic
Electro-Acoustic Improv
Improvised Music
Sound, Noise, &c.
Ambient & Minimal Music
Field Recordings
Duo Recordings
London & UK Improv & Related Scenes
New in Experimental & Electronic Music

Search for other titles on the label:
Shhpuma.


Recommended & Related Releases:
Other Recommended Releases:
Friedl / Siewert
Lichtung
(KARLRECORDS)
Bergsten, Thomas
Ganjibiri
(Shhpuma)
Known for the psychedelic dance band Gunerius & Verdensveven or The Harvey Steel Show, Norwegian guitarist and multi-instrumentalist Thomas Bergsten assembles an ensemble that blurs the lines between long improvisation and psychedelic-spiritual jazz, from freak jams to ECM-like electric beauty, tinged with Captain Beefheart or Faust; difficult to describe, intensely creative.
Too Tall To Sing (Flin van Hemmen / Jozef Dumoulin)
New Dance Moves
(Shhpuma)
A collaboration recorded in New York City and Paris through the exchange and evolution of sound files between sound artists and instrumentalists, percussionist Flin van Hemmen and pianist Jozef Dumoulin, each using samples, field recordings, percussion, keyboards, voice and programming to create sound portraits of propulsive impetus and reflective evocation.
Grady, Spencer / Fermata Ark / Mark Wastell
Thus : Excerpts From A Smaller Work
(Confront)
UK sound artist Fermata Ark, aka Harry Smith, composed this work from improvisations recorded by Mark Wastell performing on cello, double bass and harmonium, and Spencer Grady performing on 5-string banjo, ebow, violin bow and brass slide, creating an extended work of immersive and mesmerizing textures and tones, sounds rising and falling in sublime and passionate ways.
Snyder, Nicolas
Temporary Places
(Shhpuma)
West Coast sound artist Nicolas Snyder is a composer, filmmaker, sound-documenter, gardener, and forager; fascinated by the sounds of nature, he took recordings from streams and National Parks in Vietnam, Pennsylvania, and California and merged them with music composed in the studio to create these works of great beauty as a study of locational and emotional memory.
Meyer, Bedrnhard / John Hollenbeck
Grids
(Shhpuma)
Bringing together NY drummer/percussionist John Hollenbeck, also on prepared piano, with Berlin bassist Bernhard Meyer for an album that blends textural rock, electronic and jazz approaches in 9 elusively calm yet structurally turbulent pieces, using complex systems of cross rhythms against atmospheric immersion, occasionally disruptive but generally eccentrically controlled and exploratory.
Kalman, Egil / Fredrik Rasten
Weaving a Fabric of Winds
(Shhpuma)
Swedish bass player Egil Kalman, here on modular syntheizer, joins Norwegian guitarist Fredrik Rasten for a lovely album of drifting electronics and beautifully entwining acoustic guitar, unhurriedly developing environments of warm, slowly evolving chord structures that show influences from players like Catherine Lamb or the Wandelweiser collective.
Oddly Imploded (Gregoretti / Argenziano)
They Just Sit About
(Shhpuma)
Italian sonic explorer Francesco Gregoretti uses his drumkit like a lead instrument, amplifying and modifying its sound through effects, as he pursues his varied "Imploded" bands (Strongly Imploded, Grizzly Imploded) fueled by the mathematics of Chaos Theory, here with guitarist Maurizio Argenziano in an album of dense sound, from near-minimal to highly interactive.
Timespine (Sa / Kilma / Trips)
Urban Season
(Shhpuma)
Resonant and upbeat exploratory free improvisation in the 2nd album from the Portuguese trio of Dead Combo guitarist To Trips, and String Theory members, Adrian Sa on zither, field recordings & reactive software and John Klima on electric fretless bass, in beautifully rambling melodic work with unusual sonic environments and asides, an appealing and absorbing album.
Loriot, Frantz / Christian Wolfarth
The Call [VINYL]
(Shhpuma)
Two unconventional and experimenting improvisers--French-Japanese violist Frantz Loriot and Swiss percussionist Christian Wolfarth--in a deceptive album of acoustic improvisation that elusively takes on electric qualities in the hands of these two innovators, seducing the listener through unusual twists and turns of perfectly paced interactions.
Desprez, Julien / Luis Lopes
Boa Tarde [VINYL]
(Shhpuma)
Two guitarists with unique approaches to their instruments -- Paris-based Julen Depsrez and Lisbon-based Luis Lopes -- in an experimental album of evolving sound through extreme modification of guitar sound and sustain, mysteriously building their interactions from whispering sonics to growling harmonics, tightly controlled but bristling with complex energy.
Holy Mountain, The
Toad Of Light [VINYL]
(Shhpuma)
Cinematic aesthetics and themes from the Norwegian Holy Mountain duo, performing on the uncommon pairing of two instruments--accordion played by Andreas Angell, and drums with acoustic and electronic parts and vintage synthesizer played by Aleksander Tidemann--in their 3rd release inspired by the dystopian sci-fi visions of John Carpenter, Philip Glass and Daft Punk.
Fake Humans (Fisher / Didur)
Exegesis [VINYL]
(Shhpuma)
The Toronto-based duo of Colin Fisher on woodwinds and percussion and Carl Didur on keyboards and bass bridge acoustic and electronic improv with science fiction sensibilities in their two part "Exegesis", a critical exposition of un-genred music that borrows from global sources in service to their unusual and exotic tale; a wonderfully perplexing album.
Ozo
A Kind of Zo
(Shhpuma)
Acoustic free improvisation with an ea-attitude, improvising drummer/percussionist Pedro Oliveira (Bernardo Sassetti) and classical pianist Paulo Mesquita used prepared instruments in a dialog that contrasts solid rhythmically melodic piano progressions with a mix of propulsive percussion, deep resonant tones, environmental timbre, and percussive interventions.
Humcrush (Storlokken / Stronen)
Enter Humcrush [VINYL]
(Shhpuma)
After a six year break, the Humcrush duo of Stale Storlokken on keys and Thomas Stronen on drums & electronics return with this studio album of rhythmic angularities and experimental sound worlds, drawing on their experiences with bands including Supersilent, Food, Elephant9, Time is a blind guide, Meadow and Motorpsycho.
Humcrush (Storlokken / Stronen)
Enter Humcrush
(Shhpuma)
After a six year break the Humcrush duo of Stale Storlokken on keys and Thomas Stronen on drums & electronics return with this studio album of rhythmic angularities and experimental sound worlds, drawing on their experiences with bands including Supersilent, Food, Elephant9, Time is a blind guide, Meadow and Motorpsycho.
Camoes, Joao / Jean-Marc Foussat
A La Face du Ciel
(Shhpuma)
Portugese violist Joao Camoes, living in Paris, in a duo with Jean-Marc Foussat on electronics and voice, which he approaches like those of the acoustic improvised music and free jazz; the two present two long works where Foussat processes and extends Camoes' sound.
Sa, Joana & Luis Jose Martins
Almost a Song
(Shhpuma)
A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.



Customers Who Bought This Item Also Bought:
Zenial
Lancelot's Delusions
(Sublime Retreat)
The music project of Polish sound explorer Lukasz Szaankiewicz is Zenial, merging minimal ambient and micro-sounds with field recordings and a sense of skewed motion, creating long-form virtual journeys through strange environments, or in rich textures of a dark night accompanied by slowly moving tones, his years of experience heard through exceptional sonic qualities.
Duplant, Bruno
Le Jour D'apres
(Sublime Retreat)
A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.
Talp, Linnea
Arch Of Motion
(thanatosis produktion)
Performed with Stockholm musicians including pianist Alexander Zethson, wind player Martin Küchen and trombonist Mats Äleklint, organist Linnéa Talp explores the areas of sound that emulate breathing, push/pull or back & forth motion, in eight beautifully paced recordings led by the organ's rich and microtonal vibrations & timbre and imbued by the contributor's subtle additions.
Zuydervelt, Rutger / Hugo Dijkstal / Peter Hollo
BERG (Music for a film by Joke Olthaar)
(Machinefabriek)
Two versions of the soundtrack to the Dutch movie BERG composed by Rutger Zuydervelt, the first rearranging the tracks to the piece to create a long-form work that maintains the meditative qualities of the movie; then an early score proposal and more active concept than the final work, developed with recordings of improvisations from cellist Peter Hollo.
Killick!
Imbricate
(Habitable Records)
A series of real-time improvised performances from Athens, Georgia guitarist Killick Hinds, made with strings and occasional computer augmentation, an album he describes as to date his fullest expression of the Appalachian Trance Metal/Piedmont Shaman Rock concept that he has been developing for years, these works inspired by Zaila Avant-garde, Paolo Angeli and Bali.
Guthrie, Will
People Pleaser 2 [VINYL MINOR DAMAGE]
(Kythibong)
Impressive experimental approaches to organized recordings of rhythmic and melodic percussion, a mix of quirky and curious samples & loops, spoken word, field recordings and inexplicable origins, captivating the listener in concise and diverse expositions and dynamic pacing, a journey in "pleasingly" upbeat passages and moments of awe and contemplation.
Allbee, Liz
Rille
(Relative Pitch)
Berlin trumpeter Liz Allbee's solo work focuses on the interaction of voice, extended approaches to her instruments, which includes her self-designed quadrophonic trumpet, electronics and acoustic homemade instruments, on Rille presenting four enigmatic works of dramatic pacing--environmental and rhythmic--guided by impressionistic spoken words and moments of tonal clarity.
Zethson, Alex Ensemble
Some Of Them Were Never Unprepared
(Relative Pitch)
Exploring how a composition can provide a sense of weightlessness, and influenced by the music of gamelan, krautrock, Tony Conrad & Arnold Dreyblatt, composer Alex Zethson structured these works to influence the 13 performers in his ensemble into a state of intense focus and listening as they strike, bow and pluck their instruments, creating an ecstatic sense of infinite motion.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC