A superb example of European Free Jazz tradition, modern and amazingly creative, from the quintet of pianist Oliver Schwerdt and reedist Peter Brotzmann performing on tenor sax, tarogato & clarinet, with Christian Lillinger on drums & percussion and dual double bassists in John Edwards and John Eckhardt, performing a 50+ minute free masterpiece at club naTo in Liepzig, 2017.
Format: CD Condition: New Released: 2019 Country: Germany Packaging: Jewel Case Recorded at naTo, in Liepzig, Germany, on October 7th, 2017, by Marco Birkner.
"With Karacho! Oliver Schwerdt and Christian Lillinger continue their work producing a classical free jazz setting which they worked out with GDR superstar Ernst-Ludwig "Luten" Petrowsky (listen especially to EUPHORIUM Records releases Tumult!, Krawall!, Rabatz!) from 2006-16. Within the 2017's group Petrowsky is replaced by the West German equivalent Peter Brotzmann, another energy player from the founding father's generation of Free Jazz. And again we have the doubled position of the double bass: instead of Robert Landfermann who did the job within the Luten's quintet we can experience the work of John Eckhardt."-Euphorium Records
"Good free jazz is like a trip to a carnival with its exotic and unfamiliar sights and sounds. Even for an experienced listener, the surprise of great instant composing never grows old. A prime example is Karacho! by the befittingly named Big Bad Brötzmann Quintet. Like visiting the carnival, there are innumerable sound experiences encased within an all-embracing vibe, not disparate parts that fail to integrate.
Recorded in 2017 at the naTo club in Leipzig, Germany, pianist Oliver Schwerdt invited the free jazz master Peter Brötzmann to sit in for his compatriot Ernst-Ludwig Petrowsky on reeds. Petrowsky, Brötzmann's senior by eight years, had retired from performing, but not without an impressive output on classic labels such as FMP, Intakt, and Konnex. Petrowsky was also featured in Schwerdt's New Old Luten Trio, Quintet and Septet. This continuation of the Schwerdt-led quintet music also includes bassists John Edwards and John Eckhardt and drummer Christian Lillinger.
The 50+ minutes of this set contains several crescendos, but the leitmotif here is the constant momentum of the performance. The engine for this drive is shared among the players. Early on it is the Cecil Taylor-like work of Schwerdt. His piano attack is a two-handed tempest that inspires Lillinger to follow, igniting a patented Brötzmann tenor saxophone blast. Next up are the two bassists, their bowed versus plucked notes spark cymbal swipes, animated piano, and Lillinger's offbeat explorations. Switching between saxophone, clarinet, and tarogato, Brötzmann changes the performance's mood several times. He can evoke machine gun passions, summon a heart wrenching melancholy sound, or return to some of his favorite reoccurring blues themes, all in service of the ongoing improvisation.
Brötzmann with two basses is a treat. Add the deft and inventive drumming of Lillinger, plus (don't sleep on this) the talents of Oliver Schwerdt and you've got the carnival of the year.
Note: there is also a mini-CD, Biturbo!, Capt'n (Euphorium Records, 2019) by the trio of Brötzmann, Lillinger, and Schwerdt available. Big Bad Brötzmann Trio's 15-minute tour de force "Ol' Capt'n (Biturbo Kings)" was the opening of the above concert. It blew the cobwebs out of the club, probably chased a few unsuspecting listeners away. Insert smile emoji here."-Mark Corroto, All About Jazz