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Fousatt, Jean-Marc

Nouvelles [VINYL 2 LPs + DVD]

Fousatt, Jean-Marc: Nouvelles [VINYL 2 LPs + DVD] (Fou Records)

A vinyl reissue of improvising synth, vocalist and multi-instrumentalist Jean-Marc Foussat's 2001 Potlatch album, originally released as a CD-ROM and here with an accompanying DVD titled "Hope for Happiness" including 3 silent films, two of which relate to the album; performed with Pascal Bouscailloux, Jac Berrocal, Jean-Francois Pauvros, Roger Turner, &c.
 

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product information:

Personnel:



Jean-Marc Foussat-guitars, Synthi VCS3 and AKS, various objects, voice

Francesco Pastorelli-vocals

Louise Foussat-laughing

Marc Bohy-drums

Pascal Bouscailloux-bass

Jac Berrocal-trumpets

Jean-Francois Pauvros-guitars

Roger Turner-voice


Click an artist name above to see in-stock items for that artist.




UPC: 3491570055427

Label: Fou Records
Catalog ID: FR- LP 06/07 + DVD 01
Squidco Product Code: 30502

Format: 2 LPs + DVD
Condition: New
Released: 2020
Country: France
Packaging: Double LP in single Sleeve w/ insert + DVD
Recorded in 1973 and 2001.

Descriptions, Reviews, &c.

"Vinyl re-issue of CD released on Potlatch released in 2001."-Fou Records

From the original Potlatch description:

"This very strange CD-ROM-enhanced recording combines 20 tracks of what can only be called deliciously weird music coupled with surreal visual images. The Potlatch label is recognized for its quality freestyle recordings, most of which embody at least some jazz influences, however minimal. This one detours, in that the relationship to any genre of jazz is nearly nonexistent, though the improvisational adventurousness is extraordinary. The mostly short individual pieces were composed and arranged by Jean-Marc Foussat between 1985 and 2001, and feature wicked combinations of voices, guitar, synthesizers, and pianos, with occasional bass, percussion, accordion, and trumpet. There is a simplicity to it all, though as a whole it has the feel of a William Burroughs cutup. The liner notes are in French only, but this is a project that stands on its own, without elaboration. There are few signposts and little to prepare the listener for the unusual noises and slowly changing timbres, which at times are creatively grating. The metamorphosing color artwork sometimes invites viewer interaction and is an interesting touch that enhances the experience. While this is likely to have limited appeal, it is a project worth exploring for those seeking unique visual and aural challenges."-Steven Loewy, AllMusic


Artist Biographies

"Jean-Marc Foussat (born March 19, 1955 in Oran ) is a French composer and improvisational musician ( guitar, piano, live electronics ).

Since the mid-1970s, Foussat had belonged to groups such as Lézard Marçio, in which he contributed the sounds of concrete music with magnetic tapes. In 1981, he finished his first solo album, Abattage, which was released in 1983. In the ensemble Marteau Rouge (with the guitarist Jean-François Pauvros and the drummer Makoto Sato), he also collaborated with Evan Parker. Together with the saxophonist Sylvain Guérineau, he formed the duo Aliquid, which also appeared with Joe McPhee ( Quod, 2014). In addition to soloprograms, he also starred with Noël Akchoté / Roger Turner, Samuel Blaser, Émilie Lesbros, Jean-Luc Cappozzo, Sophie Agnel, Daunik Lazro and numerous other musicians, as well as the Fortuna 21 Octet of Raymond Boni and the department of education psychique on."

-Wikipedia translated by Google (https://translate.google.com/translate?hl=en&sl=de&u=https://de.wikipedia.org/wiki/Jean-Marc_Foussat&prev=search)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Jacques "Jac" Berrocal (born 22 October 1946, Saint-Jean d'Angély) is a French trumpeter, singer and composer. He has been active since the 1970s in the independent and avant-garde music scene, and has released many albums. He also founded and performed in the group Catalogue, and has collaborated with Ron Anderson. Berrocal has appeared in several films.

-Wikipedia (https://en.wikipedia.org/wiki/Jac_Berrocal)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jean-François Pauvros is a French musician, electric guitarist and improviser born on 19 October 1947 1 in Hautmont in the North. He is the brother of Rémi Pauvros. He was a professor of French before living music, and began his career playing in balls.

He was influenced by guitarists like Jimmy Page , Sonny Sharrock or Derek Bailey , and perhaps by Lightnin 'Hopkins and Charlie Christian.

He participates in the Moebius group with Gaby Bizien and Philippe Deschepper. The French talent discoverer Jef Gilson recorded a first disc of Pauvros with Gaby Bizien in duet whose music is close to the British free music. He met Siegfried Kessler with whom he recorded Phoenix 14 in 1978.

In 1978, at the Théâtre Mouffetard, he played with the singer Aude Cornillac and met the trumpeter Jac Berrocal, with whom he formed the Catalog group (where the drummer Gilbert Artman succeeded Jean-Pierre Arnoux ). Hathut Records releases the band's first album, Penetration.

Jean-François Pauvros recorded in 1985 Le Grand Amour with guitarist Arto Lindsay (ex DNA ), vocalist Ted Milton from Blurt and drummer Terry Day ; In 1988 released Hamster Attack with drummer Julian Fenton , singer Mary Genis and saxophonists Evan Parker and Stan Sulzmann among others.

His musical nomadism led him to Japan (with the poet Gozo Yoshimasu), in the United States (with Jonathan Kane and Ernie Brooks), in Chile (Ultima Round) or in Ethiopia.

He played with David Holmes and Elliott Sharp , George Lewis , Jacques Thollot , Rhys Chatham and the 100 Guitars. With Mary Genis, he creates a group of Steel-drum which will also include the reggae trombonist Rico Rodriguez.

He founds the Red Hammer groups with sound engineer Jean-Marc Foussat and drummer Makoto Sato , " the four daughters of industry " with Jean-François Binet, Jean-Marie Messa, Jean Nirouet, Ernie Brooks, Makoto Sato , Plays a duet with the harpist Hélène Breschand and in trio with Noël Akchoté and Jean-Marc Montera. He will participate in reading-performances with the poet Charles Pennequin and the Japanese poet Gozo Yoshimasu. He also played and released records with Daunik Lazro , Roger Turner, Keiji Haino and Kawabata Makoto (founding member of the Acid Mothers Temple Group).

He is the author of, among others, the music of Charles Najman's Royal Bonbon and Pitchipoi films, Karim Dridi's Gray-Blanc and La Mechanique des femmes by Jérôme de Missolz. He works regularly with filmmaker Guy Girard."

-Wikipedia (translated by Google) (https://fr.wikipedia.org/wiki/Jean-Franois_Pauvros)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Roger Turner (born 1946, Whitstable, England) is an English jazz percussionist. He plays the drumset, drums, and various percussion, and was brought up into the jazz and visual art cultures inhabited by his older brothers, playing drums from childhood in informal jazz contexts.

Turner studied English literature and contemporary philosophy at Sussex University, playing with Chris Biscoe for the British Council in 1968, a first concert in improvisation. His move to London gave him contact with the first and second generation improvisers and he began to play primarily with Lol Coxhill, Gary Todd, John Russell, Hugh Davies, Steve Beresford, and Phil Minton.

In the years immediately after 1974 his work was primarily concentrated on opening the way to a more personal percussion language. This was also a period of intense collaborations that structured many of his future approaches to music-making and saw the formation of two long-lasting acoustic duos with Phil Minton and with John Russell. Recordings of these duos document an extreme attention to timbre and pitch, as well as a constantly shifting speed that typified much of his work at the time. The duo with Minton toured extensively throughout Europe, USA and Canada.

In 1979 he established CAW records with John Russell and Anthony Wood, and recorded the solo album The Blur Between focussing on single surface improvisations: a linear and reduced equipment approach he had started using with Carlos Zingaro and others in live performances.

In addition to forming Trump music with Gary Todd to promote improvised music in London, he also involved himself in formative activities of the London Musicians Collective during this period. He was awarded Arts Council of Great Britain bursaries for solo percussion in 1980, and in 1983 for investigation into percussion with electronics. Extensive festival and club solo work followed, including the Bracknell Jazz Festival and the Brussels Festival of Percussion.

In 1982 the trio The Recedents was formed with Lol Coxhill and Mike Cooper exploring the possibilities of electro-acoustic music, in which Turner initially played drumset and EMS Synthi A as a means of bending the sounds of various metal percussion instruments. This group, still existing, mixes song, jazz, punk/thrash, with acoustic detail in always shifting sonorities, and has worked throughout Europe, Canada and the UK, also recording for the French Nato label. Involvements with experimental rock musics and open-form song included extensive work in duo with Annette Peacock 1983-5, with whom he toured in Europe and Scandinavia. They recorded the album I have no feelings for Ironic.

In 1984-5, he was invited for workshop residences at Alan Silva's Institute Art Culture Perception in Paris, where long-term collaborations with Alan began, culminating in The Tradition Trio with Johannes Bauer. This group was central to his explorations of forms of free jazz, an interest that has seen him working with musicians on both sides of the Atlantic (including Elton Dean, Irene Schweizer, Cecil Taylor, Roy Campbell, Henry Grimes, The Wardrobe Trio and Charles Gayle).

Since the early 1980s his work has focussed on numerous projects with improvising musicians and groups, touring Europe, Australia, USA and Canada. Perhaps the most important of the later groups would be Konk Pack, formed in 1997, with Tim Hodgkinson and Thomas Lehn, a group whose use of volume and sense of detail continues the exploration of an electro-acoustic dynamic that forms one of his main musical concerns. This group has toured extensively in Europe and USA.

He forged working relationships with Japanese musicians over the years: in the 1980s with Toshinori Kondo in the trio with John Russell, but since the mid-1990s in concerts and recordings with guitarist Kazuhisa Uchihashi in Austria, Japan, and U.K, and in the recent (2009) Hana-Bi three-day event in London that included the guitarist and the pianist Chino Shuichi.

An active involvement in visual art has always been in dialogue with his music, and an inspiration for it. In the forefront of this is his work with Susan Turcot (the investigation/documentation of music and sound-drawing both in Europe and Canada-including the Being Rich box collection --, and music for her 2008 animation film Bitumen, Blood, and the Carbon Climb.

His music for dance/performance includes work with Alexander Frangenheim's Concepts of Doing, Stuttgart ; Carlos Zingaro's Encontros projects in Lisbon and Macau; and most recently in the Josef Nadj production etc.etc. (premiered Vandeouvre, France, 2008) and which is a continuing involvement.

In March 2009 he was invited to travel and perform on the Arctic island Svalbard, and was also invited to attend and play in the Comprovise event in Cologne, Germany in June 2009, set up to examine any possible relationship between improvisation and composition.

Turner's music-making with international improvisers in ad hoc and group collaborations have since the 1970s to the present day included Toshinori Kondo, Derek Bailey, Fred Frith, Evan Parker, William Parker, Cecil Taylor, Otomo Yoshihide, Shelley Hirsch, Joelle Leandre, Keith Rowe, Ab Baars, Barry Guy, Barre Philips, Henry Grimes, Paul Rutherford, Gunter Christmann, Marilyn Crispell, Irene Schweizer, Frederik Rzewski, and Malcolm Goldstein."

-Wikipedia (https://en.wikipedia.org/wiki/Roger_Turner_(musician))
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



Jean-Marc Foussat-guitars, Synthi VCS3 and AKS, various objects, voice

Francesco Pastorelli-vocals

Louise Foussat-laughing

Marc Bohy-drums

Pascal Bouscailloux-bass

Jac Berrocal-trumpets

Jean-Francois Pauvros-guitars

Roger Turner-voice

Related Categories of Interest:


Vinyl Recordings
DVD
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Piano & Keyboards
European Improvisation, Composition and Experimental Forms

Search for other titles on the label:
Fou Records.


Recommended & Related Releases:
Sea Trio, The (Satoh / Yoshihide / Turner)
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Their second recording after their 2015 trio album Live at Hall Egg Farm on Doubtmusic, the now properly named Sea Trio of Masahiko Satoh on piano, Otomo Yoshihide on electric guitar and Roger Turner on drums & percussion reunite for two impressive 2023 concerts of masterful and often fiery free improvisation, captured in Munich and Bonn, Germany.
Foussat, Jean-Marc / Guy-Frank Pellerin / Eugenio Sanna
Escale
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Four electroacoustic improvisations recorded in Italy between Jean-Marc Foussat on Synthi AKS, piano, toys & voice, Guy-Franck Pellerin on saxophones & percussion, and Eugenio Sanna on amplified guitar, metal strips balloons, cellophane & voices, an album of unconventional orchestration and approach that fascinates in its unusual sonic journey.
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Four journeys in passionately rich sound merging synthetics, acousmatic sources, field recordings and acoustic violin from the duo of Anne Foucher, who has worked with the Acousmaki collective, on violin and electronics, and Jean-Marc Foussat on Synthi AKS, piano, toys and voice, captured live in 2022 at rue Floreal, in Montpellier and at rue de Genac, in Bignac, France.
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The title translating to The Good Days, Fou label leader and synth player Jean-Marc Foussat joins with soprano & tenor saxophonist Guy-Frank Pellerin (Dieci Ensemble) for three extended electroacoustic improvisations and a shorter coda, employing piano, toys, field recordings, a whispered poem from Tristan Tzara, and a sense of limitless creativity and imagination.
Foussat, Jean-Marc / Sylvain Guerineau
Rustiques
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A study of contrasts as French improvising synth player Jean-Marc Foussat joins with legendary saxophonist & bass clarinetist Sylvain Guerineau, whose work in both jazz tradition and free playing finds him a lyrical and expressive player, bringing flexibility in combination with a seemingly disparate foil in Foussat, heard in six succint dialogs of unconventional compatibility.
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A remarkable journey in free improvisation and free form electroacoustic improv from the trio of Jean-Marc Foussat on synth & effected voice, Urs Leimgruber on soprano & tenor saxophones and Carlos Zingaro on violin, three masterful improvisers who employ unusual sonic palettes and remarkable technique in a carefully controlled conversation drawing on diverse styles.
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Working together many years in various formations--saxophonist Michel Doneda & drummer Roger Turner with John Russell; bassist Alexander Frangenheim & Turner in quartets with Pat Thomas or Phil Wachsman; Doneda & Frangenheim's own duo--this concert at Jazzatelier Ulrichsberg recorded during their European tour shows their incredible compatibility and seemingly telepathic conversations.
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