The Polish trio OWL of Marcin Halat on violin, Maciej Garbowski on double bass, and Krzysztof Gradziuk on drums invited German pianist Pablo Held for a concert at Loft in Cologne, 2019, to perform three lyrical and dynamic compositions from violinist Halat, alongside a 6-part "IMPRO" collective improvisation, balancing free and lyrical approches to superb modern jazz.
Format: CD Condition: New Released: 2020 Country: Poland Packaging: Cardboard Gatefold Recorded at Loft, in Cologne, Germany, on February 5th and 6th, 2019, by Stefan Deistler.
"The second album of the violin, bass, drums trio The OWL co on lead by one of the most interesting Polish violin player Marcin Halat. This time trio invited German pianist and composer Pablo Held to the LOFT Koln Records and began their adventurous improvised trip." on Fundacja Sluchaj
"[...] In the second peak of the corona virus pandemic, The Owl comes with the second album. This time trio invited German pianist and composer Pablo Held to the LOFT Kšln Records, and "began their adventurous improvised trip." All composition are by Marcin Halat, excluding "Impro I-VI" by Halat, Garbowski, Gradziuk, and Held. The album confirms what I said in the liner notes to "On the Way": Marcin Halat is a discovery, revelation and a master iof contemporary improvised violin. The starts with "The Land" a slow, abstractly melodic ballad with a touch of sadness, in which the new and very creative role of Pablo Held is defined. For me the best of the record are collective improvisations, starting with "Impro I". Pablo is here reminding me of Paul Bley, while Marcin is closer here to Mark Feldman's approach. The section of my beloved Maciej Garbowski and Krzysztof Gradziuk is miraculous. "Impto II" represent the same outstanding artistic level, yet is very different: more abstract, more quiet, more reflexive.
The title track "Improcode" returns to the more traditional ballad form, but has not much to do with ECM sound; it is much closer to the free improvised music. The following "Impro III" is perhaps my favorite: with amazing synergy, plenty of emotions and expression. "Impro V" and "Impro VI" are similarly attractive and emotive. Over 8 minutes long "Impro VI" is especially interesting: it is a magisterial example of this kind of approach to music. Finally, the short, but fully convincing "Lunatic", a "traditional" track with the opening piano solo, followed by piano-violin improvisation -- reminding me of Frank Zappa & Jean on Luc Ponty encounters." on Maciej Lewenstein