'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.
"Spillá" (meaning "to play" in the secret language of the Neapolitan musicians) is a meeting between two masters of the guitar: Elliott Sharp's continuous innovation meet Sergio Sorrentino's mastery of interpretation. Recorded live in 2018 in Vercelli (Italy) here we have the surprising and effervescent rendition of two Sharp's graphic scores: "Hudson River Nr. 6" (1974) is an early experiment and is part of a series of scores derived from topographical maps superimposed to musical staff and then manipulated by the author.
"Liquidity" is part of a latter approach (2011) working on fragments of pre-existent musical notations heavily manipulated at the computer by Sharp. Both the scores deals with visual art as well as contemporary music, and are conceived to give to the performers (better, interpreters), the broader informations to "walk-in" the scores (following conceptual images and/or "sonorous" instructions).
The rest of the disc is comprised of two long improvisations where Sharp and Sorrentino takes the occasion to use the most varied (and "extended") guitar techniques, spanning all the range of contemporary "guitarism". All the pieces are World Premiere Recordings. The CD Cover image is a modified detail of the score of "Hudson River Nr. 6". "-Ants
"[...] Of a different nature are the duelling guitars of Elliott Sharp and Sergio Sorrentino. Eliott Sharps has been around for some close to forty years, working with jazz, noise, rock, no wave and whatever else. Sorrentino plays mostly contemporary music (which is what we sometimes call modern classical music) - see also Vital Weekly 1139 for a release by him where he performs works by John Cage, Alvin Curran and Elliott Sharp. Here they perform four pieces; two of these are graphic scores by Sharp, and two are improvisations. Funnily enough, I couldn't tell them apart. All four pieces, forty-eight minutes in total, sound like improvisations and in this, we hear both men exploring the realms of the guitar. There are loud, hectic combinations, but also quieter moments. The guitar is something that can be recognized as such. They both play electric and aren't shy of using feedback and distortion, which I found most enjoyable. It adds a brutality factor to the music, which we do not always hear in improvised music. Both men act and respond and show that they both have been around, doing this kind of thing for many years. My least favourite piece is the opening one, 'Hudson River Nr. 6', which seemed somehow a bit too careful, or perhaps too normal. The real fire for me was in the three other pieces when they opened up and went to extremer lengths in firing each other up. Then the real dialogue started and it drove them to great heights."-Frans de Waard, Vital Weekly
A text by Elliot Sharp focusing on Graphic Notation is included in the four page booklet.