The Squid's Ear Magazine


Schlothauer, Burkhard : Harmonies And Structures (Edition Wandelweiser Records)

When the Zeitkratzer Ensemble was asked to perform a late ensemble work by John Cage, director Reinhold Friedl turned to composer Burkhard Schlothauer, who reworked one of Cage's Number Pieces to create this rich piece using Cage's methods; plus a composition for the dance piece "Bewegte Bauhausbilder"; and an octet commissioned for the Klangzeit-Festival Time Is On My Side.
 

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Personnel:



Reinhold Friedl-inside piano

Frank Gratkowski-bass clarinet

Hilary Jeffery-trombone

Hild Sofie Tafjord-Horn

Burkhard Schlothauer-violin

Anton Lukoszevieze-cello

Ullrich Philipp-double bass

Marc Weiser-electric guitar

Christian Lillinger-percussion

Burkhard Schlothauer-composer, viola, sine waves

Antoine Beuger-flute

Gudula Rosa-tenor recorder

Thomas Stiegler-viola

Jurg Frey-clarinet

Eva-Maria Houben-Indian Harmonium

Christoph Nicolaus-Stone harp

Tobias Liebezeit-timpani


Click an artist name above to see in-stock items for that artist.




UPC: 4011778041115

Label: Edition Wandelweiser Records
Catalog ID: EWR 1903
Squidco Product Code: 27519

Format: CD
Condition: New
Released: 2019
Country: Austria
Packaging: Cardstock 3 page foldover in vinyl sleeve
Track 1 recorded in Ljubljana, Slovenia, on April 13th, 2011, by Martin Wurmnest.

Track 2 recorded in 2019 by Burkhard Schlothauer.

Track 3 recorded in Munster, Germany, on February 10th, 2008, by Erhard Hirt.

Descriptions, Reviews, &c.

"is nine a plagiarism?

the well-known zagreb music biennale, which has been a hotspot for contemporary music for more than 30 years, asked reinhold friedl, musical director of zeitkratzer, to perform a program of late ensemble works by john cage in 2010. unfortunately, however, there are only a few works that could be performed with the full cast of zeitkratzer.

so i suggested that i would rewrite the non-existent number piece nine for zeitkratzer.

in my master thesis, i had thoroughly studied john cage's number pieces, their compositional style - in particular seven, one of the first works in this series - and had already recorded and produced this composition in 2002 (EWR 0604).

the number pieces, of which there are about 50, were all composed by using of chance operations, applied to certain predefined possibilities available for selection. the compositional process therefore consists to a large extent of determining the sound material and the questions to be asked. the actual transformation into the notes can then be done relatively mechanically.

by analyzing the scores of the number pieces, it is possible to deduce the questions answered by the chance operations. from that, the material and its possibilities in terms of pitches, dynamic range of values, articulation variants etc. can be determined fairly reliably. once one has these specifications it becomes theoretically possible to reapply the chance procedures to a new piece, that could have equally occurred to cage.

the idea for nine was born: cage's composition plan should be adopted and i, personally submitting to his taste, accepted his authorship. as his posthumous assistant, i implemented his plan and wrote nine.

i realized his program all the way down to the layout of the sheet music and only brought in my own formal element of symmetrically arranged tones of equal duration with regard to the electric guitar part.

stepping back behind cage and merging with him in my work, was a cheerful process that gave me a lot of pleasure. and since i worked according to his plan, I feel nine to be cage's work in essential aspects.

yo tampoco lo entiendo has been constructed for the dance piece "bewegte bauhausbilder" at theater gera 2019.

structures indépendantes - octet was commissioned 2007 for the klangzeit-festival time is on my side in münster. delicately spotted tones of two identical instruments (flutes, violas) in symmetrical intervals meet two different sound surfaces - on the one hand unisons with more or less beatings (violas, flutes) of about 5 seconds each and on the other hand 3 minute long sound blocks of clarinet and harmonium. the distribution of the action spaces of the duos is independent of each other: while the meeting of the tones is organized completely geometrically, we experience it as somehow coincidental. in addition, there are blocks of time in which the tympani sometimes glissandize very slowly and thus irritate the sound surfaces above in a subtle way. the stone harp contributes very beautiful, clearly microtonally defined tones."-burkhard schlothauer, 2019


Artist Biographies

"Reinhold Friedl, born 1964, lives in Berlin since 1987. He studied piano with Renate Werner, Alan Marks and Alexander von Schlippenbach, mathematics and musicology in Stuttgart and Berlin. As a performer, interpreter and composer, he has received various fellowships - Eurocréation Paris, the Rome Fellowship (Villa Serpentara) of the Berlin Academy of Arts, STEIM Amsterdam-, as well as various composition commissions. Reinhold Friedl has published articles in newpapers and professional journals and conducted a seminar on "Music and Mathematics" in the department of Mathematics at the Berlin Free University together with Prof. Behrends. He founded and directs the ensembles Piano-Inside-Out and ZEITKRATZER. Friedl has worked as a curator for the Podewil center for contemporary arts Berlin and directed the Off-ICMC (International Computer Music Conference) Berlin 2000. He has been invited to take part in the Jury of the Ars Electronica and Gulbenkian Foundation, Lisboa. As pianist and composer, he has worked with musicians and composers such as Lee Ranaldo (Sonic Youth), Phill Niblock, Helmut Oehring, Nicolas Collins, Lou Reed, MERZBOW a.k.a., Masami Akita, Radu Malfatti, Bernhard Guenter, Mario Bertoncini (nuova consonanza), Keiji Haino, and has made countless radio and CD recordings. Lately he realized the "spazialisation piano-project" at ZKM Karlsruhe and Asphodel Studios in San Francisco. The main focus of Reinhold Friedl's work is the inside-piano. He played all respective literature using inside-piano techniques and released several articles in this field."

-Reinhold Friedl Website (http://www.reinhold-friedl.de/)
2/28/2024

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"Frank Gratkowski, saxophone. Born in Hamburg, 1963.

Started playing the saxophone at 16 and, following a period at the Hamburg Conservatory (Hamburger Musikhochschule), moved in 1985 to study at the Cologne Conservatory of Music with Heiner Wiberny, graduating in 1990.

Further studies with Charlie Mariano, Sal Nistico and Steve Lacy.

Frank Gratkowski has been working as a soloist in various international formations (Grubenklang Orchester, Klaus Koenig Orchester, Musikfabrik NRW, Tony Oxley Celebration Orchestra, Bentje Braam, BikBentBraam, All Ears, Zeitkratzer, WDR Big band, etc.). Since 1990 he has been giving solo performances throughout Europe, Canada and USA. With his first solo program, he was a 1991 prizewinner in the Musik Kreativ contest. The release of the solo CD "Artikulationen" followed the same year and a new one "Artikulationen II" in 2002.

Since 1992 he has been working in a duo with the pianist Georg Graewe (CD "VicissEtudes"). The duo is often extended through the participation of different additional musicians, such as drummer Paul Lovens (CD "Quicksand") and bassist John Lindberg (CD "Arrears").

In 1995 he founded the "Frank Gratkowski Trio" with Dieter Manderscheid (Germany), bass, and Gerry Hemingway (USA), drums, (CDs "Gestalten" and "The Flume Factor" ). In 2000 the trio has been extended to a quartet by Dutch trombonist Wolter Wierbos (CDs "Kollaps", "Spectral Reflections", "Facio" and "Le Vent et la Gorge"). Since 2003 also appearing as a Double Quartet plus Tobias Delius, Herb Robertson, Wilbert DeJoode and Michael Vatcher. In 2005 he got the SWR Jazzprize.

In 1999 the duo with the Italian trombonist Sebastiano Tramontana has been formed and since 2001 Frank Gratkowski has been performing with a trio including Wilbert De Jode (NL) on bass and Achim Kaufmann (D) on piano (CDs "Kwast" and "Unearth"). Since 2006 he's working with the Trio Gratkowski / Brown / Winant (CDs "Wake" and "Vermilion Traces/Donaueschingen 2009"). He is also a co-leader / composer of the Multiple Joy[ce] Orchestra and got a commission to compose for the ensemble Apartment House by "November Music " (Den Bosch NL) and the "Huddersfield Comtemporary Music Fesitival" (England) in 2009. Further actual projects are Fo[u]r Alto, a saxophone ensemble dedicated to microtonal music and "Artikulationen E" a solo program for saxophone with 8 channel live electronic.

Frank Gratkowski played on nearly every German and on numerous international Jazz and contemporary music Festivals including Vancouver, Toronto, Chicago, New York, Seattle, Quebec, Les Mans, Muelhuus, Groeningen, Nickelsdorf, Barcelona, Lithuania, Warsaw, Zagreb, Prague, Bratislava, Sofia, Bucharest, Odessa and Roma, Huddersfield, London.

He has been teaching saxophone and ensembles at the Cologne, Berlin and Arnhem Conservatory of Music and is giving workshops all around the world.

Furthermore he has performed with Robert Dick, Phil Wachsmann, Radu Malfatti, Herb Robertson, Marcio Mattos, Eugenio Colombo, Peter Kowald, Ray Anderson, Michael Moore, Ken Vandermark, Greg Osby, Kenny Wheeler, Louis Sclavis, John Betsch, Jane Ira Bloom, Connie and Hannes Bauer, Xu Fengxia, James Newton, Muhal Richard Abrams, John Lindberg, Michael Formaneck, Ernst Reijseger, Fred van Hove, Theo Jörgensmann, Phil Minton, Peter Brötzmann, Mark Dresser, Mark Feldman, Hamid Drake, Michiel Braam, Han Bennink, Mal Waldron, Misha Mengelberg a.m.o."

-Frank Gratkowski Website (http://gratkowski.com/biography/)
2/28/2024

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"Hild Sofie Tafjord has re-written the sonic possibilities of the French Horn and established herself as one of Norway's most arresting musicians. Pushing the limits of her instrument for years, whether acoustically or electronically, she has made her mark as composer, performer and improvisor. Her signature is present in her group playing in SPUNK and LEMUR, Zeitkratzer but takes front row in her solo work.

Tafjord is active as a solo performer and in groups like SPUNK, Lemur, Agrare, Zeitkratzer Ensemble, Trinacria, Phantom Orchard Orchestra a.o. She has a broad range as an artist and has made music for dance, film, theater, installations and sculptures. She has also worked with performances, given workshops and site specific concerts. She has played and collaborated with numerous mucisians and artists in Europe, Amerika, Canada and Asia, like Fred Frith, Ikue Mori, Zeena Parkins, Evan Parker, Matmos, Wolf Eyes a.o. Hild Sofie participates on more than 40 releases, and her first solo album Kama is out on Picadisk."

-+3dB (http://plus3db.net/artists/hild_sofie_tafjord/)
2/28/2024

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"Born in 1957 Burkhard Schlothauer is German composer, multi-instrumentalist, educator and producer who lives in Gera in Eastern Germany. With Antoine Beuger he was the founder of Editions Wandelweiser in 1992. He performs with Zeitkratzer and the Wandwelweiser Composers Ensemble."

-Last.FM (https://www.last.fm/music/Burkhard+Schlothauer/+wiki)
2/28/2024

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"Cellist Anton Lukoszevieze (born 1965 in the UK) is one of the most diverse performers of his generation and is notable for his performances of avant-garde, experimental and improvised music. Anton has given many performances at numerous international festivals throughout Europe and the USA (Maerzmusik, Donaueschingen, Wien Modern, GAS, Transart, Ultima, etc.etc.). He has also made frequent programmes and broadcasts for BBC Radio 3, Danish Radio, SR2, Sweden, Deutschland Rundfunk, WDR, Germany and ORT, Austria. Deutschlandfunk, Berlin produced a radio portrait of him in September, 2003. Anton has also performed concerti with the City of Birmingham Symphony Orchestra at the 2001 Aldeburgh festival and the Netherlands Radio Symphony Orchestra. He has collaborated with many composers and performers including David Behrman, Alvin Lucier, Amnon Wolman, Pierre Strauch, Rytis Mazulis, Karlheinz Essl, Helmut Oehring, Christopher Fox, Philip Corner, Alvin Curran, Phill Niblock and Laurence Crane, He is unique in the UK through his use of the curved bow (BACH-Bogen), which he is using to develop new repertoire for the cello. From 2005-7 he was New Music Fellow at Kings College, Cambridge and Kettles Yard Gallery. Anton is the subject of four films (FoxFire Eins) by the renowned artist-filmmaker Jayne Parker. A new film Trilogy with compositions by Sylvano Bussotti, George Aperghis and Laurence Crane premieres at The London Film Festival, October 2008. In November will premiere a new hour long work by Christopher Fox for cello and the vocal ensemble Exaudi commissioned by the Huddersfield Contemporary Music Festival and will also present new solo works for cello and live electronics. Anton is also active as an artist, his work has been shown in Holland (Lux Nijmegen), CAC, Vilnius, Duisburg (EarPort), Austria, (Sammlung Essl), Wien Modern, The Slade School of Art, Kettles Yard Gallery, Cambridge Film Festival and Rational Rec. London. His work has been published in Musiktexte, Cologne, design Magazine and the book SoundVisions (Pfau-Verlag, Saarbrucken, 2005). Anton Lukoszevieze is founder and director of the ensemble Apartment House, a member of the radical noise group Zeitkratzer and recently made his contemporary dance debut with the Vincent Dance Company in Broken Chords, Dusseldorf."

-Kalvos Damian (http://www.kalvos.org/lukosze.html)
2/28/2024

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"Marc Weiser, born 23.1.67 in düsseldorf / germany - studied philosophy and outer european music in düsseldorf and berlin- plays git , vox, electronic- 3 years head of programm for the club ?maria am ostbahnhof? in berlin- working 3 years for different record labels as product manager (eye q / harthouse / königshaus / wea ...) - part of the organizer - team of the international festival for electronic music and related visual art - ?club transmediale? since 1999- part of the audio - visual project ?rechenzentrum? / steady live performances wordwide (asia, southamerica, russia, usa, canada, europe...)- working with international dance companys at ?theater am turm / frankfurt ballett? and ?unterwegs theater? / forum neue aktuelle kunst, heidelberg- part of the ensemble for contemporary music ?zeitkratzer? since january 2003- solo guitar performances as ?marc marcovic? (instant fake traditionals). countless recordings."

-Zeitkratzer Website (http://www.zeitkratzer.de/m_weiser.html)
2/28/2024

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"Christian Lillinger (born April 21, 1984 in Lübben ) is a drummer, composer and percussionist of modern creative style and new improvisational music.

Lillinger studied at the University of Music Carl Maria von Weber Dresden at Günter Sommer from 2000 to 2004. Between 2001 and 2003 he was a member of the Bundesjugendjazzorchester.

Lillinger plays in the trio Gropper | Graupe | Lillinger, until 2015 under the name Hyperactive Kid, with the saxophonist Philipp Gropper and the guitarist Ronny Graupe, where he is largely confined to the conventional drum kit. In 2008, he composed his first band Christian Lillingers Grund, whose first two released albums were released at Clean Feed Records at the end of 2009 and 2013. In addition Lillinger works as a sideman with well-known musicians such as Rolf Kühn, Joachim Kühn, Miroslav Vitouš, Beat Furrer, Rudi Mahall, John Schröder, Barre Phillips, Ernst-Ludwig Petrowsky, Wadada Leo Smith, Frank Gratkowski, Simon Nabatov, Tobias Delius and Axel Dörner, Thomas Lehn, Michael Wollny, Louis Scyvis, Bruno Chevillon, David Liebman, Edmund Lehmugruber, Theo Jörgensmann, John Edwards, Greg Cohen, William Parker, Joe Lovano and Tony Malaby. Since 2004 he has been working continuously in the EUPHORIUM, the international ensemble of contemporary performing arts and music around the Leipzig-based Oliver Schwerdt, especially in the trio with Schwerdt alias Elan Pauer and Ernst-Ludwig Petrowsky. Since 2009, Lillinger has also been working in the Klaviertrio Grünen with Achim Kaufmann and Robert Landfermann, who presented a first album on the Portuguese label Clean Feed Records in 2010. Since 2010, Lillinger has also worked in the trio Dell Lillinger Westergaard, which also performed with John Tchicai. In 2011 he founded the Trio Starlight with Petter Eldh and Wanja Slavin, who moved his debut CD 2013 to the Swiss label Unit Records. With Eldh and Slavin he also founded the Quartet Amok Amor with the American trumpeter Peter Evans, who released his first album of the same name in 2015.

Lillinger is also a member of the following groups: Rolf Kühn Unit, Henrik Walsdorff Trio, Pascal Niggenkempervision 7, Ronny Graupes Spoom, Schmittmenge Meier, Marc Schmolling Trio, Wanja Slavin Quintett, Carl Ludwig Hübschs Drift, Hübschacht, Uwe Steinmetz Stream Ensemble, The upper class, Ember, Gerhard Gschlößl's group of four, Gerhard Gschlößls G9, KUU! And also plays with Joachim Kühn in trio.

From 2012 to 2013, Christian Lillinger was a member of the board of the Union of German Jazzmusicians."

-Wikipedia (translated by Google) (https://de.wikipedia.org/wiki/Christian_Lillinger)
2/28/2024

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"Born in 1957 Burkhard Schlothauer is German composer, multi-instrumentalist, educator and producer who lives in Gera in Eastern Germany. With Antoine Beuger he was the founder of Editions Wandelweiser in 1992. He performs with Zeitkratzer and the Wandwelweiser Composers Ensemble."

-Last.FM (https://www.last.fm/music/Burkhard+Schlothauer/+wiki)
2/28/2024

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"Antoine Beuger (b. 1955 in Oosterhout, Netherlands) studied composition with Ton de Leeuw at Sweelinck Coservatorium in Amsterdam 1973-78. In 1990 he began composing after an interruption of about 10 years. Two years later he founded Edition Wandelweiser together with composer/performer Burkhard Schlothauer. Since 1994 he's been active with the conception and organisation of KLANGRAUM, a concert series at Kunstraum Düsseldorf. During the years 1995-2001 he was working together with visual artist Mauser as artistic director of "Werkraum", Place for Interdisciplinary Artistic Events, Cologne. Since 1996 he's been artistic director of edition wandelweiser records and since 2004 managing director of Edition Wandelweiser gmbh."

-Last.FM (http://www.last.fm/music/Antoine+Beuger/+wiki)
2/28/2024

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"Gudula Rosa studied recorder with Winfried Michel at the Academy of Music in Detmold/Münster and at the Academy of Music in Kassel, where she made her final exam with distinction for the interpretation of Japanese avant-garde works. She was awarded a scholarship to study with Walter van Hauwe at the Sweelinck Conservatory in Amsterdam. Among her many tributes and prizes is for example to top prize in the International Recorder Competition of the E.R.T.A. for contemporary music.

She collaborates with composers on commissioned works and premieres, with artists on performances with speech and dance and with improvisers on a variety of projects.

As a soloist as well as a member of different ensembles she is in demand for concerts both at home in Germany and in other European countries, and has toured places such as Japan, China, Ecuador, Brazil, the United States and the Democratic Rep. Of Congo.

In the spring of 2002 she was invited to do a concert tour of Japan, where she played at the Kyoto Concert Hall and at Tokyo and Osaka Miel Parque Hall.

Following an invitation by Maki Ishii in 2004 Gudula Rosa presented premieres and Chinese first performances of works by Qin Wenchen, Gerald Eckert, Joji Yuasa, Makoto Shinohara, Anette Schlünz and Ming-chi Chan at the Japanese-Chinese Festival of Contemporary Music in Tokyo and Peking.

Both as guest and as soloist she has played with the NOTABU Ensemble for New Music, Düsseldorf, the musikFabrik NRW (conducted by Johannes Kalitzke), the Tokyo Symphony Orchestra Nipponica and the Symphony Orchestra of Muenster, Dortmund and Osnabrück.

In 2009 she played the solo part in Münster in Händel's opera "Rinaldo" conducted by Michael Schneider. In 2010 The Municipal Theater of Münster invited her to play in the dance theater production "Cage" as well as in the operas "The English Cat" and "Pollicino" by Hans Werner Henze (2011).

In 2012 she will be heard with the Osnabrück Symphony Orchestra in Telemann's opera "Sieg der Schönheit" and as soloist with the "Deutsche Streicherphilharmonie" under Michael Sanderling.

The CD Double Talk - Contemporary Japanese Music documents her long-standing collaboration with the Koto virtuoso Makiko Goto. The CD (Dreyer.Gaido CD 21005) was recorded 2001 at the studios of the Sender Freies Berlin and was highly acclaimed by the international press ("a truly wondrous sound", "Marvelous!", "the highest praise!").

Together with outstanding percussion player Haruka Fujii (Tokyo/New York) she recorded the CD "Ko-Ku" with contemporary Eastern compositions at RadioBremen/Germany in 2008 (Dreyer.Gaido CD 21039). Also this CD was highly acclaimed by the international press, followed by concert invitations to New York in 2008 and 2011.

In addition to her concert career, Gudula Rosa is a passionate and successful teacher and her students regularly win numerous national prizes. 1998-2004 she taught at the Folkwang Academy of Music, Theatre and Dance in Essen. Presently she teaches at the Musikhochschule Münster and at the Westphalian School of Music in Münster.

Furthermore she is the project manager of the "Jugendakademie Münster", an academy for exceptionally talented young musicians."

-Gudula Rosa Website (http://www.gudularosa.de/index.htm?lang=1)
2/28/2024

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"Thomas Stiegler

1966 born in Meschede (D)

1987-94 studied medicine in Cologne, Freiburg and Frankfurt

1991-94 studied composition in Freiburg with Immanuel Nunes and Matthias Spahlinger

since 1994 assistent doctor, since 2001 senior physician (internal medicine)

1997 1. prize at the International Composition Contest Boswil (CH)"

-Editions Wandelweiser (http://www.wandelweiser.de/thomas-stiegler.html)
2/28/2024

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"Jürg Frey was born in 1953 in Aarau, Switzerland. Following his musical education at the Concervatoire de Musique de Genève, he turned to a career as a clarinetist, but his activities as composer soon came to the foreground. Frey developed his own language as a composer and sound artist with the creation of wide, quiet sound spaces. His work is marked by an elementary non-extravagence of sound, a sensibilty for the qualities of the material, and precision of compositional approach. His compositions sometimes bypass instrumentation and duration altogether and touch on aspects of sound art. He has worked with compositional series, as well as with language and text. Some of these activities appear in small editions or as artist's books as individual items and small editions (Edition Howeg, Zurich; weiss kunstbewegung, Berlin; complice, Berlin). His music and recordings are published by Edition Wandelweiser. Frey has been invited to workshops as visiting composer and for composer portraits at the Universität der Künste Berlin, the Universität Dortmund and several times at Northwestern University and CalArts. Some of the other places his work has developed are the concerts at the Kunstraum Düsseldorf, the Wandelweiser-in-Residence-Veranstaltungen in Vienna, the Ny music concerts in Boras (Sweden), the cooperation with Cologne pianist John McAlpine, the Bozzini Quartet (Montréal), QO-2 (Bruxelles), Die Maulwerker, incidental music, as well as the regular stays in Berlin (where during the last years many of his compositions were premiered). Frey is a member of the Wandelweiser Komponisten Ensemble which has presented concerts for more than 15 years in Europe, North America and Japan. Frey also organizes the concert series moments musicaux aarau as a forum for contemporary music."

-Other Minds (http://www.otherminds.org/shtml/Frey.shtml)
2/28/2024

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"Eva-Maria Houben (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Secondary School. She received her doctorate and postdoctoral lecturing qualification in musicology and was called for lectures at Gerhard-Mercator-Universität Duisburg and Robert-Schumann-Hochschule Düsseldorf. Since 1993 Professor Houben has been lecturing at Dortmund University`s "Institut für Musik und Musikwissenschaft", with both music theory and contemporary music as her focus. Up to now many books were published, concerning contemporary music, contemporary composers and traditional music, listened to with 'new ears'.

Eva-Maria Houben has been performing works for the organ for more than 30 years. As she is related to the "wandelweiser-group" of composers, her compositions are published by "edition wandelweiser", Haan. Her list of compositions up to now includes works for the organ, piano, clarinet, trombone, violoncello and other solo instruments, works for voice and piano, for wind and chamber ensembles, for orchestra and for voice and orchestra, works for choir (www.wandelweiser.de). She publishes on subjects of contemporary music (Steiner, PFAU, Edition Howeg, bis-label Oldenburg)."

-Eva-Maria Houben Website (http://www.evamariahouben.de/)
2/28/2024

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"Christoph Nicolaus" ia a Munich based concert organizer, sculptor and a friend of the Wandelweiser composers' collective. He has collected several stone harps and plays them occasionally in concert. They are substantial objects, both as sculptures and instruments."

-Squidco 2/28/2024

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"Tobias Liebezeit is a classical percussionist, a member of Philharmonic Orchestra Of Europe, The Barton Workshop, and Wandelweiser Komponisten Ensemble."

-Discogs (https://www.discogs.com/artist/1040536-Tobias-Liebezeit)
2/28/2024

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Track Listing:



1. Nine - For John Cage 30:02

2. Yo Tampoco Lo Entiendo 13:54

3. Structures Independantes 29:31

Related Categories of Interest:


Compositional Forms
Electro-Acoustic
Electronic Forms
Solo Artist Recordings
Electronic Forms
European Improvisation and Experimental Forms
lowercase, reductionist, micro-improv, sound improv, onkyo sound
Ambient & Minimal Music
John Cage
New in Compositional Music

Search for other titles on the label:
Edition Wandelweiser Records.


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Umbra
(Intakt)
The other shaded region to their 2022 Penumbra album, keyboardist Stemeseder and drummer Christian Lillinger explore "utopias in sound production" through acoustic and electronic composition, creating evolving melodies and sonic tapestries in performance with Peter Evans on Piccolo trumpet, Russell Hall on bass, DoYeon Kim on Gayageum and Brandon Seabrook on banjo & guitar.
Beuger, Antoine / Anastassis Philippakopoulos
Floating By
(erstwhile)
Wandelweiser founder and composer Antoine Beuguer and French composer Anastassis Philippakopoulos in a work for voice (Philippakopoulos) and breath (Beuguer), employing spaces of silence against utterance and sibilant expression, a patiently developing work that floats by in deceptively simple ways, captivating through each articulation that seems perfectly placed.
Sijstermans, Germaine
Betula [2 CDs]
(elsewhere)
The solo debut album from Dutch composer & clarinetist Germaine Sijstermans: seven recent contemplative works in a Wandelweiser vein, composed between 2017-2019 and performed with six exemplary and complementary performers: Antoine Beuger (concert flute), Rishin Singh (trombone), Johnny Chang (viola), Fredrik Rasten (guitar, ebow), and Leo Svirsky (accordion).
Frey, Jurg / Reinier van Houdt
Lieues d'Ombres (3CDs)
(elsewhere)
Translating to League of Shadows, Swiss composer Jürg Frey's sublime twilight compositions for solo piano are performed by Dutch pianist Reinier van Houdt, presenting seven of Frey's works written from 1984-2018, including one previously unreleased composition, in all 20 movements spread over 3 CDs ranging in time from 1:47 to 40:34, a significant addition to both musician's oeuvres.
Granberg, Magnus
Evening Star, Vesper Bell
(Another Timbre)
Written for and performed by the UK ensemble Apartment House, composer & performer Magnus Granberg's latest work reduces his working size from the larger Skogen ensemble to this sextet, opening new possibilities for composed structures that incorporate improvisation, in a work structured around components from Schubert's Abendbilder and So in Love by Cole Porter.
Grdina, Gordon / Mat Maneri / Christian Lillinger
Live at the Armoury
(Clean Feed)
The premiere encounter of the uniquely orchestrated trio of two legendary string improvisers--Gordon Grdina on guitar & oud, and Mat Maneri on viola--with drummer Christian Lillinger (New Old Luten, Punkt vs. Plastik, EUPHORIUM_freakestra) recording in the studio in Vancouver, BC for three impressive, innately lyrical, dexterous and magnificent conversations.
Fields, Scott Ensemble
Sand
(Relative Pitch)
Scott Field's 9-part Sands for 20 instrumentalists, three singers, and a conductor, in this case Fields himself, employs a modular performance system that integrates composition and improvisation, the conductor selecting modules from melodies, phasing patterns, long tones, improv elements, fragmented short stories, &c., spontaneously assigned live; a fascinating accomplishment.
EUPHORIUM_freakestra (feat Wadada Leo Smith / Barre Phillips)
Free Acoustic Supergroup (Chicago New York Berlin, Dresden Luzern Leipzig) [2 CDs]
(Euphorium)
The incredibly creative EUPHORIUM_freakestra as a mid-size ensemble performing at naTo in Leipzig, Germany are joined by legendary free jazz players, Wadada Leo Smith on trumpet and Barre Phillip on double bass, extending the incredible assemblage of players including Oliver Schwerdt, Axel Dorner, Ernst-Ludwig Petrowsky, Urs Leimgruber, Christian Lillinger, Gunter Baby Sommer & Michael Haves.
Lonsdale, Eden
Clear and Hazy Moons
(Another Timbre)
Splitting the album between two ensembles, UK composer Eden Lonsdale's beautifully languid compositions are performed first by Apartment House, and then by the young Rothko Collective, the four pieces showing Lonsdale's development of writing for harmony, timbre and resonance into works focused on the passing of time and the integration of prominent melodic elements.
Skein (Kaufmann / Gratkowski / de Joode)
Spectra & Affrays
(Klanggalerie)
Describing their improvisation as a chemical reaction of positive and negative ions, the central trio of the ensemble Skein--Achim Kaufmann (piano), Frank Gratkowski (winds) and Wilbert de Joode (bass)--are heard in this incredible 2018 concert at Konfrontationen Festival as a septet with Tony Buck (drums), Richard Barrett (electronics), Liz Allbee (trumpet) and Uchihashi Kazuhisa (guitar).
Iddon, Martin
Naiads
(Another Timbre)
With titles taken from different kinds of water nymphs in Greek mythology, composer Mark Iddon's four-part work is a hauntingly beautiful set of compositions of seeming siren calls and rich percussion, realized by an octet configuration of the UK ensemble Apartment House, with two pianists (Philip Thomas and Mark Knoop), three strings, clarinet, flute and percussion.
Frey, Jurg + Apartment House
Borderland Melodies
(Another Timbre)
Three chamber works in single and multiple movements by minimalist composer Jurg Frey, exploring time & duration, form & shape and a balance of material, performed by a core quartet from the UK ensemble Apartment House, orchestrated for clarinet and bass clarinet, violin and cello, the final work adding piano, viola and percussion in a septet reworking of a 2014 composition.
Parkinson, Tim / Apartment House
An Album
(Another Timbre)
Collecting five chamber works from prolific London-based composer Tim Parkinson, written between 1998 and 2017 and performed by the Apartment House ensemble: one piece for solo violin performed by Mira Benjamin, two duos for violin & piano (by Benjamin & Siwan Rhys), a quintet for winds and strings and a septet, both featuring flute and bass clarinet.
Cameron, Allison / Apartment House
Somatic Refrain
(Another Timbre)
A diverse set of compositions from Canadian composer Allison Cameron showing the breadth of her interests across experimental and compositional forms, including a solo multiphonic work for bass clarinet; a guitar trio with the Allison Cameron band of Cameron, Eric Chenaux & Stephen Parkinson; and Apartment House performing quintet and sextet compositions.
Lely, John / Apartment House
Meander Selection
(Another Timbre)
A diverse set of compositions by London composer, performer and improviser John Lely performed by the UK ensemble Apartment House, demonstrating the spectrum of Lely's work across string quartets, solo piano works, a solo electronic piece, and a work for violin, two violas & cello; works of cohesive direction across a variety of approaches and interests.
Graewe / Lonberg Holm / Gratkowski
Trilinear Polarity
(Fundacja Sluchaj!)
In 2004 legendary European Free Jazz pianist Georg Graewe and German multi-reedist Frank Gratkowski met with Chicago cellist Fred Lonberg-Holm on the stage at LOFT in Cologne, Germany to perform these six collective improvisations with an innate chamber jazz feeling, particularly the four part "Trilinear Polarity"; a spectacular set available for the first time.
Lely, John / Apartment House
Meander Selection
(Another Timbre)
A diverse set of compositions by London composer, performer and improviser John Lely performed by the UK ensemble Apartment House, demonstrating the spectrum of Lely's work across string quartets, solo piano works, a solo electronic piece, and a work for violin, two violas & cello; works of cohesive direction across a variety of approaches and interests.
Parkinson, Tim / Apartment House
An Album
(Another Timbre)
Collecting five chamber works from prolific London-based composer Tim Parkinson, written between 1998 and 2017 and performed by the Apartment House ensemble: one piece for solo violin performed by Mira Benjamin, two duos for violin & piano (by Benjamin & Siwan Rhys), a quintet for winds and strings and a septet, both featuring flute and bass clarinet.
Cameron, Allison / Apartment House
Somatic Refrain
(Another Timbre)
A diverse set of compositions from Canadian composer Allison Cameron showing the breadth of her interests across experimental and compositional forms, including a solo multiphonic work for bass clarinet; a guitar trio with the Allison Cameron band of Cameron, Eric Chenaux & Stephen Parkinson; and Apartment House performing quintet and sextet compositions.



The Squid's Ear Magazine

The Squid's Ear Magazine

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