The Toronto-based duo of Colin Fisher on woodwinds and percussion and Carl Didur on keyboards and bass bridge acoustic and electronic improv with science fiction sensibilities in their two part "Exegesis", a critical exposition of un-genred music that borrows from global sources in service to their unusual and exotic tale; a wonderfully perplexing album.
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Catalog ID: SHH034LP
Squidco Product Code: 26023
Condition: Sale (New)
Recorded by Carl Didur.
Colin Fisher-woodwinds, percussion
Carl Didur-keyboards, bass
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• Show Bio for Colin Fisher
"Multi-instrumentalist, composer, Colin Fisher is an active voice in the Improvised and Creative Music Community in North America.
His group I HAVE EATEN THE CITY is an improvising trio featuring cellist/keyboardist/laptop artist Nick Storring and percussionist Brandon Valdivia. They currently have 4 independently released CD's, were invited to play the Suoni Per Il Popolo Festival last year to rave reviews, they played the prestigious Open Ears Festival with musician Francois Houle in April 2007, which is an international new music/creative music event. They have been touring Ontario and Quebec extensively for the last 2 yrs.
Another group of his Sing that Yell that Spell has released 2 CD's, one independently and another through the Toronto based label Escapegoat Records.
Other recent projects include a duo, with improvising guitarist Michael Keith, called Sandbox who have a monthly concert series at the Toronto Tranzac Club, A duo with flautist Rob Piilonen named Whisper, an improv quartet called ALLO CAVEMAN that features Justin Haynes, Alex Lukashevsky and Jean Martin, plays tenor sax in Nilan Perera's HolyBlueGhost, is a member of the AIMToronto Orchestra who recently performed at the guelph jazz festival playing the music of Anthony Braxton with Mr. Braxton conducting and playing with the orchestra, is a member of the Woodchoppers Association, plays guitar in Isla Craig's band and also with Anna Linda Sidall, and has also performed with singer/songwriter John Tielli, Neil Haverty, and others.
Colin has appeared and collaborated with: Anthony Braxton, Jah Youssouf, Rhys Chattam, William Parker, Dominic Duval, Sabir Mateen, Neil Haverty, Joe Mcphee, Maury Coles, David Daniels, Chris Kelsey, Paul Hession, Mark Hundevad, Jean Martin, Metal Kites, Christine Duncan, Nifty, Eric Chenaux, Evan Shaw, Michael Morse, Jason Hammer, Nick Fraser, Joe Sorbara, Glen Hall, Ronda Rindone, The Constantines,
A Toronto performance (opening for renowned bassist, Trevor Dunn and pedal harpist Shelley Burgon while on tour with them across Ontario/Quebec) of some of Colin's compositions, featuring Nick Fraser, Evan Shaw and Jason Hammer is to be released on DVD in the future on the local label Burn down the Capital.
3 duo records planned for future release - a 40min composition of Colin's for guitar and drums featuring Brandon Valdivia and a fully improvised CD of drums, saxophone/guitar duets with Toronto improvisor Joe Sorbara. Colin also received a Canada Council recording grant in 2007 that was used to create a duo recording with Jean Martin called The little man on the boat which was recently released on Barnyard Records."-Barnyard Records (http://www.barnyardrecords.com/colin%20fisher%20bio.html)
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• Show Bio for Carl Didur
1 Exigesis A 19:32
1 Exigesis B 16:06
sample the album:
"The name Fake Humans for the duo (yes, it's a duo, even though sometimes it seems an entire orchestra) formed by Colin Fisher and Carl Didur may really be the most appropriate one, considering that any atempts to define the music they play and even to list their instruments are inhuman tasks.
Usually, they're presented as a "spiritual free jazz" project, pointing you immediately to a Pharoah Sanders or an Alice Coltrane reference, but if you may recognize somewhere the saxophone of the first and the harp of the second, the music takes you directly to something very far from jazz. Is it space rock? Exotica? We're never sure, and it doesn't matter. The same way we're never sure if we just heard a guzheng,a flute, a bass guitar, an analogue synthesizer, a drumkit or some phantomization of those instruments by way of magnetic tapes, in a sort of figuration of musique concréte, if something like that can exist considering music as the only non-representative art.
Once again, you won't care. By then, you're imersed in a sound world that becomes addictive. The right sound world to honor the journals written by Philip K. Dick which inspired this record and gave its title, Exegesis. You're on another planet now, in the middle of a strange forest where human names like "jazz" or "exotica" mean nothing, and where a monkey can be a bird and a flute something else. Sap maybe, dripping from the giant trees?"-Clean Feed
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