Rutger Zuydervelt, aka Machinefabriek, in a 7" release of two tracks developed for a piece commissioned by Marta Alstadsaeter and Kim-Jomi Fischer for their dance piece "as much as it is worth" in 2017, the first an edited version of the final music used for the piece, a complex yet upbeat and bouncy work, the second side expanding and darkening the music.
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Catalog ID: None
Squidco Product Code: 25871
Format: 7" Record
Packaging: 7" Record
Recorded in Rotterdam, Holland, in November and December 2017, by the artist.
Rutger Zuydervelt-composer, performer
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• Show Bio for Rutger Zuydervelt
"Machinefabriek is the alias of Rutger Zuydervelt. Rutger's music combines elements of ambient, noise, minimalism, drone, field recordings and electro-acoustic experiments. His pieces can be heard as an attempt to create sonic environments for the listener to dwell in. Finding tension in texture, tone and timing, the result can be very minimalistic at first glance, but reveals itself upon closer listening. The devil is in the details.
Rutger was born in 1978 in Apeldoorn (The Netherlands) and now resides in Rotterdam. He started recording as Machinefabriek in 2004. After a series of self released cd-rs, his official debut Marijn was issued in 2006, with great critical acclaim. Since than, a solid stream of music was released on labels such as Type, Important, Home Normal, 12K, Entr'acte, Dekorder, Miasmah, Consouling Sounds, Experimedia and Staalplaat. He performed all over the globe, from Canada to Israel and from Russia to Japan.
Rutger collaborated (on record and/or live) with numerous artists, such as Steinbrüchel, Jaap Blonk, Aaron Martin, Peter Broderick, Frans de Waard, Mats Gustafsson, Steve Roden, Gareth Davis, Stephen Vitiello, Michel Banabila, Dirk Serries and Dead Neanderthals, amongst many others.
He frequently works with film makers, like Makino Takashi, Mike Hoolboom, John Price, Paul Clipson and Chris Teerink, for whom he composed a soundtrack for his documentary about Sol LeWitt. Rutger also recorded the music for the Canadian drama The Cold and the Quiet from 2014. Furthermore, his music was used in Edward Burtynsky's Watermark, the drama Stone (with Robert DeNiro and Edward Norton) and Josh Fox' influential Gasland and Gasland Part II documentaries. Besides films, Rutger also composes music for dance pieces, like Alix Eynaudi and Kris Verdonck's EXIT (premiéred at the Haus der Kulturen der Welt, Berlin), Alexander Whitley's The Measures Taken (for the Royal Opera in London) and Beheld (for Candoco Dance Company), and multiple pieces by Spanish/Dutch choreographer Iván Pérez. Then there's Rutgers installation work, in which the dialogue with the environment plays an important role. He did projects for Stedelijk Museum Amsterdam, NAi (Dutch Architecture Institute), the new Armando Museum MOA, Sounds Like Audio Art in Saskatoon (Canada), the Into the Great Wide Open Festival, Netwerk in Aalst (Belgium) and children's museum Villa Zebra in Rotterdam."-Machinefabriek Website (http://www.machinefabriek.nu/about/biography)
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1. As Much As It Is Worth (Single Edit) 3:29
1. It Didn't Matter 2:25
sample the album:
"The first track of this single is an edited version of the music for the 10-minute dance piece 'as much as it is worth' by Marta Alstadsaeter and Kim-Jomi Fischer. They asked me to do it (after some extra last-minute funding) a week before the premiere, so time was super short... but it worked out quite nicely, if I may say so. And, especially for my standards, it's a mildly euphoric track! The second track is a further developed sketch of an alternative proposal for the score. It's bit less cheerful, with some noise thrown in for good measure."-Rutger Zuydervelt
Sound, Noise, &c.
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