"Composer/performer Kyle Bruckmann's work extends from a Western classical foundation into genre-bending gray areas encompassing free jazz, electronic music and post-punk rock. A busy and varied performance schedule and appearances on more than 60 recordings have led to his recognition as "an excellent composer, striking the right balance between form and freedom" (Signal to Noise), "a modern day renaissance musician" (Dusted) and "a seasoned improviser with impressive extended technique and peculiar artistic flair" (All Music Guide).

Shortly after moving to the San Francisco Bay Area in 2003, he joined forces with acclaimed new music collective sfSound and with Quinteto Latino (a woodwind quintet specializing in Latin American composers). He is now also a member of the San Francisco Contemporary Music Players, Eco Ensemble, and Splinter Reeds. He has worked with the San Francisco Symphony and most of the area's regional orchestras remaining active in an international community of improvisers and sound artists. Current local improvising working groups include Addleds, Shudder, and mchtnchts.

From 1996 until his westward relocation, he was a fixture in Chicago's experimental music underground, with frequent collaborators Jason Ajemian, Jim Baker, Jeb Bishop, Olivia Block, Guillermo Gregorio, Fred Lonberg-Holm, Robbie Hunsinger, Bob Marsh, Weasel Walter, and Michael Zerang. Long-term affiliations include the electro-acoustic duo EKG, the "rock" monstrosity Lozenge, and the Creative Music quintet Wrack (recipient of a 2012 Chamber Music America New Jazz Works award).

Bruckmann earned undergraduate degrees in music and psychology at Rice University in Houston, studying oboe with Robert Atherholt, serving as music director of campus radio station KTRU, and achieving academic distinction as a member of Phi Beta Kappa. He completed his Masters degree in 1996 at the University of Michigan, Ann Arbor, where he studied oboe performance with Harry Sargous and contemporary improvisation with Ed Sarath."

"Aram Shelton is an improviser and composer who performs on saxophone, clarinets, and live electronics. His writing and playing is grounded in avant-jazz and free improvisation and is documented through more than two dozen albums to date. He's been an integral member of the creative music communities in the Bay Area and Chicago, and has recently relocated to Copenhagen.

Shelton creates music with an aesthetic that is guided by the musicians he works with. In Oakland (2005-2016), he developed music for the avant jazz quartet Gold Age; the creative free jazz Ton Trio II; his solo electroacoustic project Tonal Masher; the chamber improv group Broken Trap Ensemble; the electroacoustic Stratic; the collaborative quartet Cylinder; his sextet Marches; and the Oakland Active Orchestra. In Chicago (1999 - 2005) he created music with his Quartet, the cooperative sextet Fast Citizens, Jason Adasiewicz' Rolldown, Dragons 1976; Arrive; the electroacoustic duo Grey Ghost, and others.

Shelton studied electroacoustic music and recording techniques at Mills College in Oakland, California. He continues to improvise and compose electroacoustic music focused on the concepts illustrated in his graduate thesis Sound Extended: Replication of Acoustic Material and Phrase Modification.

In the past Shelton has been fortunate to perform with many exceptional musicians from the Bay Area, Chicago and New York scenes including Larry Ochs, Kjell Nordeson, Fred Lonberg-Holm, Frank Rosaly, Jordan Glenn, Cory Wright, Kristina Dutton, Tim Daisy, Mark Clifford, Safa Shokrai, Britt Ciampa, Theresa Wong, Jason Adasiewicz, Josh Berman, Keefe Jackson, Matt Bauder, Alex Vittum, Michael Coleman, Lisa Mezzacappa, Darren Johnston, Henry Kaiser, Kyle Bruckmann, Jon Raskin, Steve Adams, Bruce Ackley, Jacob Felix-Heule, Jacob Wick, William Winant, Mark Dresser, Weasel Walter, Mary Halvorson, Josh Sinton, Jason Ajemian, Ken Vandermark, Audrey Chen, Tony Buck, Magda Mayas, James Fei, Damon Smith, Tim Perkis, Guillermo Gregorio, and Chris Brown. He has performed in Europe, Canada and the United States including appearances at the Switchboard Music Festival, Soundwave, the Monterey Jazz Festival, Chicago Jazz Festival, the Suoni per il Popolo Festival, and the Krakow Autumn Jazz Festival. He has led workshops at the Evergreen State College, the Luzern Jazz School, through NEXMAP and at UC Santa Cruz. As a curator he founded the Active Music Series and Active Music Festival. His playing and music are available through Delmark, Clean Feed, Cuneiform, 482 Music, and his own Singlespeed Music."

"Jason Hoopes is a bassist and educator. His work as bassist includes numerous bay area groups including but not limited to...Jack O' The Clock, Fred Frith Trio, OrkestRova, Scott Amendola / Karl Alfonso Defensor Evangelista, Perfect Loss, Eat The Sun, Dominique Leone, The Atomic Bomb Audition, Satya Sena, powerdove, Host Family."

"Jordan Glenn is a drummer, percussionist, composer, band leader, conductor, video maker, and general craftsman who lives in Oakland, California.

Jordan Glenn spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older he began making movies with his friends and studying jazz, classical, and rock music. In 2003 Glenn received a bachelor's degree in Jazz Studies from the University of Oregon.

In 2006 he relocated to the Bay Area, received a masters degree from Mills College and since has worked closely with Fred Frith (FF Trio and Gravity Band), William Winant, Zeena Parkins (The Adorables), Roscoe Mitchell, ROVA Sax Quartet, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Aaron Novik, Darren Johnston, Aram Shelton, Cory Wright, Lisa Mezzacappa, Karl Evangelista, Michael Coleman, Matthew Welch, Rhys Chatham and the bands Jack O' The Clock, Arts & Sciences, Young Nudist, 20 Minute Loop, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. He also leads and conducts the project Mindless Thing, a collaboration with poet/free-jazzer/sage Jim Ryan, as well as the long standing trio Wiener Kids and the ten piece expansion, The Wiener Kids Family Band."

"Weston Olencki is a New York City based trombonist/composer specializing in the performance and production of experimental music & art. Weston is a member of Ensemble Pamplemousse and the Wet Ink Large Ensemble, one half of RAGE THORMBONES and People Making Sounds, and has performed with Ensemble Dal Niente, wasteLAnd, wildUP!, Fonema Consort, the San Francisco Contemporary Music Players, Talea Ensemble, sfSound, Wild Rumpus, Eco Ensemble, Chicago Symphony Orchestra's MusicNOW, and a.pe.ri.od.ic - under conductors Alan Pierson, Enno Poppe, Steven Schick, Marino Formenti, and Michael Lewanski. He was awarded the Kranichsteiner Musikpreis for Performance [2016] and a Stipendiumpreis [2014] from the Darmstadt Ferienkurse.

His compositional work has been performed/commissioned by the Talea Ensemble/Earle Brown Music Foundation, Pamplemousse, Bass2Bass [Michelle Lou + Scott Worthington], People Making Sounds, trombonist Matt Barbier, clarinetist Erin Cameron, and saxophonist David Wegehaupt.

An active proponent of new repertoire, Weston has pursued individual collaborative work with composers Eric Wubbels, Katherine Young, Mauricio Pauly, Dave Reminick, Michelle Lou, Ray Evanoff, and Timothy McCormack, alongside US/world premieres of pieces by Peter Ablinger, Bernhard Lang, Elliott Carter, Michael Gordon, James Saunders, Dai Fujikura, Katharina Rosenberger, Erik Ulman, and Chris Mercer. Festival/series appearances include Alatszto Hang [Budapest], Weisslich [London], Constellation's Frequency Series [Chicago], FOCIarts [New Orleans], Permutations [NYC/SF], sfSoundSalonSeries [SF], NUNC [Chicago], Indexical [Santa Cruz], Switchboard Presents [SF], OPTION [Chicago], and Omaha Under the Radar.

Weston has held residencies at the University of California Santa Cruz, Harvard University [HGNM], NYU, and Stanford University, with upcoming residencies at Northwestern and CalArts. He has recorded for HatHut, Sound American, Indexical, and Clean Feed with forthcoming releases on Carrier."

"Danishta Rivero is an improviser, performer, and sound artist based in Oakland, California. She explores the artifacts resulting from heavy processing of the voice and their relationship to its acoustic resonance.

As a soloist, Rivero often performs as Caribay, conjuring the eponymous mountain spirit, whose laments cause avalanches.

She is a member of electro-acoustic duo Voicehandler with percussionist Jacob Felix Heule. She is also half of Las Sucias, a feminist tropical noise duo with Alexandra Buschman-Román."

"Since settling in San Francisco in 1997, Canada-born trumpeter/improviser/composer/songwriter Darren Johnston has collaborated and recorded with an extremely diverse cross-section of artists. His interests rotate around composing instrumental music, writing songs, and performing all styles of jazz, experimental and purely improvised music, as well as traditional music of the Balkans, Greece, and Macedonia.

He has performed and/or recorded with luminaries such as ROVA Sax Quartet, Fred Frith, Myra Melford, Ben Goldberg, Matt Wilson, Mark Dresser, Marshall Allen, and many others.

As a composer, he has written for jazz and/or non-idiomatic improvising groups, big bands, string quartet, and even a multi-generational choir, with songs based on a collection of immigrant letters. He has written for dance companies such as Amy SeiwertÕs Imagery, Deborah Slater, Axis Dance, Robert MosesÕ Kin, Liss Fain, and others, as well as for dance films."

"Ellen Fullman has been developing the Long String Instrument, an installation of dozens of wires fifty feet or more in length since the early 1980s. This project encompasses the study of Just Intonation tuning theory, a compositional practice centered on string harmonics, experiments with various wire alloys and gauges, the development of a tablature graphic notation system, and wooden resonator design and fabrication. The enveloping nature of the rich acoustic tones produced by The Long String Instrument evokes a sensation of being inside of a musical instrument. Awards include: Guggenheim Fellowship, Music Composition; Foundation for Contemporary Arts "Grants to Artists" Award; DAAD "Artists-In-Berlin Program" residency; and Japan-US Friendship Commission/NEA "Creative Artist Exchange Fellowship for Japan". In 2016, Fullman was the Distinguished Alumni Speaker and Guest Critic at the Kansas City Art Institute. Her recordings include: The Long String Instrument (Superior Viaduct, 2015) first issued on Apollo Records in 1985 and selected as the number one reissue for 2015 by the Wire; Ort (Choose Records, 2004) produced by Berlin based collaborator Konrad Sprenger; and Fluctuations (Deep Listening Institute, 2007) a collaboration with trombonist Monique Buzzarté that garnered an Aaron Copland Fund grant."

"John is an engineer and multi-instrumentalist. He has studied engineering with Myles Boisen, guitar with Morris Acevedo, Myles Boisen, and Richard Festinger, and musical drinking straw with Aaron Bennett. John has worked on records with Fred Frith, Crime, Knights of the New Crusade, Tango No. 9, Aphrodesia, Edmund Welles, and many others. He plays guitar in many bands, including Go-Go Fightmaster and Bait and Switch."

"Highlights of Rova founding member Jon Raskin's early career include his '70s participation in new music ensembles directed by John Adams (San Francisco Conservatory of Music) and Dr. Barney Childs (University of Redlands). Before Rova, Raskin served as music director of the Tumbleweed Dance Company (1974-77), was a founding member of the Blue Dolphin Alternative Music Space and participated in the creation of the Farm- an art project that included a city farm, a community garden, Ecology Center, Dance and Theater companies and organized the creation of a city park. Highlights as a member of Rova include composing a collaborative work for SF Taiko Dojo/Rova, working with Howard Martin on the installation work Occupancy, composing music for Mr. Bungle/ Rova, organizing the 30 year Anniversary Concert of John Coltrane's Ascension, performing the music of Miles Davis at the Fillmore with Yo Miles!, the Glass Head project with Inkboat and the ongoing Electric Ascension project.

Raskin has received numerous grants and commissions to work on a variety of creative projects: NEA composer grant for Poison Hotel, a theater production by Soon 3 (1988); Reader's Digest/Meet the Composer (1992 & 2000); Berkeley Symphony commission (1995) and Headland Center for the Arts Residency 2009.

Besides over 30 recordings with Rova, Raskin's recording experience include Anthony Braxton, Eight (+3) Tristano Compositions 1989 For Warne Marsh (1989) and The Bass & the Bird Pond with Tim Berne (1996), Wavelength Infinity- A Sun Ra Tribute, Between Spaces with Phillip Gelb, Dana Reason & Pauline Oliveros, Terry Riley's In C 25th Anniversary, and solo work on the Art Ship Series. His current CDs include Let's go Juke Box Suite (Not Two) with the Rova Saxophone Quartet , JR Quartet (Rastascan) with Liz Allbee, George Cremaschi and Gino Robair, Music + One (Rastascan) an improvisation compendium for improvisers to play along with and Kaolithic Music, Jaw Harp Music recorded in a 587 Gallon Vase (Evander Music) He is working on several new recordings, one with a JR Quartet for release in 2009, a Rova project of graphic scores composed by Steve Adams and Jon Raskin, a compilation from the 2 + 2 series that Phillip Greenlief and Jon Raskin presented at the 21 Grand Performance Gallery in Oakland and a poetry and music project with Carla Harryman called Open Box.

Other groups are The Jon Raskin Quartet featuring Liz Albee on trumpet John Shiurba on bass and Gino Robair, a duo with Kanoko Nishi on Koto and a trio with Matthew Goodheart and Vladimir Tarasov."

"Jordan Glenn is a drummer, percussionist, composer, band leader, conductor, video maker, and general craftsman who lives in Oakland, California.

Jordan Glenn spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older he began making movies with his friends and studying jazz, classical, and rock music. In 2003 Glenn received a bachelor's degree in Jazz Studies from the University of Oregon.

In 2006 he relocated to the Bay Area, received a masters degree from Mills College and since has worked closely with Fred Frith (FF Trio and Gravity Band), William Winant, Zeena Parkins (The Adorables), Roscoe Mitchell, ROVA Sax Quartet, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Aaron Novik, Darren Johnston, Aram Shelton, Cory Wright, Lisa Mezzacappa, Karl Evangelista, Michael Coleman, Matthew Welch, Rhys Chatham and the bands Jack O' The Clock, Arts & Sciences, Young Nudist, 20 Minute Loop, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. He also leads and conducts the project Mindless Thing, a collaboration with poet/free-jazzer/sage Jim Ryan, as well as the long standing trio Wiener Kids and the ten piece expansion, The Wiener Kids Family Band."

"Drummer/vibes player Kjell Nordeson, who was born in 1964, currently lives and works in Stockholm, Sweden. Nordeson studied classical percussion with Björn Liljeqvist, principal percussionist of the Stockholm Philharmonic. In 1986, Nordeson formed the longstanding AALY Trio with Mats Gustafsson. Nordeson has also collaborated with such musicians as Sten Sandell, Christer Bothén, Peter Söderberg, David Stackenäs, Martin Küchen, and Fredrik Ljunkvist. As a member of the AALY Trio, Low Dynamic Orchestra, Nacka Forum, Katzen Kapell, Firehouse, and Exploding Customer, Nordeson enjoys a healthy high profile in the Swedish music scene.

In North America and Europe, Nordeson has done numerous tours with the AALY Trio and School Days. He has played in collaborations with Peter Brötzmann, Barry Guy, Joe Morris, William Parker, Paul Rutherford, Stephano Scodanibbio, and Ken Vandermark. In 1994, Nordeson founded Co. Alba with choreographer Nathalie Ruiz, which is also a platform for his work as a composer. Together, Ruiz and Nordeson produced a number of dance performances; the latest is the short film Désiré, a commission by Swedish Television. Nordeson has worked in theatre performances in Riksteatern, and The Royal Dramatic Theatre and Stadsteater in Stockholm. With choreographer Philippe Blanchard's ensemble Adekwhat, he toured Germany, Finland, Israel, and Egypt."

"Lisa Mezzacappa is a San Francisco Bay Area-based bassist, bandleader, composer, curator and producer. An active collaborator in the Bay Area music community for more than a dozen years, she leads her own groups Bait & Switch, the Interlopers, Nightshade, Eartheaters and the Lisa Mezzacappa Trio, and co-leads the ensembles BODABODA, duo B., Cylinder, the Mezzacappa-Phillips Duo, and the Caribbean folk band Les Gwan Jupons. Lisa has released her music on the Clean Feed, NoBusiness, Leo, NotTwo, Evander, Odd Shaped Case and Edgetone record labels, and has recorded as a sideperson for the Tzadik, Kadima and Porto Franco labels. She collaborates frequently on cross-disciplinary projects in sound installation, film/video, sculpture and public music/art.

As curator, she programs the annual JazzPOP concert seres at the UCLA Hammer Museum in Los Angeles, now in its 10th year; and a live cinema series, Mission Eye and Ear, at Artists' Television Access. She founded the Monday Makeout creative music series in the Mission District of San Francisco, and programs the Best Coast Jazz Composers series as a member of the artistic committee San Francisco's Center for New Music. In 2012 she started the "Festival-of-Us," a semi-annual festival celebrating Bay Area creative jazz and improvised music. Recent projects include an avant-folk string band, the Interlopers; Eartheaters, a trio with Brooklyn vocalist Fay Victor; and BODABODA, a cross-planetary collaboration with Venice reed player/composer Piero Bittolo Bon. In fall 2015 she premieres Glorious Ravage, a multi-media song cycle for large ensemble with commissioned films, inspired by the writings of Victorian lady adventurers.

Lisa has been artist-in-residence at Djerassi Resident Artists Program (2008, 2013), Headlands Center for the Arts (2006, 2015), the Banff International Jazz Workshop (2000), and the Painted Bride Arts Center (2000). She holds an MA in ethnomusicology from UC Berkeley (2003), and a BA in music from the University of Virginia (1997). She has performed at countless Bay Area venues including Intersection for the Arts, Yerba Buena Center for the Arts, SFMOMA, Yoshi's, the Jazzschool, and the de Young Museum, San Francisco; as well as the Earshot Jazz Festival, Seattle; the Montreal Jazz Festival and Victoriaville Festival de Musique Actuelle, Canada; the Monterey Jazz Festival, CA; Moers Festival, Germany; and Novara Jazz Festival, Italy.

Lisa has been awarded grants by the MAP Fund, the Foundation for Contemporary Arts, San Francisco Friends of Chamber Music, the Zellerbach Family Foundation, American Composers Forum, the City of Oakland, Meet the Composer and Southern Exposure/the Andy Warhol Foundation. She performs as a sideperson in original jazz, improv and chamber ensembles led by estemmed bandleaders and West Coast musical visionaries, like Phillip Greenlief, Aaron Novik, Beth Custer, Randy McKean, Marco Eneidi, Vijay Anderson, Aaron Bennett, Myles Boisen, Steve Adams, Graham Connah, Jon Raskin, Cory Wright and Ross Hammond, and collaborates often with Darren Johnston, Vinny Golia, Katy Stephan, Aram Shelton, Kjell Nordeson, Murray Campbell, Jason Levis, Dina Maccabee, Noah Phillips, Rob Ewing, Kasey Knudsen, Myles Boisen, Sam Ospovat, John Hanes, and many many others."

Mark Dresser is a Grammy nominated, internationally renowned bass player, improviser, composer, and interdisciplinary collaborator. At the core of his music is an artistic obsession and commitment to expanding the sonic, musical, and expressive possibilities of the contrabass. He has recorded over one hundred thirty CDs including three solo CDs and a DVD. From 1985 to 1994, he was a member of Anthony Braxton's Quartet, which recorded nine CDs and was the subject of Graham Locke's book Forces in Motion (Da Capo). He has also performed and recorded music of Ray Anderson, Jane Ira Bloom, Tim Berne, Anthony Davis, Dave Douglas, Osvaldo Golijov, Gerry Hemingway, Bob Ostertag, Joe Lovano, Roger Reynolds, Henry Threadgill, Dawn Upshaw, John Zorn. Dresser most recent and internationally acclaimed new music for jazz quintet, Nourishments (2013) his latest CD (Clean Feed) marks his re-immersion as a bandleader. Since 2007 he has been deeply involved in telematic music performance and education. He was awarded a 2015 Shifting Foundation Award and 2015 Doris Duke Impact Award. He is Professor of Music at University of California, San Diego.

Michael Dessen is a composer/trombonist who creates music for improvisers and explores the artistic potentials of technologies including live electronics, telematics and networked scores.

Dessen's electro-acoustic trio features bassist Christopher Tordini and drummer Dan Weiss, and has been praised by critics for its unique blend of otherworldly electronics, dynamic improvisation and wide-ranging compositions. His compositions for the trio have been supported by awards and commissions from New Music USA, Chamber Music America and the Fromm Foundation, and he has released three trio albums on Clean Feed Records, the first featuring Tyshawn Sorey on drums. Dessen's most recent work for the trio, Somewhere In The Upstream (2014), is a concert-length composition dedicated to Yusef Lateef that will be released in 2017.

Both with his own trio and many other collective projects, Dessen has focused on creating works for improvisers, including networked "scorestreams" that are displayed dynamically on screens for performers to interpret. As an improviser, he collaborates with diverse bands in addition to performing solo on digibone, an animistic world of slide trombone and live electronics. Dessen has also been involved in numerous telematic concerts that link performers in distant locations via high-definition networking technologies. He has composed new works specifically for the telematic stage, and has co-directed many large-scale telematic projects, including Virtual Tour 2013, a 3-concert series recently released on DVD that Dessen co-directed with Mark Dresser, featuring a core quartet in California with Nicole Mitchell and Myra Melford performing with other renowned musicians in Zurich, New York and Massachusetts.

Dessen's teachers include Yusef Lateef, George Lewis, and Anthony Davis, and he is a graduate of the Eastman School of Music (BM performance), the University of Massachusetts, Amherst (MM jazz composition), and the University of California, San Diego (PhD in Music, Critical Studies and Experimental Practices). His writings on music include articles in The Other Side of Nowhere: Jazz, Improvisation and Communities in Dialogue (Wesleyan University Press), the online journal Critical Studies in Improvisation / Etudes Critique en Improvisation, and Musicworks magazine, as well as a Preface to Yusef Lateef's Songbook. His publications have focused especially on the role of African American traditions within late-twentieth century experimental music worlds. Since 2006, Dessen has been a faculty member at the University of California, Irvine, where he co-founded a new PhD program in Integrated Composition, Improvisation and Technology (ICIT).

Michael Dessen lives in southern California with visual artist Mariángeles Soto-Díaz and their son.

"Nicole Mitchell (b. 1967) is a creative flutist, composer, bandleader and educator. As the founder of Black Earth Ensemble, Black Earth Strings, Ice Crystal and Sonic Projections, Mitchell has been repeatedly awarded by DownBeat Critics Poll and the Jazz Journalists Association as "Top Flutist of the Year" for the last four years (2010-2014). Mitchell's music celebrates African American culture while reaching across genres and integrating new ideas with moments in the legacy of jazz, gospel, experimentalism, pop and African percussion through albums such as Black Unstoppable (Delmark, 2007), Awakening (Delmark, 2011), and Xenogenesis Suite: A Tribute to Octavia Butler (Firehouse 12, 2008), which received commissioning support from Chamber Music America's New Jazz Works.

Mitchell formerly served as the first woman president of Chicago's Association for the Advancement of Creative Musicians (AACM), and has been a member since 1995. In recognition of her impact within the Chicago music and arts education communities, she was named "Chicagoan of the Year" in 2006 by the Chicago Tribune. With her ensembles, as a featured flutist and composer, Mitchell has been a highlight at festivals and art venues throughout Europe, the U.S. and Canada.

Ms. Mitchell is a recipient of the prestigious Alpert Award in the Arts (2011) and has been commissioned by Chicago's Museum of Contemporary Art, the Ravinia Festival, the Chicago Jazz Festival, International Contemporary Ensemble (ICE), the Chicago Sinfonietta Orchestra and Maggio Fiorentino Chamber Orchestra (Florence, Italy). In 2009, she created Honoring Grace: Michelle Obama for the Jazz Institute of Chicago. She has been a faculty member at the Vancouver Creative Music Institute, the Sherwood Flute Institute, Banff International Jazz Workshop and the University of Illinois, Chicago. Her work has been featured on National Public Radio, and in magazines including Ebony, Downbeat, JazzIz, Jazz Times, Jazz Wise, and American Legacy.

Nicole MItchell is currently a Professor of Music, teaching in "Integrated Composition, Improvisation and Technology," (ICIT) a new and expansively-minded graduate program at the University of California, Irvine. In November 2014, ICIT was approved for the unleashing of a new MA/PhD program, which will be offered starting fall 2015. Mitchell's recent composition, Flight for Freedom for Creative Flute and Orchestra, a Tribute to Harriet Tubman, premiered with the Chicago Composers' Orchestra in December 2011 and was presented again with CCO in May 2014. She was also commisisoned by Chicago Sinfonietta for Harambee: Road to Victory, for Solo Flute, Choir and Orchestra in January 2012. Her latest commission was from the French Ministry of Culture and the Royaumont Foundation in October 2014, which supported the development and French tour of Beyond Black - a collaboration with kora master Ballake Sissoko, Black Earth Ensemble and friends. Currently Mitchell is preparing her next commission supported by the French American Jazz Exchange, entitled Moments of Fatherhood, featuring Black Earth Ensemble and the Parisian chamber group L'Ensemble Laborintus, to premiere at the Sons d'hiver Jazz Festival in late January 2015.

Among the first class of Doris Duke Artists (2012), Mitchell works to raise respect and integrity for the improvised flute, to contribute her innovative voice to the jazz legacy, and to continue the bold and exciting directions that the AACM has charted for decades. With contemporary ensembles of varying instrumentation and size (from solo to orchestra), Mitchell's mission is to celebrate the power of endless possibility by "creating visionary worlds through music that bridge the familiar and the unknown." She is endorsed by Powell flutes."

"Double bassist Richard Worn has performed extensively with the San Francisco Opera and Symphony. Currently, he serves as Assistant Principal Bass of the Marin Symphony and Principal Bass of the Sanse Chamber Orchestra as well as with the Berkeley Contemporary Chamber Players, ECO Ensemble, Other Minds sfSound, Empyrean Ensemble, Earplay, and Composer's Inc. Richard is also former Principal Bass of the New Century Chamber Orchestra. With his Worn Chamber Ensemble, founded in 1996, has performed works for both solo bass and ensemble by such composers as Andreissen, Cage, Harrison, Henze, Reveultas, Scelsi, Varese, and Xenakis. Richard holds degrees in double bass from California State University, Northridge and the New England Conservatory. He currently teaches and provides orchestral coaching at UC Berkeley. Richard joined SFCMP in 2002."

"Scott Walton has performed with George Lewis, Wadada Leo Smith, John Carter, Vinny Golia, Bobby Bradford, Nels Cline, Quincy Troupe, Ray Anderson, Toshiko Akiyoshi, Clifford Jordan, and Al Cohn, among others. He has collaborated with poets, dancers, performance artists, and filmmakers. Current projects as a bassist in addition to Cosmologic include the Vinny Golia Quintet, the Rain Trio (with Alex Cline and Eric Barber), and ongoing work with Harris Eisenstadt, Erik Griswold, and Jason Stanyek. As a pianist he has commissioned and premiered works by numerous composers (David Lipten, most recently), has toured with the Octagon Ensemble, and has collaborated in interactive computer and multimedia performances with Vibeke Sorenson and Harry Castle. He is currently performing music of Henry Cowell, and an improvised interpretation of Charles Ives' Concord Sonata. Walton is featured on recent CD releases by the Vinny Golia Quintet (One, Three, Two), O'Keefe, Stanyek, Walton, Whitehead (Tunnel), Nathan Hubbard (Skeleton Key Orchestra), Jeff Kaiser (17 Themes for Ockodektet), Chris Chafe (Arcology), and Anthony Davis (Tania). He has recorded on the Soul Note, Nine Winds, JazzHalo, Circumvention, pfMentum, Koch, Innova, Centaur, Albany, and Revelation labels. He is a member of the San Diego based Trummerflora Collective."

"Stacey Pelinka is a member of the Left Coast Chamber Ensemble and a founding member of the Eco Ensemble, CNMAT's new ensemble-in-residence. She also performed contemporary chamber music with the San Francisco Symphony's Mavericks Festival, San Francisco Contemporary Music Players, Earplay, and the Silk Road Ensemble, among others. Stacey is principal flutiest with San Francisco Opera's Merola Program productions, and plays second flute with the Santa Rosa Symphony and the Midsummer Mozart Festival. [...]"

"Theresa Wong is a composer, cellist and vocalist active at the intersection of music, experimentation, improvisation and the synergy of multiple disciplines. Bridging sound, movement, theater and visual art, her primary interest lies in finding the potential for transformation for both the artist and receiver alike.

Her works include The Unlearning (Tzadik), 21 songs for violin, cello and 2 voices inspired by Goya's Disasters of War etchings, O Sleep, an improvised opera for an 8 piece ensemble exploring the conundrum of sleep and dream life and Venice Is A Fish, a collection of solo songs. Her commissioned works include pieces for Splinter Reeds, Vajra Voices, pianist Sarah Cahill and Del Sol string quartet. At the heart of her work is a desire to expand the sonic possibilities of materials and to explore their potential in many modes of performance.

She collaborates with many singular artists, including Fred Frith, Ellen Fullman, Luciano Chessa, Annie Lewandowski, Chris Brown, Frantz Loriot, John McCowen, Søren Kjærgaard, Carla Kihlstedt, conceptual artist Jonathon Keats and filmmaker Daria Martin. In 2018, Wong founded fo'c'sle, a record label dedicated to adventurous music from the Bay Area and beyond, featuring inaugural releases by Ellen Fullman with David Gamper and Stuart Dempster, Chris Brown, Powerdove and the Lijiang Quintet.

Wong has shared her work internationally at venues including Fondation Cartier in Paris, Yerba Buena Center for the Arts in San Francisco, Cafe Oto in London, Festival de Arte y Ópera Contemporánea in Morelia, Mexico and The Stone and Roulette in New York City. She is the recipient of grants from the Center for Cultural Innovation, American Composers Forum, San Francisco Friends of Chamber Music and Meet The Composer. Wong is a Civitella Ranieri Foundation Fellow and has also been an artist-in-residence at the Headlands Center for the Arts and Yaddo. She currently works and resides in the San Francisco Bay Area."

"Tim Daisy (percussion) has been an active member of Chicago' s creative music scene since moving there in 1997. He has performed, composed, recorded, and toured with many of the city's celebrated musicians and ensembles, including the Engines, KLANG, the Rempis Percussion Quartet, the Resonance Ensemble, and the Vandermark 5. In addition, Tim maintains an active composing schedule, writing for his own bands (such as Vox Arcana and Group 4-34) as well as contributing music to a number of collaborative projects- including chamber groups, jazz ensembles, dance, and film. He has had the fortunate experience to perform and record with many great improvisers both from around the world, including: Fred Anderson, Jim Baker, Jeb Bishop, Magnus Broo, Xavier Charles, James Falzone, Erik Friedlander, Per-Ake Homlander, Fred Lonberg-Holm, Nate McBride, Joe McPhee, Dave Rempis, Steve Swell, Mikolaj Trzaska, Havard Wiik, Waclaw Zimpel, and Michael Zerang. Besides a regular concert schedule in Chicago, Tim has toured throughout North America and Europe, and has performed at numerous international music festivals."

"Tim Perkis has been working in the medium of live electronic and computer sound for many years, performing, exhibiting installation works and recording in North America,Europe and Japan. His work has largely been concerned with exploring the emergence of life-like properties in complex systems of interaction.

In addition, he is a well known performer in the world of improvised music, having performed on his electronic improvisation instruments with hundreds of artists and groups, including Chris Brown, John Butcher, Eugene Chadbourne, Fred Frith, Gianni Gebbia, Frank Gratkowski, Luc Houtkamp, Yoshi Ichiraku, Matt Ingalls, Joelle Leandre, Gino Robair, ROVA saxophone quartet, Elliott Sharp, Leo Wadada Smith and John Zorn. Ongoing groups he has founded or played in include the League of Automatic Music Composers and the Hub -- pioneering live computer network bands -- and Rotodoti, the Natto Quartet, Fuzzybunny, All Tomorrow's Zombies and Wobbly/Perkis/Antimatter.

He has taught at the California Institute of the Arts (CalArts) and the California College of the Arts (CCA); has been composer-in-residence at Mills College in Oakland California, artist-in-residence at Xerox Corporation's Palo Alto Research Center, and designed musical tools and toys at Paul Allen's legendary thinktank, Interval Research. In 2013 he was a resident fellow at the Mediterranean Institute of Advanced Research (IMéRA) of the University of Aix-Marseille in France.

His checkered career as a researcher and engineer has brought him a variety of interesting projects: creating data sonification displays for research physicists and biologists in France; designing museum displays for science and music museums in San Francisco, Toronto and Seattle; creating artificial-intelligence based auction tools for business; working on mobile phone based support systems for the blind; consulting on multimedia art presentation networks for the SF Art Commission and SF Airport; writing software embedded in toys and other consumer products; and creating new tools for sound and video production, research and analysis.

Recordings of his work are available on several labels: Artifact,Tzadik, New World, Metalanguage, Rastascan, Limited Sedition, Kajira,482, Lucky Garage and Praemedia (USA); EMANEM, Leo(UK); Sonore and Meniscus(France); Curva Minore and Snowdonia(Italy); Pogriff(Canada); ALKU(Spain); XOR(Netherlands); Creative Sources(Portugal).

He is also producer and director of a feature-length documentary on musicians and sound artists in the San Francisco Bay area called NOISY PEOPLE (2007), and the ongoing audio podcast NOISY PEOPLE (2015- )."

"Tom Djll studied electronic music with Stephen Scott at the Colorado College, working with the EMS Synthi 100 system at Packard Hall. In 1978 and 79 Djll studied at the Creative Music Studio in Woodstock, NY, with Roscoe Mitchell, Anthony Braxton, Wadada Leo Smith, George Lewis, the Art Ensemble of Chicago, Karl Berger and many other giants of new music. He spent the years 1981-1993 working with the Serge Modular Music System before enrolling in Mills College Contemporary Music Program, where he extended his quest to develop and integrate an idiosyncratic trumpet language into an electronic sound environment, while also pursuing advanced improvisation studies, formally, with Pauline Oliveros, and, informally, with Jack Wright. While at Mills, Djll concentrated on microtonal composition, split-tone trumpet technique, and computer music. He also worked extensively with Chris Brown, resulting in contributions to Brown's recordings LAVA (Tzadik) and DUETS (Artifact).

Further refinement of trumpet languages and free improvisation with his band GROSSE ABFAHRT was undertaken from 1999 - 2010, published on the Emanem, Creative Sources, and Setola di Maiale labels. Beginning in 2012, Djll gradually re-introduced electronics into his sound-set. The results are heard in projects like hackMIDI (extreme electro-mechanical piano music), piano + analog electronics in TENDER BUTTONS (with Tania Chen and Gino Robair), delicate environments in EUPHOTIC (with Cheryl Leonard and Bryan Day), austere acoustic spaces with KOKUO (Kanoko Nishi-Smith, John McCowen, Jacob Felix Heule, and Kyle Bruckmann) and ongoing sessions and performances within the lively and ever-evolving Bay Area scene, including: Tim Perkis, Amanda Chaudhary, Jordan Glenn, Clarke Robinson, Suki O'Kane, Matt Ingalls, Tom Nunn, bran(...)pos, and Karen Stackpole.

Obligatory list of famous musicians Djll has played and/or recorded with:

Roscoe Mitchell, David Toop, Fred Frith, William Winant, Rova Saxophone Quartet, Pauline Oliveros, Ava Mendoza, John Butcher, Vladimir Tarasov, Le Quan Ninh, Tania Chen, Wobbly, Frank Gratkowski, Miya Masaoka, nmperign, Tatsuya Nakatani, Vijay Iyer, and Zeena Parkins."

"Weston Olencki is a New York City based trombonist/composer specializing in the performance and production of experimental music & art. Weston is a member of Ensemble Pamplemousse and the Wet Ink Large Ensemble, one half of RAGE THORMBONES and People Making Sounds, and has performed with Ensemble Dal Niente, wasteLAnd, wildUP!, Fonema Consort, the San Francisco Contemporary Music Players, Talea Ensemble, sfSound, Wild Rumpus, Eco Ensemble, Chicago Symphony Orchestra's MusicNOW, and a.pe.ri.od.ic - under conductors Alan Pierson, Enno Poppe, Steven Schick, Marino Formenti, and Michael Lewanski. He was awarded the Kranichsteiner Musikpreis for Performance [2016] and a Stipendiumpreis [2014] from the Darmstadt Ferienkurse.

His compositional work has been performed/commissioned by the Talea Ensemble/Earle Brown Music Foundation, Pamplemousse, Bass2Bass [Michelle Lou + Scott Worthington], People Making Sounds, trombonist Matt Barbier, clarinetist Erin Cameron, and saxophonist David Wegehaupt.

An active proponent of new repertoire, Weston has pursued individual collaborative work with composers Eric Wubbels, Katherine Young, Mauricio Pauly, Dave Reminick, Michelle Lou, Ray Evanoff, and Timothy McCormack, alongside US/world premieres of pieces by Peter Ablinger, Bernhard Lang, Elliott Carter, Michael Gordon, James Saunders, Dai Fujikura, Katharina Rosenberger, Erik Ulman, and Chris Mercer. Festival/series appearances include Alatszto Hang [Budapest], Weisslich [London], Constellation's Frequency Series [Chicago], FOCIarts [New Orleans], Permutations [NYC/SF], sfSoundSalonSeries [SF], NUNC [Chicago], Indexical [Santa Cruz], Switchboard Presents [SF], OPTION [Chicago], and Omaha Under the Radar.

Weston has held residencies at the University of California Santa Cruz, Harvard University [HGNM], NYU, and Stanford University, with upcoming residencies at Northwestern and CalArts. He has recorded for HatHut, Sound American, Indexical, and Clean Feed with forthcoming releases on Carrier."