Portuguese guitarist Manolo Rodriguez chose these 9 pieces from about 8 hours of improvised music, recorded on a Gibson acoustic guitar with piezo microphones on various parts of the guitar, passed through effects and finally controlled by a mixer, intended as a tribute to "the sense of sight as an intermediary of thought, and to artists who, with their eyes, have changed the world."
Portuguese guitarist Manolo Rodriguez chose these 9 pieces from about 8 hours of improvised music, recorded on a Gibson acoustic guitar with piezo microphones on various parts of the guitar, passed through effects and finally controlled by a mixer, intended as a tribute to "the sense of sight as an intermediary of thought, and to artists who, with their eyes, have changed the world."