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Judson Trio (Joelle Leandre / Mat Maneri / Gerald Cleaver): An Air of Unreality [VINYL] (RogueArt)

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
 

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product information:

Personnel:



Joelle Leandre-doublebass

Mat Maneri-viola

Gerald Cleaver-drums, percussion


Click an artist name above to see in-stock items for that artist.




UPC: 3760131270730

Label: RogueArt
Catalog ID: Rog-0073
Squidco Product Code: 23228

Format: LP
Condition: New
Released: 2016
Country: France
Packaging: LP - Gatefold
Recorded live at Judson Church, Manhattan, New York, on July 11th, 2015, by Stephen Schmidt.

Descriptions, Reviews, &c.

"An "air of unreality" characterizes the best free improvisation. This performance-captured during last year's Vision Festival in Manhattan's Judson Church-definitely ranks among the best on record this year. Part of this unreality has to do with finding beauty and gratification in uncertainty, something that so often makes reality difficult to bear. Another part is transcendence, both of person and pedigree: the idea of a musician effaced by their instrument, and then by their creation. Music that, if not divorced from each musician's lineage, then certainly-as the truism goes-surpassing their sum. Joëlle Léandre, Mat Maneri, and Gerald Cleaver as bass, viola, and drums, and then as something else entirely.

Absorption is as good a benchmark as any when attempting to evaluate improvisation. Even after several listens, I found myself surprised each time that An Air of Unreality was already concluding. Maneri and Léandre are a proven pairing, neither afraid of all the pitches and ambiguity that lie between the notes. The microtonal improvisation Maneri inherited from his father has parallels with the inflections of many folk traditions, and his close work in recent years with pianist Lucian Ban seems to have drawn even more of that influence into his playing. These deep cultural wells, authentic music of story-telling-and often of stunning virtuosity-are the places Léandre draws from, as well. "Unreal II" develops the meandering, melancholic quality of a Romanian doina, a rhythmically free and largely improvised folk lament.

Cleaver compliments the strings nicely. A robust and almost absurdly versatile drummer, his restraint here is commendable. He bides much of his time focused on color and accent, a palette heavy in cymbals, rattles, bells. He's often able to anticipate points Léandre and Maneri wish to emphasize, underscoring each with an emphatic kick or thunderous tom hit. Still, he's unafraid of making leading, muscular moves to goad his companions in new directions. Late in "Unreal I" he finds a vein of rhythm in Léandre's low grinding drone and opens it into a propulsive groove, an brief and unforeseen measure of order in previously restless music.

The Vision Festival, celebrating its 20th edition in 2015, has become the last bastion for large-scale celebration of this music in a country that is often painfully indifferent to the avant-garde. Its annual rosters consist of none less than titans of creative music, and last year was no different. Listening to An Air of Unreality, documenting about half of the trio's late Saturday night set, it's hard to imagine a more earnest statement of improvisation's vitality, or-even among such a field of giants-that many other performances that week could have reached Judson Trio's apogee."-Dan Sorrells, Free Jazz Blog


Get additional information at Free Jazz Blog

Artist Biographies

"Joëlle Léandre is a famous French Bassist and is known for her collaborations with other musicians in the field of improvised music. Born in France on September 12th, 1951, she made her music debut in 1984 with Les Douze Sons. Her childhood was filled with music, and she was particularly interested in the piano during her early years. In her later years, she developed an interest in double bass, which won her many honors and scholarships during her education. Her double bass teacher Pierre Delescluse encouraged her to apply to the Conservatoire National Superieur de Musique de Paris, where she was formally trained and noticed for her talent in the bass. Her outstanding musicianship took her to the United States and to the Centre for Creative and Performing Arts in Buffalo through a scholarship. In the United States, she expanded her network and met some of the best composers, such as John Cage, Giacinto Scelsi, and Morton Feldman. Among them, John Cage greatly influenced her music and compositions. Her time in the United States also enabled her to experience downtown New York music, which was another significant influence that led to her continued involvement in the field of improvised music.

Some of her notable collaborations in the field of contemporary music are with Pierre Boulez, Merce Cunningham, John Cage, and Giacinto Scelsi. Among them, John Cage and Giacinto Scelsi were the biggest influences in her life and music. In an interview, Joëlle Léandre said that John Cage was her spiritual father and changed her perception of sound and music. In another interview, she tells how Giacinto Scelsi allowed her to discover her own music and how his music transported her into a new world of improved consciousness. In the field of jazz music, she collaborated with Derek Bailey, William Parker, and Sebi Tramontana. Her music was owned and distributed by different music labels, including FMP, Leo, RougueArt, and Red Toucan. Some memorable songs and albums she released throughout the years include Instant Replay, Les Douze sons, Trios, Sweet Zee, Frerebet, Joelle et Tetsu, Philippe Fenelon, Voyages, etc. Some of the recent releases include Can You Hear Me and Unleashed. She has also performed live at the Tampere Jazz Festival twice, where popular international artists compete with each other.

Joëlle Léandre is also the member of European Women's Improvising Group (EWIG). The group evolved from the Feminist Improvising Group, and Joëlle Léandre joined the group in 1983. In the early 1900s, she co-founded Les Diaboliques with Irene Schweizer and Maggie Nicols, who were her long-time musician friends. Besides that, she also teaches several classes in prestigious universities about contemporary and improvised music. She has lived in France, Germany, and U.S during her lifetime, teaching at academic institutions in the religions and playing concerts. In 2002, she was invited to Canada as a visiting professor for music and composition."

-Joelle Leandre Website (https://www.joelle-leandre.com/biography/2/)
5/23/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Mat Maneri was born in 1969, and started studying violin at age five. He studied privately with Julliard String Quartet founder Robert Koff, and with bass virutuoso Miroslav Vitous. Mat received a full scholarship as the principal violinist at Walnut Hill High School, but left school to pursue a professional career in music. By 1990, Mat founded the critically acclaimed Joe Maneri Quartet with Randy Peterson. Mat started releasing records as a leader in 1996, and has developed four working ensembles. Pianists Paul Bley, Cecil Taylor, Matthew Shipp, and Borah Bergman have called upon Matt to perform with them in such venues as the Montreal Jazz Festival, the Library of Congress, and concert stages across Europe. Mat also enjoys a strong relationship with bassists Ed Schuller, Mark Dresser, William Parker, Michael Formanek, Barre Phillips, and John Lockwood. Never to be boxed in, Mat has also worked with Joe Morris, John Medeski, Tim Berne, Cecil McBee, T.K. Ramakrishnan, Franz Kogelman, Roy Campbell, Spring Heel Jack, Draze Hoops, and appears on an Illy B Eats remix CD. Mat presently teaches privately and through the New School / NYC, and performs and records worldwide."

-Aum Fidelity (http://www.aumfidelity.com/maneri.html)
5/23/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Gerald Cleaver (born May 4, 1963) is an African-American jazz drummer from Detroit, Michigan. Cleaver's father is drummer John Cleaver Jr., originally from Springfield, Ohio, and his mother was from Greenwood, Mississippi. Gerald had six older siblings. Cleaver joined the jazz faculty at the University of Michigan in 1995. He has performed or recorded with Joe Morris, Mat Maneri, Roscoe Mitchell, Miroslav Vitous, Michael Formanek, Tomasz Sta ko, Franck Amsallem and others.

Under the name Veil of Names, Cleaver released an album called Adjust on the Fresh Sounds New Talent label in 2001. It featured Maneri, Ben Monder, Andrew Bishop, Craig Taborn and Reid Anderson and was a Best Debut Recording Nominee by the Jazz Journalists Association. Cleaver currently leads the groups Uncle June, Black Host, Violet Hour and NiMbNl as well as working as a sideman with many different artists."

-Wikipedia (https://en.wikipedia.org/wiki/Gerald_Cleaver_(musician))
5/23/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



SIDE A



1. Unreal I 19:20

SIDE B



1. Unreal II 9:43

2. Unreal III 6:46

Related Categories of Interest:


Vinyl Recordings
Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
European Improvisation, Composition and Experimental Forms
Free Improvisation
Trio Recordings
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Search for other titles on the label:
RogueArt.


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