Goh Lee Kwang recorded these tracks from 2012-2015, a diverse set of pieces using sound, noise, field recordings, even guitar and rhythm to create unique audio environments, a succint and interesting reflection on the inquisitive nature of this audio explorers work.
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Label: Herbal International
Catalog ID: 1604
Squidco Product Code: 22980
Condition: Sale (New)
Packaging: Cardboard Gatefold 3 Panels
Recorded at various locations betweenNovember 2012 - December 2015.
Goh Lee Kwang-guitars, electronic
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• Show Bio for Goh Lee Kwang
"Goh Lee Kwang is a Malasian artist who creates sound installations, performs electro-acoustic improvised music, makes tape music and composed soundtracks. His works focus on the various possibility of both the realistic & abstract, crossing the boundaries of digital & analog, electronic & acoustic, go beyond language & expression. He is the founder of Switch ON, platform for electronic arts, and the founder of the Herbal International label."-Bandcamp (https://gohleekwang.bandcamp.com/)
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1. FOUR 5:53
2. Italiano Calvino Invisible Cities 8:27
3. No Beat 19:33
4. The Rolling Stoner 17:00
5. Tanah Air - My Land 15:59
sample the album:
"Labelboss Goh Lee Kwang is also very active as a composer of his own music and on his 'Back2Bed' he adds something to the music that we don't see a lot these days and that is humour. The cover is in simple cartoon style, including text balloon's and the instruments are 'guitars, electronics, etc.'. The best are the three pieces that come next and which make up some fifty-five minutes of music. In 'No Beat' we have indeed no beats, but some fine chaotic electronic sound, of loops swirling in out of the mix, both continuously bouncing around, as well one-off affairs thrown in. 'The Rolling Stoner' (see? humour!) is more about field recordings being electronically processed, but there might be some kind of guitar pushed around in the background, and slowly grows into a bigger beast of improvised sounds on the guitar and percussion, but it seems to me that electronics play an important role here. In it's seventeen minutes it is fiercely leaping around and has a very free and spaciousfeeling. The final piece is 'Tanah Air - My Land' and is very sparse, with a clicking/scratching sound and field recordings of thunder. In all of these three pieces Goh Lee Kwang shows he's capable of playing around with a limited amount of sounds for a longer amount of time and keeping it all interesting, moving them around in changing configurations."-Frans De Waard
Organized Sound and Sample Based Music
New in Experimental & Electronic Music