The Squid's Ear Magazine
Squidco Harvest Sale!
Friday through Sunday Save 10%-15% on all new items!




Boghossian, Herve : F.E.R. (for Eliane Radigue) (Confront)

French composer Herve Boghossian pays hommage to electronic composer Eliane Radigue while asserting his own approach to continuous electronic sound in textures and pulsations, using a laptop recording feedback, plus harmonicas, drums, brooms, tuner and voice.
 

Price: $12.55
Price Was: $13.95
Squidco Harvest Sale:
Save $1.40



Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 1.00 units

Sample The Album:



product information:

Personnel:



Herve Boghossian-composer, performer


Click an artist name above to see in-stock items for that artist.




Label: Confront
Catalog ID: ccs 58
Squidco Product Code: 21927

Format: CDR
Condition: New
Released: 2016
Country: Great Britain
Packaging: Cardboard Sleeve Sealed
Recorded at GMEM concert room, Marseille, France, on October 10th 2014.

Descriptions, Reviews, &c.

"Since 2002 and the edition of the trilogy piece "Adnos", on the American label Table Of The Elements, the music of Eliane Radigue did not stop influencing my own approach of electronic composer and composition in general. Already familiarised in the shape of the drone through the discovery, two years earlier, of La Monte Young, by the meeting of the cellist Charles Curtis (Interpret dedicatee of him as well as E.Radigue). The work on the continuous sound, the long lastings, the slowness, the textures, the pulsations, the exploitation of the extremities of the sound spectrum, the feedback as the source (she began the composition with piece for feedback of magnetic tapes on tape recorders lent by Pierre Henry, from who she was musical assistant).

My intention with this piece is certainly to restore certain spirit belonging to her but through the prism of my listening, my own device, my own rules of composition / recording. So, this piece represents all which moves closer to us, just as much as what separates us.

Her device : mainly a synthesizer ARP on 2500 or tape recorders on her side); laptop (with internal laptop microphone in feedback as source of the sound) + mixing desk, harmonicas, drums brooms, tuner and voice on mine.

The process of composition / recording: meticulous editing of multiple magnetic tapes for her, via the real time performances, the composition is built in the course of multiple rehearsals, listening, regulations, notations, without cut, nor later collage to the live version as for me.

This piece aims at making known this music type and the music of Eliane Radigue in particular, forsaken free woman in men's environment which did not hesitate to go against the codes of the concrete music of Pierre Schaeffer (to whom she was close) to make her own music."-Herve Boghossian


Artist Biographies

"Hervé Boghossian is a guitarist and electronic musician. He was born in marseille (france) in 1973 where he lives again today.

Boghossian began to work solo with his guitar & computer in late 2000. In September 2001, he released a cd-r audio-video called "i@s" that was his first electronic composition and was created together with German video director Thomas Einfeldt. It was also #0 of his own music label "list", which soon released albums from sogar, mou, lips!, the günter müller & steinbrüchel duo as well as Hervé Boghossian's record "rvb". The label also released 2 compilations with exclusive tracks from international artists like Taylor Deupree, Richard Chartier, Alan Licht, Charles Curtis, Otomo Yoshihide, Werner Dafeldecker & Martin Siewert, Mitchell Akiyama, Colleen...

Soon after the release of "rvb", Hervé Boghossian began to work on his album "mouvements" that was based on guitar sounds processed by the computer. The album was released on raster-noton in june 2004.

In late 2004, he created the trio project "plateformes" with matthieu saladin (amplified bass clarinet), stéphane rives (soprano saxophone) and Boghossian himself on the guitar. The album was released in march 2006 by the canadian label 1.8(sec)records. At the same time, he started to work on the composition series project "archi.Texture". The first volume featured john tilbury (amm) on the piano & mark wastell on the cello, whereas Boghossian was in charge of the composition & computer process. The album was released in august 2006 on the brand new english label cathnor. 2 more volumes were to follow, featuring contributions from Burkhard Beins, Stéphane Rives, Bertrand Denzler..."

-Raster-Media (http://raster-media.net/artists/herve-boghossian?c=5)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. F.E.R. (For Eliane Radigue) 42:26

Related Categories of Interest:


Electro-Acoustic
Electroacoustic Composition
Electronic Forms
Solo Artist Recordings
New in Experimental & Electronic Music

Search for other titles on the label:
Confront.


Recommended & Related Releases:
Other Recommended Releases:
Baker, Duck
Contra Costa Dance
(Confront)
In 1980 Duck Baker's first label deal had expired and the label changed direction, as did Baker himself from arranging traditional tunes into compositions for improvisation; still, these well-recorded demos from 1982 held an appeal through song selection and a uniquely edgy yet lyrical approach to his playing, now finally released to the public 40 years later.
Akiyama, Tetuzi / Herve Boghossian
Suketchi
(Tour de Bras)
Translating to "sketch", the duo of Japanese improvising guitarist Tetuzi Akiyama and French guitarist Hervé Boghossian recorded these sketches in the studio in Marseille, France, seven succinct free improvisations of an open and intuitively lyrical nature performed on acoustic guitars, in a gorgeous album of uniquely spacious interlaced string improvisation.
Rusling, Terry
The Machine Is Broken
(Spool)
Retrospective of Terry Rusling, a Canadian composer of electronic music working for the CBC in the 60's, who was introduced to the Electronic Music Studio at the University of Toronto, where he was awarded the title of Research Associate, receiving a Canada Council Grant to travel and work in Belgium, Utrecht, Paris, &c.; 2 of his graphic scores are part of John Cage's "Notations" project.
Endresen, Sidsel / Jan Bang
Hum
(Confront)
Using sampler, dictaphone, and voice, the duo of Sidsel Endresen and Jan Bang improvise and interact to create unorthodox hybrids of fractured electronics and articulated word, as edgy and engaging as it is unusual, captured live at Victoria Nasjonal Jazzscene, in Oslo, Norway in 2016, a great followup to Bang's "And Poppies From Kandahar" Samadhi album.
Butcher, John / Michael Duch
Fjordgata
(Confront)
A live recording at the Jazzfest Trondheim, Trondelag Senter for Samtidskunst, in May 2015 from the freely improvising duo of John Butcher and contrabassist Michael Duch, a superb extended concert of incredible reed technique and concept anchored by Duch's flexible bass work.
Bourne / Davis / Kane
Broken Light
(Confront)
A live recording at Belfast's Sonic Arts Research Centre during the Translating Improvisation: Beyond Disciplines Beyond Borders colloquium, from the intrepid improvising trio of Matthew Bourne (piano), Steve Davis (drums) and Dave Kane (double bass).



Customers Who Bought This Item Also Bought:
Houben / Rodrigues / Rodrigues / Santos
Falling into wide spaces
(Creative Sources)
Four improvisations recorded iteratively during the pandemic and assembled into this exquisitely subtle two-part composition with Eva Maria Houben's piano & organ recorded in Berlin in 2020, Guilherme Rodrigues's cello recorded in Berlin and Ernesto Rodrigues's zither recorded in Lisbon in 2021, merged with nocturnal recordings from Carlos Santos captured in Spain & Portugal.
Lamb, Catherine / Harmonic Space Orchestra
Prisma Interius VII 7 VIII
(Sacred Realism)
Two hauntingly beautiful works in microtonal composer and violist Catherine Lamb's "Prisma Interius" series, the first a duo with violinist Johnny Change and Xavier Lopez on the "secondary rainbow synthesizer", which channels the sound outside of the performance space as a generator of ambient sound; then a sextet of strings and winds with two secondary rainbow synthesizers.
Formanex w/ AMM / Christian Wolff / Keith Rowe / Ralf Wehowsky / John Tilbury / Phill Niblock / ONsemble / Seth Cluett / Radu Malfatti / Michael Pisaro / Julien Ottavi / Kasper T. Toeplitz
20 Years Of Experimental Music [10 CDS]
(Mikroton Recordings)
Their first release in 2000 performing Cornelius Cardew's "Treatise", for 20 years the Formanex quartet of sound artists, conceptualists and experimenters Anthony Taillard, Christophe Havard, Emmanuel Leduc, and Julien Ottavi are heard here in collaborations with Keith Rowe, Kasper T. Toeplitz, Ralf Wehowsky, Seth Cluett, Michael Pisaro, Radu Malfatti, &c.
Feldman, Morton (Philip Thomas)
Piano [5 CD BOX SET]
(Another Timbre)
Containing the majority of minimalist composer Morton Feldman's compositions for solo piano, 3 CDs of short works and 2 for the magnificent "For Bunita Marcus" and "Triadic Memories", performed by one of the foremost interpreters of Feldman's work, Philip Thomas, and presented in a sturdy 5-CD box set with a 52 page booklet of notes from the performer and artwork.
Chrysakis, Thanos / Chris Cundy / Peer Schlechta / Ove Volquartz
Music for Two Organs & Two Bass Clarinets
(Aural Terrains)
Recording at the Neustadter Kirche in Hofgeismar, Germany, the quartet of Thanos Chrysakis and Peer Schlechta organ with Chris Cundy and Ove Volquartz on bass clarinets, use the resonance and massive sound of their organs to create active improvisations of deep tones, cries, and unearthly squalls, an incredible set of interacting textures and runs.
Chase, Brian / Andrea Parkins
Avalanche of Routes
(Confront)
The NY duo of accordionist Andrea Parkins, using self-designed virtual instruments, field recordings, everyday objects and small instruments, and drummer Brian Chase, applying guitar pedals to his percussion, create fascinating sculpted works of electroacoustic improvisation.
Jerman / Barnes
Goethe
(Confront)
An extended improvisation of muted sound from the long-running duo of Jeph Jerman and Tim Barnes, performing live at Non-Event in Boston, creating mysterious analog sounds and cycles of drones with underlaying metallic textures creating an environment of suspense.
Merce, Sergio
Be Nothing
(Edition Wandelweiser Records)
A beautifully ambient album of analogue synthesiser, microtonal saxophone and electronics by Argentinian saxophonist Sergio Merce, a single long track that pauses and resumes its rich tones and harmonies at a deliberate and measured pace, allowing each environment to ring.
Cage . Pisaro . Frey . Beuger
Accordion Music [2 CDs]
(Edition Wandelweiser Records)
Four works interpreted for accordion performed by Edwin Alexander Buchhol, including John Cage's "Cheap Imitation"; Michael Pisaro-Liu's "Here (2)"; Jurg Frey's "Sam Lazaro Bros." and Antoine Beuger's "die geschichte des sandkorns".
Watkins, Zachary James
Suite for string quartet
(Confront)
Electronics artist Watkins wrote this piece for resonant spaces, interactive electronics, audience participation & string quartet, here in a special version tuning each string to an odd partial of 60Hz.
AMM
Before driving to the chapel we took coffee with Rick and Jennifer Reed
(Matchless)



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC