"Dré Hočevar (b. 1987, Ljubljana, Slovenia) is a composer, performer, and cross-disciplinary artist frequently performing across the United States, Asia, and Europe. He is Clean Feed Records recording artist with his fourth album Surface of Inscription to be released in May 2017. As a performer, he is currently a member of Nate Wooley's Knknighgh Quartet and is directing ensembles Coding of Evidentiality, Collective Effervescence and Transcendental Within the Sphere of Indivisible Remainder. Hočevar's teachers include Steve Lehman, Gerry Hemingway, Michael Carvin and Joe Morris. He currently lives in New York City where he co-directs a weekly series New Forum, and is preparing for his doctoral studies in composition."

"Chris Pitsiokos (b. 1990) is a saxophonist, composer, and improviser. His music combines the intensity and immediacy of extreme rock forms and noise with the lyricism and forward propulsion of jazz and the abstract detail of contemporary classical composers Iannis Xenakis and Helmut Lachenmann. Chris has had the opportunity to perform/collaborate with Lydia Lunch, Tyshawn Sorey, Peter Evans, Kevin Shea, Brian Chase, Henry Kaiser, Mick Barr, Marc Edwards, Brandon Seabrook, Paul Lytton, Tim Dahl, Philip White, Guerilla Toss, C. Spencer Yeh, Ikue Mori, Nate Wooley and Weasel Walter. Chris has performed throughout Europe, Japan, Australia, and the US. His records can be found on Clean Feed, New Atlantis, One Hand Records, Carrier Records, Ug Explode, and his own imprint, Eleatic Records. In addition to performing and composing music, Chris was a long time DJ at WKCR-FM and has been producing concerts in Brooklyn and Manhattan for four years."

"The music of composer, performer, improviser, and sound designer PHILIP WHITE (b.1981) is known for its ecstatic intensity and expressive sonic palette. Working with an array of homemade electronics at the intersection of noise, jazz and contemporary concert music, White exploits the tension between rigorous, closed electronic systems and the urgency of human compulsion.

In addition to his solo work ("bona fide evocative music," Brooklyn Rail, "vibrant textural tapestry" (Wall Street Journal) current projects include R WE WHO R WE with Ted Hearne ("utterly gripping" Time Out Chicago) and a duo with Chris Pitsiokos ("annihilating and enervating" Village Voice).

Philip has also performed with such diverse musical talents as Toshimaru Nakamura, Kronos Quartet, Tomomi Adachi, Paula Matthusen, Sam Pluta, Peter Evans, Nate Wooley, Suzanne Thorpe, Bob Bellerue, Weasel Walter, Hans Tammen, Aram Shelton, Gene Coleman, MV Carbon, Phillip Stearns, Pete Edwards, Molly Bradbury and Jeff Donaldson, and he has worked closely with visual artists Seth Gadsden and Kevin Taylor. Recent performances include Carnegie Hall (NYC), Brooklyn Academy of Music, ISSUE Project Room (NYC), Diapason (NYC), The Stone (NYC), Silent Barn (NYC), Spectrum (NYC), Center for New Music (SF) Bent Festival, Red Room (Baltimore), Fylkingen (Stockholm), and the American Academy in Rome.

Outside of the music world, he has worked closely with several artists in the dance/performance/theater realm including Ralph Lemon, Nora Chipaumire, Urban Bush Women, Daniel Fish and he is currently collaborating with Jim Findlay on a musical based on the works of Bruce Haack.

Philip has been an artist in residence at Electronic Music Foundation, Harvestworks, High Concept Labs and the Rensing Center. He has lectured at Wesleyan University, University of Texas, University of Chicago, University of South Carolina and the College of Charleston.

He received his BA in Music from the College of Charleston (working closely with Trevor Weston and Quentin Baxter) and an MFA in Electronic and Recorded Media from Mills College (working closely with James Fei)."