"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.

In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.

The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.

He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.

His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.

Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."

"Michel Doneda (F) soprano saxophone, born in 1954, comes from the French South-West. He is a self-taught musician.

In 1980 he founded in Toulouse a reed trio: HIC ET NUNC, a group that toured quite a lot in France, playing mostly improvised music. At the same time he founded with musicians, dancers and actors a place called IREA (Institute for research and exchange between arts of improvisation).

In the following years, he participated in music projects with other artists and he became a regular guest of the Chantenay-Villedieu festival. Meeting other artists he developed a very personal approach with his music and his instrument in improvised music. During this period he played with Europeans musicians: Fred Van Hove, Phil Wachsmann, Max Eastley, Steve Beresford and Americans: John Zorn, Eliott Sharp, Elvin Jones

In 1985 he made his first record under his own name: TERRA (Nato record). At the same time he started playing regurlarly with Lê Quan Ninh, Daunik Lazro, Benat Achiary, Martine Altenburger, Barre Phillips, Paul Rogers, Tetsu Saitoh, Kazue Sawai. More recently he developed his work with Keith Rowe, Gunter Muller, Bhob Rainey, Giuseppe Ielasi and dancers as Masaki Iwana, Yukiko Nakamura, Valérie Métivier and poets, actors.

Since then, he has been very involved in the international improvised music scene, toured in Africa, Japan, Asia, USA, Canada, South America, Russia and with a lot of improvisers in Europe. In 1992 he founded in Toulouse with musicians, actors, poets, dancers the association: La Flibuste. As of today he recorded almost 50 records for European, Americans and Japanese labels."