"Daniel Levin is "one of the outstanding cellists working in the vanguard arena" (All About Jazz), "ridiculously fluent, virtually overflowing with ideas" (New York City Jazz Record) and "very much the man to watch." (Penguin Guide to Jazz). No matter what setting he plays in, cellist Daniel Levin occupies a musical space bordered by many kinds of music, but fully defined by none of them.

"Demonstrating an impressive breadth of texture and contrast, the cellist Daniel Levin comes well prepared for a career in jazz's contemporary avant-garde." (Nate Chinen, The New York Times).

Elements of European classical music, American jazz, microtonal and new music, and European free improvisation all figure prominently in his unique sound. As critic John Sharpe observes in The New York City Jazz Record, "he invokes all manner of musics with prodigious skill: jazz, classical, improv, noise, vocal chorus. His technique is unquestioned and he revels in the physicality of the instrument. Those with an adventurous streak or interest in the outer reaches of the cello universe will find much to savor."

Born in Burlington, Vermont, he began playing the cello at the age of six. In 2001, he graduated with a degree in Jazz Studies from the New England Conservatory of Music, and arrived on New York City jazz scene shortly therafter. Since then, Daniel has developed his own unique voice as a cellist, improviser, and composer. Ed Hazell noted upon release of Levin's first record as a leader, "Cellist Daniel Levin is a major new voice on his instrument and in improvised music." He has performed and/or recorded with Billy Bang, Borah Bergman, Tim Berne, Anthony Braxton, Gerald Cleaver, Andrew Cyrille, Mark Dresser, Ingebrigt Haker Flaten, Tony Malaby, Mat Maneri, Joe Morris, William Parker, Ivo Perelman, Warren Smith, Ken Vandermark, and many others. Daniel is the recipient of a 2010 Jerome Foundation award."

"Flin van Hemmen is widely regarded as a versatile drummer and composer with a keen ear and a commanding presence. Flin has reached beyond the modern jazz audience, inspiring listeners of all backgrounds by exploring the drums as a melodic instrument as much as a dynamic force. Since moving to NY in 2009 he has become an important presence in the 'downtown' jazz and improv scene, playing with such people as Tony malaby and Kris Davis, as well as being a part of the 'Promnight Records' scene. Flin has recently toured with Tony Malaby's Paloma Recio (w/ Drew Gress and Ben Monder) in Europe, Eivind Opsvik's Overseas (w/ Jacob Sacks, Brandon Seabrook, Tony Malaby), Harmen Fraanje's trio in Vietnam, Robin Verheyen's quartet in Switzerland, and Bram deLooze's 'Septych'.

Born in Nijmegen, the Netherlands, Flin played guitar before switching to drums and then moved to Amsterdam at age 18. There he forged many strong musical and personal relationships most notably with fellow young musicians Harmen Fraanje, Robin Verheyen, and Clemens van der Feen with whom he formed Narcissus. This band has released two records for 'de WERF' and continues to be an active presence in Europe. Today Flin remains active on both sides of the Atlantic, honing his skills as an improvisor and taking a serious interest into composing. Currently he is launching his debut CD 'Drums of Days' consisting of Eivind Opsvik and Todd Neufeld, in which he plays piano as well as drums. Here his body of compositions comes to life. Other projects co-lead projects include: LathanFlinAli (w/ Lathan Hardy and Sean Ali), Costa/vanHemmen duo, Narcissus, While We Still Have Bodies, Gestures (w/Eliot Cardinaux), and plays solo concerts. Flin has performed/recorded with: Todd Neufeld, Frantz Loriot, Mat Maneri, Thomas Morgan, Ben Gerstein, Michael Moore, Joe Moffett, Sean Ali, Harmen Fraanje, Kris Davis, Tony Malaby, Pascal Niggenkemper, JP Schlegelmilch, Eivind Opsvik, Lathan Hardy, Kenny Warren, Ralph Alessi, Robin Verheyen, Daniel Levin, Brandon Seabrook, Franz von Chossy, Carlo Costa, Yoni Kretzmer, Jesse Stacken, Patrick Breiner, Eliot Cardinaux, Roberto Pianca, Jacob Sacks and many others.

"Bo Van der Werf (°1969) graduates from the Conservatory of Music in Amsterdam.

Early on, he works out a dual career path: as sideman on the one hand and as leader of his own projects on the other.

So, he is involved right from the start when the Brussels Jazz Orchestra is founded and still has his permanent spot in the band.

In addition, he performs with several other ensembles, including Septych (Bram De Looze's septet), Lidlboj (with pianist-keyboarder Jozef Dumoulin), Dragons (French saxophonist Alexandra Grimal's quintet), Workshop (with French saxophonist Stéphane Payen), the Sylvain Cathala Septet and MikMâäk. He also composes music for documentaries and dance performances and there is the collaboration with contemporary music ensemble Ictus. He plays on the first Aka Moon albums as well.

He develops his personal vision with his band Octurn, which just like the BJO sees the light of day in the Brussels jazz club Sounds. Here he focuses on deepening principles in line with Olivier Messiaen's ideas and contemporary classical music, and linking all of this to jazz idioms and improvisation.

Quite exceptional in that respect are the recordings with the monks of the Gyuto Monastery where this vision rises to a crescendo.

During the upcoming concerts in the Sounds, his quartet Songbook of Changes takes centre-stage with Fabian Fiorini, Jozef Dumoulin and Dré Pallemaerts within its ranks."

"Born on November 2, 1957 in Bad Godesberg, Germany saxophonist (tenor and soprano), bass clarinetist, bass flutist and composer Gebhard Ullmann studied medecine and music in Hamburg and moved to Berlin in 1983.Since then he has recorded more than 50 CDs as a leader or co-leader for prestigious labels such as Soul Note (Italy), Leo Records (UK), Between The Lines (Germany), CIMP (USA), NotTwo Records (Poland), Clean Feed (Portugal) Unit Records (Switzerland) and others.

For many years he is considered one of the leading personalities in both the Berlin and international music scenes and has received numerous awards for his work including the Julius Hemphill Composition Award in two categories ('99), the Deutsche Phonoakademie award ('83), one of the first SWF Jazz Awards ('87) and the nomination best-jazz-CD-of-the-year by the German Schallplattenkritik for his CD Tá Lam in 1995.

His CDs Final Answer (2002) The Bigband Project (2004) New Basement Research (2008) News? No News! (2010) Mingus! (2011) Clarinet Trio 4 (2012) were all listed in Downbeat Magazine among the best CDs of those years. The CD Transatlantic received the prestigious Choc of the French Jazz Magazine in 2012. Since 2005 Gebhard Ullmann is listed in the Downbeat Critics Poll, 2015 for the first time in three categories.

Since 1993 Ullmann was a recording artist for Soul Note and has been living in New York City and Berlin. He has toured with his music throughout Europe as well as Africa, the Middle East, Canada, New Zealand, the USA, South East Asia, Mexico and China and performed on most of the world's most prestigious jazz festivals."