Miles Perkin takes the late bassist Jean-Jacques Avenel's place in pianist Benoit Delbecq's trio with Emile Biavenda on drums and percussion, in an inventive and lyrical album balancing structure versus improvisational freedom in engaging ways.
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Clean Feed
Catalog ID: CF340
Squidco Product Code: 21195
Packaging: Cardstock Gatefold Sleeve
Recorded July 2-3, 2014 at Studio de Meudon, in France, by Etienne Bultingaire.
Emile Biavenda-drums, percussion
Click an artist name above to see in-stock items for that artist.
Highlight an instrument above
and click here to Search for albums with that instrument.
• Show Bio for Benoit Delbecq
"Benoît Delbecq was born in St Germain en Laye (F), June 6, 1966. He lives in Bondy, near Paris. A dreamer and an adventurer in music, pianist/composer/producer Benoît Delbecq has been one of the activists of Hask (1992-2004) and Astrolab (1994-1999), two Paris-based cutting-edge jazz/improv collectives that have contributed to significantly revitalize the french creative music scene around the club Instants Chavirés in Montreuil/Paris. His music and projects include works for theater, dance, litterature, visual arts and motion pictures, that are being regularly invited by major festivals worldwide. He has released about 35 records as a leader or co-leader among a discography of more than a hundred discs.
Anchored in both jazz history as well as in aesthetical stakes of today's new musics, Delbecq's works are world-widely acclaimed since the early nineties. He is a renown specialist for a personal and polymetric approach of "prepared piano", and has also an regular activity in the electronic department. His works are experimenting a blend of improvisation and composition in which he reveals a rich pallet of sounds, enlightened by stratas of multiple momentums, articulations and seemingly floating harmonies. Inspired by alternative urban musical experiments and electronic music adventures, he also improvises a personal approach of drum'n bass and ambient.
Benoît was awarded 'Prix jeunes affiches de la SACEM' in 1995 with group KARTET, prix de la Villa Médicis Hors-les-murs 2001 for his first solo piano recording " Nu-Turn " (Songlines, 2003), was awarded with the fellowship of Civitella Fundation (New York, 2009), was awarded in 2010 a double Grand Prix International du Disque (Académie Charles Cros, the French Grammy Awards), and his trio CD "The Sixth Jump " (Songlines) was listed in the New York Times top ten jazz/pop records of 2010. His works for the Fred Hersch/Benoît Delbecq FUN HOUSE double trio (premiered and recorded in May 2012, to be released FEB 2013) have recently received the French Ministère de la Culture " Commande d'Etat " funding. Recently he was commissioned by JAZZTOPAD Festival in Wroclaw (Poland) for a new piece for the Lutoslawski String Quartet and two improvisers (Miles Perkin on bass and himself on piano)."-Benoit Delbecq Website (www.delbecq.net/bd/bd2biography.html)
Have a better biography or biography source? Please Contact Us so that we can update this biography.
^ Hide Bio for Benoit Delbecq
1. Le Ruisseau 7:00
2. Ronchamp 6:32
3. Three Clouds 3:51
4. Nombre 3:03
5. Colle et Acrylique 5:55
6. L'esprythme 3:26
7. Family Trees 6:43
8. Figures 3:57
9. Ink 5:10
10. Hemisphère Suo 3:12
sample the album:
"A big surprise for all those who thought that the first and only Benoît Delbecq's project with the piano jazz trio format ended with the unfortunate death of bassist Jean-Jacques Avenel in 2014. Here comes again the formula debuted in 2010 with the album The Sixth Jump, now with Canadian, but Berlin-based, Miles Perkin playing the upright bass under Avenel's influence, but with a voice of his own. Emile Biayenda, the Congolese drummer revealed by that first opus, stayed for more. Not more of the same, but taking to new grounds the ideas put into practice five years ago.
As Fred Hersch (Delbecq's partner in "Fun House") writes on the liner notes, INK is a brilliant "collection of contradictions": structure versus improvisational freedom, jazz versus non-jazz, mathematics versus deep feelings. As usual, the French musician applies his personal vision of the prepared piano, assembling the sound worlds of Gyorgy Ligeti and the African pygmies with the jazz tradition coming from Duke Ellington and continuing through Steve Lacy. The final results are pure joy, and Hersch, one of the most important pianists of our time, has no doubts - he calls Benoît Delbecq a genius."-Clean Feed Records
European Improvisation and Experimental Forms
Melodic and Lyrical Jazz
Piano Trio (Piano Bass Drums)
Search for other titles on the Clean Feed label.