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A fun and unusual electronic album from Malaysian sound artist Goh Lee Kwang's, whose instrument of choice is an old Roland Jupiter analogue synth, with toy keyboards, saxophones, bass and drums also thrown into the pot and merrily melted down by Max/MSP. |
In Stock Shipping Weight: 2.00 units Quantity in Basket: None Log In to use our Wish List ![]() Label: Herbal International Catalog ID: 0902 Squidco Product Code: 20793 Format: CD Condition: New Released: 2009 Country: Malaysia Packaging: Cardboard Gatefold 3 Panels Recorded between 2005 - 2008, in Malaysia by Goh Lee Kwang. Personnel: Goh Lee Kwang-composer, performer Click an artist name above to see in-stock items for that artist. Highlight an instrument above and click here to Search for albums with that instrument. ![]() ![]() Artist Biographies: • Show Bio for Goh Lee Kwang "Goh Lee Kwang is a Malasian artist who creates sound installations, performs electro-acoustic improvised music, makes tape music and composed soundtracks. His works focus on the various possibility of both the realistic & abstract, crossing the boundaries of digital & analog, electronic & acoustic, go beyond language & expression. He is the founder of Switch ON, platform for electronic arts, and the founder of the Herbal International label." -Bandcamp (https://gohleekwang.bandcamp.com/)1/25/2023 Have a better biography or biography source? Please Contact Us so that we can update this biography. ^ Hide Bio for Goh Lee Kwang ![]() 1. Godot Is Coming I 3:24 2. Hands III 6:09 3. Hands 4:51 4. Tape I 1:09 5. Tape II 3:27 6. Tape III 5:25 7. Hands II 12:57 8. Godot Is Coming II 3:52 9. Tap Type 2:35 |
sample the album:
![]() "On Hands, recorded between 2005 and 2007, Malaysian sound artist Goh Lee Kwang's instrument of choice is an old Roland Jupiter analogue synth, but toy keyboards, saxophones, bass and drums also thrown into the pot and merrily melted down by Max/MSP. Steering carefully between the unbridled hedonism of vintage synth outing - Pauline Oliveros's early work comes to mind - and there ecstatic noodling of latterday neo-psychedelia, the opening "Godot Is Coming I" revels in primitive awfulness of the instrument, mercilessly exploiting its wayward intonation, farty parps, loopy swoops like childlike glee. Electronic music hasn't been this much fun since Vernon Elliott's inspired doodling in the BBC Radiophonic Workshop for Oliver Postgate's Clangers. But it's not all fun and games: the ominous thudding percussion of "Hands III" is intercut with thunderous woofer-unfriendly rumbles and high register shrieks worthy of Kevin Drumm. It's a display of openminded eclecticism typical of Kwang, whose musical tastes range from the austere static drizzle of Drone with Tim Blechmann to the gnarly no-input mixing board of 2007's Good Vibrations. Here the album title is significant - for all its hi and lo tech wizardry, this is good old hands - on composition, with a fine ear and shrewd sense of pacing and structure, and Kwang's most exciting and varied release since 2002's Nerve Center."-Dan Warburton, The Wire ![]() Electro-Acoustic Sound, Noise, &c. Piano & Keyboards New in Experimental & Electronic Music Search for other titles on the label: Herbal International. |