The Squid's Ear Magazine


DKV Trio + Gustafsson / Nilssen-Love / Pupillo: Schl8hof (Trost Records)

Chicago's leading free jazz DKV Trio of Ken Vandermark (reeds), Hamid Drake (drums) and Kent Kessler (bass) are joined by European Free Jazz leaders Mats Gustafsson (reeds), Paul Nilssen-Love (drums) and Massimo Pupillo (bass).
 

Price: $16.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:




product information:

Personnel:



Hamid Drake-drums

Kent Kessler-bass

Ken Vandermark-clarinet, tenor saxophone

Mats Gustafsson-tenor saxophone, baritone saxophone

Paal Nilssen-Love-drums

Massimo Pupillo-electric bass


Click an artist name above to see in-stock items for that artist.




UPC: 9120036681347

Label: Trost Records
Catalog ID: TROST 125CD
Squidco Product Code: 17972

Format: CD
Condition: New
Released: 2013
Country: Austria
Packaging: Digipack
Recorded at Wels Music Unlimited 25 on November 5th, 2011, by Manuel Mitterhuber.

Descriptions, Reviews, &c.

Trost presents Chicago's premier live band, DKV Trio: Hamid Drake (drums), Kent Kessler (bass) and Ken Vandermark (clarinet and tenor sax), plus Mats Gustafsson (tenor and baritone sax), Paal Nilssen-Love (drums), and Massimo Pupillo (electric bass).

Also available on vinhyl LP.

Artist Biographies

"Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. He lives in Chicago, IL but spends a great deal of time touring worldwide. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and avant improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free-jazz improvisers. Drake also has performed world music; by the late 70s, he was a member of Foday Musa Suso's Mandingo Griot Society and has played reggae throughout his career.

Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in a large number of lineups)

He studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks; using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and flair. Drake's questing nature and his interest in Caribbean percussion led to a deep involvement with reggae."

-Wikipedia (https://en.wikipedia.org/wiki/Hamid_Drake)
3/19/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Kent Kessler (born January 28, 1957 in Crawfordsville, Indiana) is an American jazz double-bassist, best known for his work in the Chicago avant-garde jazz scene.

Kessler, born in Crawfordsville, Indiana, grew up on Cape Cod and began playing trombone at age ten. He and his family moved to Chicago when he was 13, and a few years later Kessler became intensely interested in jazz. While attending St. Mary Center for Learning High School, he began taking lessons from Kestutis Stanciauskas (Streetdancer) in electric bass and jazz theory in the middle of the 1970s. In 1977 he formed the ensemble Neutrino Orchestra with percussionist Michael Zerang and guitarists Dan Scanlan and Norbert Funk. He spent three months in Brazil during 1980-81 and spent time studying intermittently at Roosevelt University in Chicago; he and Zerang also formed a group called Musica Menta, which played regularly at Link's Hall.

Kessler began playing double bass in the 1980s and it became his primary instrument when he was asked in 1985 to join the NRG Ensemble, who toured Europe and recorded for ECM Records under the leadership of Hal Russell until his death in 1992. In 1991, he gigged with Zerang and guitarist Chris DeChiara; in need of a hornist, they called Ken Vandermark, who had been considering leaving the Chicago scene. Kessler and Vandermark would go on to collaborate extensively on free jazz and improvisational projects such as the Vandermark 5, the DKV Trio and the Steelwool Trio. In the 1990s and afterwards he worked with Chicago musicians such as Hamid Drake, Fred Anderson, and Joe McPhee, and also with European musicians such as Peter Brötzmann, Mats Gustafsson, Misha Mengelberg, and Luc Houtkamp.

In 2003, Kessler released a solo album, Bull Fiddle, on Okka Disk. Kessler performs alone on nine of the twelve tracks, and with Michael Zerang on three."

-Wikipedia (https://en.wikipedia.org/wiki/Kent_Kessler)
3/19/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
3/19/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.
"Born 1964 in Umeå, Northern Sweden.Saxplayer, improviser and composer. Solo artist and international tours and projects with a.o. Sonic Youth, Merzbow, Jim O´Rourke, Barry Guy, Otomo Yoshihide, Yoshimi, Ken Vandermark and in working groups The Thing, FIRE!, Gush, Boots Brown, Swedish Azz and Fake (the facts). Large ensemble work with Barry Guy New Orchestra,FIRE! Orchestra and the NU - ensemble.over 1800 concerts and over 200 record productions in Europe, Australia, Africa, North & South America and Asia.Collaborations with contemporary dance, theater, art, poetry as well as projects with noise, electronica, contemporary rock and free jazz.Discaholic - running the discaholic corner website.Producer of international festivals and concert tours as well as work with own record labels Slottet, OlofBright Editions and Blue Tower Records."-Mats Gustafsson Website (http://matsgus.com/archives/category/bio)
3/19/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.

The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.

Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.

Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.

All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."

-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
3/19/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Massimo Pupillo (Ostia - Roma) is a bass and double bass player and composer. Best known for being the bassist of Zu, which produced bio 15 albums with labels like Atavistic / Touch n 'Go (USA), Southern (EU), Heads (JAPAN), Ipecac Records (USA) and numerous singles and split with other labels.

He collaborate in many different (musical and not only) projects, from jazz, to improvisation, avant-garde, noise, taking an interest in movies soundtracks and theater.He has join the stage and the sounds with a very long list of musicians including ... Thurston Moore, Jim O' Rourke (sonic youth), Mats Gustafsson, Paal Nilssen Love, Terrie (Ex), Katia Labeque, Giovanni Sollima, Nicola Tescari, David Chalmin, Chris Corsano, Eraldo Bernocchi and FM Einheit (Einsturzende Neubauten), Uchihashi Kazuhisa, Yoshigaki Yasuhiro, Geoff Farina, Ken Vandermark, Hamid Drake, DJ Olive, Otomo Yoshihide, Amy Denio, Gianni Gebbia, Lukas Ligeti, Fred Lonberg- Holm, Joe Lally e Guy Picciotto (fugazi), Peter Brötzmann, Caspar Brötzmann, Damo Suzuki (Can), Eugene S. Robinson (Oxbow), Steve MacKay (The Stooges), Mieko Suzuki, Oren Ambarchi, Stephen O' Malley and... yes we could go on for a long time..."

-Massimo Pupillo Website (http://m.zuism.net/#bio)
3/19/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. This Building Is On Fire 19:10

2. All In 8:27

3. All Out 30:37

Related Categories of Interest:


Improvised Music
Jazz
European Improvisation, Composition and Experimental Forms
Chicago Jazz & Improvisation
Mats Gustafsson
Paal Nilssen-Love
Sextet Recordings
Miva Delete Product Category

Search for other titles on the label:
Trost Records.


Recommended & Related Releases:
Brotzmann, Peter / Paal Nilssen-Love
Butterfly Mushroom [VINYL]
(Trost Records)
The 2nd volume following Chicken Shit Bingo from a two-day 2015 studio session in Antwerp, capturing the deep rapport and evolving artistry of multi-reedist Peter Brötzmann and drummer/percussionist Paal Nilssen-Love through eight powerful and explorative improvisations, reflecting their nearly two-decade collaboration as they experiment with new instruments and demonstrate profound musical expression.
Brotzmann, Peter / Paal Nilssen-Love
Butterfly Mushroom
(Trost Records)
The 2nd volume following Chicken Shit Bingo from a two-day 2015 studio session in Antwerp, capturing the deep rapport and evolving artistry of multi-reedist Peter Brötzmann and drummer/percussionist Paal Nilssen-Love through eight powerful and explorative improvisations, reflecting their nearly two-decade collaboration as they experiment with new instruments and demonstrate profound musical expression.
Gush (Gustafsson / Sandell / Strid) + Guests
Gush 30 - Krakow 2018 [3 CD BOX SET]
(Not Two)
The Gush trio — Mats Gustafsson on reeds and flute, Sten Sandell on piano, and Raymond Strid on drums — celebrate 30 years since their original formation, in extraordinary concerts at Alchemia and Manggha Hall in Krakow, joined by guests in three dynamic configurations — two sextets and a septet — for an unforgettable series of performances of irrepressible collective improvisation.
AALY Trio (Gustafsson / Nordeson / Janson)
Sustain
(Silkheart)
AALY Trio, named as a reference to Albert Ayler, is Mats Gustafsson (winds), Kjell Nordeson (bass), and Peter Janson (drums), who began their journey in Sweden in the 1980s, drawing significant influence from Chicago's creative scene in the 90s, and reuniting now with the same incendiary energy and deep rapport, captured in 11 composed and collective works.
Arashi With Takeo Moriyama
Tokuzo [VINYL 2 LPs]
(Trost Records)
The trio of Japanese saxophone legend Akira Sakata with the Scandinavian rhythm section of Johan Berthling on double bass and Paal Nilssen-Love on drums, plus a second drummer with Takeo Moriyama (Yosuke Yamashita Trio), perform six wildly exciting improvisations, Sakata's vocalizations at times pushing the band as they are heard live in this 2019 recording at Tokuzo in Nagoya, Japan.
Arashi With Takeo Moriyama
Tokuzo
(Trost Records)
The trio of Japanese saxophone legend Akira Sakata with the Scandinavian rhythm section of Johan Berthling on double bass and Paal Nilssen-Love on drums, plus a second drummer with Takeo Moriyama (Yosuke Yamashita Trio), perform six wildly exciting improvisations, Sakata's vocalizations at times pushing the band as they are heard live in this 2019 recording at Tokuzo in Nagoya, Japan.
Die Like A Dog (Brotzmann / Kondo / Parker / Drake)
Fragments Of Music, Life And Death Of Albert Ayler [VINYL 2 LPs]
(Cien Fuegos)
First vinyl pressing of this '93 Berlin concert at Townhall Charlottenburg from the quartet of Peter Brotzmann on alto & tenor saxophones & tarogato, Toshinoro Kondo on trumpet, William Parker on double bass and Hamid Drake on drums, improvising under the influence and showing their love of saxophonist Albert Ayler through quotation and fragments of Ayler's work.
Parker, William / Cooper-Moore / Hamid Drake
Heart Trio [VINYL]
(Aum Fidelity)
A mesmerizing and organically spiritual album of collective improv from three global travelers based around the NY and Chicago scenes--long-time collaborators William Parker, Cooper-Moore and Hamid Drake--their instrumentation on this beautiful album also uniquely global, including doson ngoni, shakuhachi, bass dudek, Serbian flute, Ney flute, ashimba, hoe-handle harp and frame drum.
Parker, William / Cooper-Moore / Hamid Drake
Heart Trio
(Aum Fidelity)
A mesmerizing and organically spiritual album of collective improv from three global travelers based around the NY and Chicago scenes--long-time collaborators William Parker, Cooper-Moore and Hamid Drake--their instrumentation on this beautiful album also uniquely global, including doson ngoni, shakuhachi, bass dudek, Serbian flute, Ney flute, ashimba, hoe-handle harp and frame drum.
Beger / Taubenfeld / Hazan / Drake
Cosmic Waves
(NoBusiness)
Two studio sessions of ebullient improv from the quartet of Israeli tenor saxophonist Albert Beger, bass clarinetist Ziv Taubenfeld, double bassist & guimbri player Shay Hazan, and Chicago drummer Hamid Drake, from hard-blowing collective interplay to introspective discourse, ending with Beger's reflective composition "Astral Visit"; a perfectly balanced album of modern jazz.
Guy, Barry / Ken Vandermark
Occasional Poems [2 CDs]
(Not Two)
Capturing an exciting and cohesive live performance at Krakow's Alchemia club, documenting the first duo encounter between Chicago reedist Ken Vandermark and UK bassist Barry Guy, in nine spontaneous duets and soliloquies; Guy's dynamic bass explorations and Vandermark's versatility converge in an inspired interplay of rhythmic energy, textural innovation, and lyrical intensity.
Mcphee, Joe / Ken Vandermark
Musings of a Bahamian Son: Poems and Other Words
(Corbett vs. Dempsey)
27 concise poems written and read by saxophonist and multi-instrumentalist Joe McPhee, punctuated by 9 musical interludes between McPhee on soprano sax and Chicago reedist Ken Vandermark on clarinet and bass, fortifying McPhee's captivating words that mix life observations among jazz references to Dolphy, Monk, Brötzmann, Coleman, &c.; a truly embraceable "book" of poetry.
NRG Ensemble (directed by Mars Williams)
Hold That Thought
(Corbett vs. Dempsey)
The 1st of three archival albums from saxophonist Mars Williams' vaults, this 1996 concert in Utrecht with the NRG Ensemble--the band that Williams' carried forward after Hal Russell's passing in 1992--in an unrestrained concert of original material from Williams and fellow saxophonist Ken Vandermark, with Kent Kessler on bass, Steve Hunt on drums, and Brian Sandstrom on bass, guitar & trumpet.
Williams, Mars / Hamid Drake
I Know You Are But What Am I?
(Corbett vs. Dempsey)
The second of three archival albums from late saxophonist Mars Williams' vaults, this 1996 recording is a rare duet with Chicago drummer Hamid Drake, and is also one of the first concerts of the Empty Bottle Jazz and Improvised Music series, a diverse set of four improvisations marked by energetic enthusiasm, doubling of reeds, and wild playing from both.
Brotzmann, Peter / Paal Nilssen-Love
Chicken Shit Bingo [VINYL]
(Trost Records)
Often performing together as a duo after their initial 2004 Chicago Tentet encounter, drummer/percussionist Paal Nilssen and multi-reedist Peter Brötzmann typically released albums of live performances, this 2015 studio date in Antwerp unique in their catalog, an exemplary set of recordings, particularly with Brötzmann on a new contra-alto clarinet and Paal adding gongs to their improvisations.
Brotzmann, Peter / Paal Nilssen-Love
Chicken Shit Bingo
(Trost Records)
Often performing together as a duo after their initial 2004 Chicago Tentet encounter, drummer/percussionist Paal Nilssen and multi-reedist Peter Brötzmann typically released albums of live performances, this 2015 studio date in Antwerp unique in their catalog, an exemplary set of recordings, particularly with Brötzmann on a new contra-alto clarinet and Paal adding gongs to their improvisations.
Ballister (Rempis / Lonberg-Holm / Nilssen-Love)
Smash And Grab [VINYL]
(Aerophonic)
"Smash", "Even More Smashing" and "Grab" sums up the intense energy that the Ballister trio brought to their 2022 performance at Elastic Arts in Chicago as part of the Catalytic Sound Festival, impelled by Paul Nilssen-Love's powerful drumming and Fred Lonberg-Holm's demanding cello work, with Dave Rempis roaring on alto, tenor and baritone saxophones; wow!
Ballister (Rempis / Lonberg-Holm / Nilssen-Love)
Smash And Grab
(Aerophonic)
"Smash", "Even More Smashing" and "Grab" sums up the intense energy that the Ballister trio brought to their 2022 performance at Elastic Arts in Chicago as part of the Catalytic Sound Festival, impelled by Paul Nilssen-Love's powerful drumming and Fred Lonberg-Holm's demanding cello work, with Dave Rempis roaring on alto, tenor and baritone saxophones; wow!
Gush (Gustafsson / Sandell / Strid)
Afro Blue
(Trost Records)
Recorded in 1998 but sounding absolutely modern, exuberant and often explosively inspired, this live recording at Jazzclub Fasching in Stockholm brings the then 10-year collaboration of drummer Raymond Strid, pianist Sten Sandel and saxophonist Mats Gustafsson to ecstatic heights, bridging free jazz forms and rendering Coltranes "Afro Blues" with intense passion.
Gustafsson, Mats
Hidros 9 Mirrors
(Trost Records)
Forming his NU Ensemble in 1997 to merge free-jazz, improv, noise and contemporary forms, Mats Gustafsson presented Hidros One for 9 improvisers, tape & conductor that same year, progressing over 25 years to this 9th conduction of the Hidros concept in his largest ensemble yet: 25 musicians in two 9-piece ensembles plus soloists, captured live at the 2022 Avant Art Festival in Warsaw, Poland.
Gustafsson, Mats / Ensemble E
EE Opus One
(Trost Records)
Merging contemporary and traditional instruments, including the spilapipa (a fipple flute), hardanger fiddle, the Bilgoraj suka (a vertical fiddle), alongside prepared piano, organ, trumpet, tuba, baritone sax & voice, Mats Gustafsson's ensemble merges folk, experimental forms, improv & free jazz in a conduction shaped by the participants; absolutely unique & fascinating.
Dunmalll, Paul (Dunmall / Kinch / Cole / Mwamba / Kane / Drake)
Bright Light A Joyous Celebration
(Discus)
Recalling his Sun Quartet album, UK saxophonist Paul Dunmall's new sextet pivots off the jubilant rhythm section of drummer Hamid Drake, double bassist Dave Kane and vibraphonist Corey Mwamba, with three saxophonists--Dunmall on tenor & c-soprano saxophones, Xhosa Cole on tenor and Soweto Kinch on alto & tenor saxophones--in a truly joyful bright celebration of free flowing jazz.
Swell, Steve
Dances with Questions [3-CD SET]
(Not Two)
Recorded during the 2019 Kraków Jazz Autumn Festival, NY trombonist Steve Swell leads a series of small groups and a large ensemble, recording at Radio Kraków and at Alchemia with some of Europe's most active improvisers: Gebhard Ullmannm, Elisabeth Harnik, Niklas Barno, Paal Nilssen-Love, Jon Rune Strom, Carlos Zingaro, Mikolaj Trzaska, Signe Emmeluth, Hanne de Backer, Elisabeth Coudoux, & Per Ake Holmlander.
Brotzmann, Peter / Majid Bekkas / Hamid Drake
Catching Ghosts
(ACT Music + Vision)
A powerful, spiritual and warmly dynamic album of international and cross-cultural free improvisation meticulously recorded live at Jazzfest Berlin in 2022 from the trio of German reedist Peter Brötzmann on tenor saxophone and clarinet, Chicago drummer/percussionist Hamid Drake, and Moroccan guembri player and vocalist Majid Bekkas.
Anderson, Fred Quartet (w/ Brimfield / Drake / Hayrod)
Milwaukee Tapes Vol. 2
(Corbett vs. Dempsey)
An original member of the AACM and owner & director of the Velvet Lounge jazz club leading Chicago's free and experimental music scenes, and a mentor to countless young jazz musicians, tenor saxophonist Fred Anderson is heard in the counterpart to the 2000 Unheard Music Series album, The Milwaukee Tapes, this 2nd unissued volume of material from the same 1980 concert.
Adasiewicz, Jason
Roy's World [VINYL]
(Corbett vs. Dempsey)
Titled for the film by Rob Christopher — Roy's World: Barry Gifford's Chicago, — whose soundtrack includes segments of this album, vibraphonist and composer Jason Adasiewicz's lyrically upbeat album is performed in a quintet with Chicago mainstays, Jonathan Doyle on saxophones, Josh Berman on cornet, Joshua Abrams on bass and Hamid Drake on drums.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC