The Squid's Ear Magazine

Talibam! & Sam Kulik

Discover AtlantASS [CD & Graphic Book]

Talibam! & Sam Kulik: Discover AtlantASS [CD & Graphic Book] (Belly Kids)

NY's Talibam! team up with artist graphic artist Sam Kulik to tell the absurd and fantastic story of a young teen named Franklin who gets abducted by a revolutionary jazz fish into the undersea world of Atlantis.
 

Price: $17.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units

Sample The Album:





product information:

Personnel:



Sam Kulik-trombone, guitar, bass, banjo, ukulele, voice, sound fx

Matt Mottel-synthesizers, vocals

Kevin Shea-drums, Roland SPDS, vocals


Click an artist name above to see in-stock items for that artist.




UPC: 884501676250

Label: Belly Kids
Catalog ID: BK2005
Squidco Product Code: 15918

Format: CD + Comic
Condition: New
Released: 2012
Country: Great Britain
Packaging: Cardstock gatefold foldover + comic book
Recorded by Talibam! & Sam Kulik at Spermerang Studios, Ze Boocherie, Issue Project Room, 14 Wall Street & Taranto, Italy.

Descriptions, Reviews, &c.

"Talibam! & Sam Kulik are proud to announce the release of their new thriller fairytale, adventure album entitled "Discover AtlantASS". The 19 track CD and accompanying 25 page comic will be made available through UK Publishers Belly Kids on the 20th February 2012. It marks Talibam!'s 25th recorded release since 2005, Talibam!'s first foray into opera, and their first record to be released alongside a comic book.

Talibam! and Sam Kulik

The project grew out of strange experiences the NY trio shared on a tour of Finland in 2008 and recent geopolitical events such as the 2010 BP oil spill and the controversy surrounding the so- called "Ground Zero Mosque" in lower Manhattan.

''Discover AtlantASS'' tells the story of a young teen named Franklin who gets abducted to the undersea world of Atlantis by a laid-back revolutionary jazz fish named Stinge. Together, they are ready to combat a disastrous oil spill which has nearly eradicated the vibrant community of poets, musicians, artists and fornicators who inhabit the undersea paradise.





The 80-minute opera is told in two parts and includes plenty of the wit epiphanies and genre- riddled commentary that Talibam! has become known for. Some tracks are typical of Brechtian cabaret music, while others would be more at home on a Barry White record. Ethiopian jazz and quawwali music share space with Balkan folk rhythms and forays into spoken-word no-school rap. The record is marked by a rich variety of style.

Drawn by London artist James Clapham, the full-color comic book gives "Atlantis" a psychedelic charm. His fishy denizens look like the refugees from a failed casting audition for SpongeBob SquarePants, inhabiting the oil-soaked world of Atlantis with an attitude of defiant hedonism in the face of environmental collapse. Detailing all the major events of the opera, the book brings to life the sounds and smells of Atlantan life.-Belly Kids



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Hi, I'm Sam. I was born and raised in Western Massachusetts, in a small town called Worthington. I left there in 2000 to attend Oberlin College, where I met many of the musicians I still collaborate with.

I moved to New York in 2004 and settled in the Astoria, Queens neighborhood, working as a nanny as I got my musical career going. I was playing a lot of improvised music at the time (still do!), and met many like-minded players through playing in the New York Soundpainting Orchestra and volunteering and generally hanging out at the Stone. Parallel to my activity as a serious improviser of music, I hooked up with several of the extremely talented rock musicians and songwriters that live in this city, and also found myself getting involved in playing music for theater and dance. I started touring a fair amount and meeting people all over the US and Europe. Don't let people tell you that being a musician isn't awesome.

I think of myself as a trombonist, though I play an increasing number of other instruments pretty decently. The trombone is the instrument that I play every day and can usually count on to best express myself with. However, as the Frank Zappa saying goes, "you can't write a chord ugly enough to say what you want sometimes, so you have to rely on a giraffe filled with whipped cream." So sometimes I rely on the electric bass, or my voice, or the tuba, or the guitar, or the ukulele to say what I want. I've even got my sister's oboe from high school that I break out on rare occasions. I tell you, when you've been playing the trombone your whole life and dealing with the difficulty of slide technique and then you pick up an instrument like the oboe that has BUTTONS, it's liberating!

It would be silly not to list by name some of the people I've worked with in New York. These are the people who shape who I am as a player, which is very closely related to who I am as a person. You can hear some of this music elsewhere on this website, and for those of you who are able to make it to a show, I try to make it special every time. Starring, Skeletons, Nervous Cabaret, Anthony Braxton, Talibam!, Joachim Badenhorst, The Talking Band, Cynthia Hopkins, Peter Evans, Mitra Sumara, Kagel Nacht, Jim Bianco, Johnny Society, Blueberry, Capillary Action, Mary Halvorson, Kevin Shea's Lonely Goldmine of Symbiotic Subterfuge, Jeremiah Cymerman, Frantz Loriot, Moppa Elliott, Walter Thompson, TILT Brass, 5 for Marion, Levon Helm, Dubl Handi, Charlie Rauh, John Zorn, Guardian Alien, Yellowbirds, Mettawee River Theater Company, Jessy Carolina, Yasanao Tone, Langhorne Slim, Chris Ferris, Red Dive, Amanda Palmer, The National Reserve, the Dirty Water Dogs, Kabloona, Tin Pan, the Drunkard's Wife, Paranoid Larry, Yoshi Wada, Super Hi-Fi, Shahzad Ismaily, Ed Pastorini, Louise DE Jensen, James Ilgenfritz, Kamala Sankaram, Banana Bag & Bodice, Rick Burkhardt, Cesar Alvarez, Gordon Webster, David First & The Western Enisphere."

-Sam Kulik Website (https://www.samkulik.com/blog/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Matthew Mottel, is an internationally recognized musician and artist, performing most notably with Talibam! for the past seven years. His visage should be familiar to anyone who's been going to shows in NYC in the past ten years. He's been hanging around NYC clubs since he was like 16, and dropping electric mind bombs with his synthesizer in those clubs nearly as long with folks like Karole Armitage, Rhys Chatham, Awesome Color, Akron/Family, Jeffrey Lewis, Chris Taylor (Grizzly Bear), Kenny Wollesen, Chris Corsano, Ras Moshe, Cooper-Moore, Sean Meehan, and many others."

-Free Music Archive (http://freemusicarchive.org/music/Matt_Mottel/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Kevin Shea is valued as being a vital and original artist in the contemporary music scene. Shea's originality is manifested not only by his personal approach to his instrument, but also throughout his constant search for new musical horizons unifying all the bands he has been involved in despite the parameters set for musicians by genre definition, or by historical icons.

The plurality of rigorous artistic aspirations and creative engagement that distinguish the discography of Kevin Shea are not the product of chance or merely taking advantage of opportunities -- but the result of labor, strong convictions, and a strong conceptual support -- a deliberate search for transitional territories away from the dogmas of boring and unnecessary conventions.

Shea's artistic interests are rooted in reevaluating what a band/music, musician/performer, artist and audience can and should be. Splitting the difference between passion and song, Shea plays multi-dimensional utopian sound in which opposing musical forces integrate to form a new sustainable recipe for sound and social implication. Remaining devoted to his belief that the application of sonic diversity is paramount to the appreciation of human diversity, Shea's ultimate goal has been to wed disparate ideologies through proficiency, controversy, inquiry, and compassion -- an approach perpetuating audiences, listeners, and sometimes fellow band members, to face, question, define, and attempt to defend their own level of tolerance and compassion head-on, no-holds-barred.

Through this carefully planned direct method in the round, Shea's sonic investigations emphatically traverse the mobius strip highway of refurbished canticles, perpetually climaxing between Sadean semelparity and Platonic resurrection. At the heart of Shea's dialectical core, unabashed artifacts of rhythmic iconoclasm conjoin with anthemic melody gestures and modern memory loss to create a vital force that gives us bittersweet contemplation and empathy.

As a youth, Shea moved throughout the States many times, transforming any of his formal expectations into a joyous foundation of constant flux. He learned that intuition and customs had to be constantly re-evaluated and negotiated rather than held as sacred. This process of questioning is central to Shea's music. To him, sound is a result of a broader process rather than formulas tied to notions of predictable emotional response. Shea sees sound and music, not as a prize, but a simple aspect of banal daily life.

Kevin Shea has over 25 years of experience as a professional drummer, composer and performer. He has recorded on over 120 albums in a mish-mash of contexts and has performed in over 40 countries. His training started in public elementary school and continued steadily through his college years at Berklee College of Music."

-Kevin Shea website (http://www.kevinshea.info/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Intro(Prelude To A Pillow) 1:13

2. The Great Preamble 1:51

3. Sticky Situation 4:39

4. Welcome To Atlantis 2:22

5. Squeeze My Nuts In The Barnyard 4:10

6. Stringe's Sting 4:09

7. Dr. Brown Goes Down/Farker's Fortune 4:31

8. Evil Queen Magoo 3:03

9. Mr. Johnson's Blowhole 4:27

10. Old Man Ocean 3:50

11. Naughty Tonight 2:53

12. Sluts On The Planet 16:02

13. Turn Your Dick Off When You're Done With It 2:40

14. The Tragedy Of Baby Seal No Rio 5:42

15. Journey To The LMcC 3:59

16. AtlantASS 2:16

17. I Am The Pillow 3:15

18. Strige The German Mermaid 2:35

19. Franklin And His Pillow 4:34

Related Categories of Interest:


Improvised Music
NY Downtown & Metropolitan Jazz/Improv
Book
Rock and Related
Progressive Rock
Improvised Rock
Trio Recordings

Search for other titles on the label:
Belly Kids.


Recommended & Related Releases:
Elliott, Moppa
Jazz Band / Rock Band / Dance Band [2 CDs]
(Hot Cup Records)
An unusual conglomerate of styles across 2 CDs from bassist Moppa Elliott, featuring three bands: Advancing on a Wild Pitch, his jazz band with Danny Fox, Christian Coleman, Sam Kulik & Charles Evans; Unspeakable Garbage, his rock band with Jon Irabagon and Nick Millevoi; and the 9-piece "dance" band Acceleration Due To Gravity with Nate Wooley, Ava Mendoza, Mike Pride, &c.
Millevoi's, Nick Desertion Trio (w/ Jamie Saft)
Midtown Tilt
(Shhpuma)
Leaning more towards rock than jazz, but blending compelling blues-based improv, NY guitarist Nick Millevoi leads his Desertion project through a look at Wildwood, NY, the core of the trio as bassist Johnny DeBlase (Many Arms, Sabbath Assembly) and drummer Kevin Shea (Mostly Other People Do The Killing, Talibam!), with Jamie Saft on organ throughout.
Mostly Other People Do the Killing
Paint
(Hot Cup)
The first release by the piano trio configuration of Mostly Other People Do the Killing features bassist/composer Moppa Elliott, pianist Ron Stabinsky, and drummer Kevin Shea, with each composition named after a small town in Pennsylvania that contains a color, and the town of "Paint, PA" lent its name to the title, with one apt Duke Ellington cover.
Braxton, Anthony and the Tri-Centric Orchestra
Trillium E [4 CDs]
(New Braxton House)
Newly Distributed in 2021: Trillium E is the first-ever studio recording of an Anthony Braxton opera, a deluxe 4-disc set of this surreal and witty installment in Braxton's ongoing Trillium cycle, and includes a booklet with libretto, photos, and critical essays.
Other Recommended Releases:
Pavone, Jessica / Lukas Koenig / Matt Mottel
Spam Likely
(577 Records)
Self-describing their approach to improvisation as a "free-range sonic stew", the trio of Jessica Pavone on viola & electronics, Lukas Koenig (MOPCUT) on drums and Matt Mottel (Talibam!) on keytar & guitar, find common ground in extended conversations, both through rapid and weaving interactions and in expansive evolutions of sweeping sonic inspiration.
Mostly Other People Do The Killing
Disasters Vol. 1 [VINYL]
(Hot Cup)
Each of the compositions from bassist Moppa Elliot for this trio version of MOPDTK with Ron Stabinsky on piano & synthesizer and Kevin Shea on drums & synthesizer, is named after a Pennsylvania town that has experienced a disaster, including floods, fires, nuclear meltdowns, &c, re-imagining each event through complex and surprisingly lyrical compositions.
Lundbom, Jon & Big Five Chord
Jeremiah
(Hot Cup Records)
Guitarist Lundbom expands his Big Five Chord of Jon Irabagon (sax), Bryan Murray (sax), Moppa Elliott (bass) and Dan Monaghan (drums) to include Sam Kulik on trombone and Justin Wood (sax & flute) for a dynamic album of power jazz named after the prophet Jeremiah.
Mostly Other People Do the Killing
Slippery Rock
(Hot Cup Records)
Claiming to have been inspired by smooth jazz, the 6th MOPDTK album is a remarkable achievement of forward-thinking free jazz with a bizarre sense of humor and an irresistible love of poking fun at form while simultaneously paying homage.
Evans, Peter Quartet
Live in Lisbon
(Clean Feed)
Trumpeter Evan's Quartet with Ricardo Gallo, Tom Blancarte and Kevin Shea at the 2009 Jazz em Agosto Festival brilliantly restructuring jazz standards into collective compositions.



Customers Who Bought This Item Also Bought:
Tamura, Natsuki / Satoko Fujii
MUKU
(Libra)
Trumpeter Tamura and pianist Fujii return to the duo they've been recording for more than 15 years to explore a more quiet and lyrical side of their collaboration by reimagining compositions originally written for Tamura's Gato Libre quartet.
eRikm & Natacha Muslera
Cartouche
(Monotype)
An experimental sound and voice duet featuring eRikm and Natacha Muslera: extreme, convulsive and immersive sounds that alternately surprises and seduces in brutal and beautiful ways.
Mcphee, Joe / Ingebrigt Haker Flaten
Brooklyn DNA
(Clean Feed)
A project about the rich jazz history of Brooklyn, NY, recorded in that burrough by NY saxophonist Joe McPhee & bassist Ingebrigt Haker Flaten, referencing Putnam Central, The Blue Coronet, Sonny Rollins, and Brooklyn itself.
Coltrane, Andrew & Mike Khoury
Concrete Shoes
(Bug Incision Records)
Violinist Mike Khoury and electronic artist Andrew Coltrane in an album of thick and blurry sonic environments and effected string interaction, a bit like a drive in an ancient auto on alien moons.
Brady, Tim / Bradyworks
24 Frames - Scatter [2 CDs]
(Ambiances Magnetiques)
Montreal creative guitarist Tim Brady and his Bradyworks (Lori Freedman, Karen Young, &c) performing 6 duos for electric guitar with other instruments, and 12 compositions for electric guitar (with and without effects pedals).
Fega, Roberto
Un Geco Nella Mia Casa
(Creative Sources)
Electronic improvisations from Formian reed & electronics artist Fega, a member of Taxonomy with Elio Martusciello, as well as IATO and IXEM, Pangolino Orchestra, &c.
Volcano The Bear
Egg and Two Books
(Vivo Records)
Brady, Tim
Playing Guitar: Symphony #1
(Ambiances Magnetiques)
Composer and guitarist Tim Brady in an ambitious project for a symphony in 5 movements for solo electric guitar, sampler, live electronics and a virtuoso chamber ensemble of 15 musicians.
Asencio, Jon / Sylvie Chenard
Ocean a vendre / for sale
(Ambiances Magnetiques)
Guitarist and singer Sylvie Chenard in duet with musician/performance artist Jon Asencio, joyfully exploring the energies of resistance and anarchy, in shades of science-fiction and totalitarian reality.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC