Piano Three Hands, Intermission 5, Vertical Thoughts 2, Extensions 3, Four Instruments, Intermission 5, Piano Piece 1956 A + B, Intersection 3, Instruments 1
A collection of Feldman compositions primarily for piano as recorded by his earliest interpreters: Cornelius Cardew, John Tilbury, David Tutor, Cantilene Chamber Players, and Feldman himself.
"Beautiful collection, primarily made up of Feldman's earliest, shorter piano works from the early 50s, going through the late 70s. A much needed compendium to all the essential documentation of his later, intensely long works that have been coming out (mainly on Hat Art). Performances here by Feldman himself, David Tudor, Cornelius Cardew, John Tilbury and others."
"In his compositions for piano, which make up a central part of his oeuvre and in which all of his experience is accumulated, it is the play of Feldman's hand whose touch is intended precisely for the 'untouchableness' of sound. The clear character of the 'attack' thus displays the paradox of such playing: it is just as much about concealing the idiosyncrasy of the piano sound, the precise point of attack while, at the same time, the structure and tension of those sounds are formed by the hand."-Stefan Schadler