The Squid's Ear Magazine


Dadge, Chris: The Tangled Woof of Fact (Bug Incision Records)

Bug Incision's label leader Chris Dadge in a follow-up to his 2006 solo drum album "I'd Drive Your Ass Across The World", succinct journeys in a percussive world.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 1.00 units

Sample The Album:




product information:

Personnel:



Chris Dadge-drum set, percussion


Click an artist name above to see in-stock items for that artist.




Edition of 50 copies, color covers in plastic sleeves.

Label: Bug Incision Records
Catalog ID: bim-22
Squidco Product Code: 12417

Format: CDR
Condition: New
Released: 2009
Country: Canada
Packaging: CD-R in plastic sleeve
Recorded Fall 2009 at 823, Calgary, Alberta.

Descriptions, Reviews, &c.

"Recorded to two tracks of a Tascam 246, fall 2008. Follow-up to 2006's I'd Drive Your Ass Across The World, If I Had To. Shorter tracks, much less contained than that album, though similar in its simplicity and intent. Second solo drums album from Dadge, who's played with Bent Spoon Duo, Raw Kites, Musk Cup, Eric Chenaux, Mats Gustafsson & Christian Munthe, Peter Evans, and others."-Bug Incision


Edition of 50 copies, color covers in plastic sleeves.

Artist Biographies

"Chris Dadge lives in Calgary, Alberta, where he works as a percussionist, producer, composer, multi-instrumentalist, record label operator, and concert organizer.

As an improvising musician, Dadge has spent the bulk of his years playing percussion, developing a voice based on an increasingly open-ended variety of sound-generating objects, integrating found items, extreme tunings, and re-purposed strings. Massimo Ricci writes, "the almost perfect balance between skin, wood and metal-derived timbres is definitely cherished," and a review from Volcanic Tongue noted, "Dadge has a fleet, needling style that would transpose Milford Grave's multi-pulse work to a looser, more thought-paced setting, working in bursts of propulsion and single emphatic sound events." This underlying quest for a personalized vocabulary led to the broadening of the instrumental palette, adding violin, broken electronics, crude sampling, and various other small instruments to the list. The current realization of this approach can be heard in Dadge's solo work (on albums such as A Bird Is A Light Thing and What Comes After Dust) as well as with Scott Munro in the Bent Spoon Duo. The duo, which has been active for over a decade, "approach[es] improvisation from an anti-classicist stance, instead opting for a scrape and drape sound that finds the two moving between instruments and mood in rapid fire succession," (Ear-Conditioned Nightmare) and The Wire's Byron Coley calls it "splendid, low-bore Improv racket in the classic pots-and-pans style." Dadge plays regularly with guitarist Cody Oliver (as The MIdnighties) and saxophonist Jonathon Wilcke, and has worked with Peter Evans, Joe Morris, Eugene Chadbourne, Jack Wright, Chris Riggs, Eric Chenaux, Mats Gustafsson, Christian Munthe, Ellwood Epps, Chad van Gaalen, Bill Horist, Fossils/David Payne, John Oswald, and Colin Fisher.

The activities in improvised music were umbrella'd over a decade ago, under the name Bug Incision (www.bugincision.com), which is a concert series and record label run by Dadge. Over 50 critically acclaimed recordings and over 10 years' worth of near-monthly concerts have occurred.

Concurrent activities in the world of pop music have resulted in appearances on over 50 albums and recordings, and countless shows and tours with acts such as Lab Coast, Alvvays, Chad VanGaalen, Un Blonde, Samantha Savage Smith, Crystal Eyes, Pre Nup, Jon Mckiel, Gold, Chairs, Jay Crocker, Monty & The Beasts of Monty, Lorrie Matheson, Sandy Cassels, Jon Gant, Extra Happy Ghost, Faux Fur, You Are Minez, Laura Leif, Snailhouse, Thighs, Crests/A Relative Distance, Dolly Sillito, Woodpigeon, Embassy Lights, John Rutherford, Ryan Bourne, Kenna Burima, Mama Safari, Tariq, Aaron Booth, Clinton St. John, Vail Halen/Key To The City, and Chris Vail. He has also spent two years as a support musician for the Banff Centre Indie Band Residency, where he worked alongside the likes of Brendan Canning, Charles Spearin, Kathleen Edwards, Shaun Everett, and Nyles Spencer. With Scott Munro and Jay Crocker, in 2009, he also recorded a solo album, which is available online. He is currently playing drums with Samantha Savage Smith and Chad VanGaalen and bass in Pre Nup.

Dadge co-leads Lab Coast along with David Laing. The two write and record the as a duo, while the live band features Samantha Savage Smith, Darrell Hartsook (Pre Nup, The Gooeys, Sissys), and Henry Hsieh (Crack Cloud, Cold Water). Lab Coast has released two short albums, Wilding and Pictures on the Wall, three split EPs - with Extra Happy Ghost (a 7" on Saved By Vinyl), Friendo (a 7" on UK label Faux Discx), and Diamond Mind (a tape on Tranist) - and an EP, Editioned Houses, on Night People. Walking On Ayr, their third album, was released on CD in 2013 and LP in 2014. FFWD Weekly praised their "effortlessly appealing pop songs" and Exclaim! refers to the music as "short, deceptively simple drops of catchy-as-hell indie rock". Their fourth full-length, Remember The Moon, was released on April 29, 2016, and the Toronto Star said of it, "Lab Coast has grown so good at making a certain species of scuffed-up, small-scale psych-pop that the rest of Canada really no longer has any excuse not to pay attention." In May of 2017, Faux Discx issued a compilation LP of the band's firstg four albums, called Lab Coast, which AllMusicGuide calls "catchy lo-fi pop gems ... solid from start to finish".

Over the last few years, Dadge has developed a reputation as a recording engineer and producer in his home studio, 606, where he specializes in "mid-fi" productions, hybrid analong/digital recordings incorporating unorthodox recording techinques and diverse instrumentation. To date, his recordings of Calgary acts such as Empty Heads, Hex Ray, Ashley Soft, Crystal Eyes, Pre Nup, Dream Whip, Sunglaciers, and Samantha Savage Smith have been released.

From 2010-2013 Dadge was a member of Theatre Junction's Resident Company of Artists, composing and performing music for original creations Lucy Lost Her Heart and Sometime Between Now and When The Sun Goes Supernova, and a production of Martin Crimp's Attempts On Her Life. He composed two scores - POLKA(dots) (2015) and We All Need To Say GOODBYE/ADIOS (2013) - to the dance/multimedia performances of flamenco artist Rosanna Terraciano, and accompanied Montreal-based dancer/choreographer Katie Ward on theremin for her piece Reality 1."

-Bug Incision (http://www.bugincision.com/chrisdadge/biography.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Tangled Woof of Fact 1 1:00

2. Tangled Woof of Fact 2 2:12

3. Tangled Woof of Fact 3 3:22

4. Tangled Woof of Fact 4 3:48

5. Tangled Woof of Fact 5 3:10

6. Tangled Woof of Fact 6 3:21

7. Tangled Woof of Fact 7 3:13

8. Tangled Woof of Fact 8 3:06

9. Tangled Woof of Fact 9 1:35

Related Categories of Interest:


Improvised Music
Percussion & Drums
Limited Editions & Out of Print
Free Improvisation

Search for other titles on the label:
Bug Incision Records.


Recommended & Related Releases:
Dadge, Chris / Tim Olive
Nice You!
(845 Audio)
After a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter and Bug Incision lAfter a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter & Bug Incision label leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.abel leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.
Cryingsnice (Eric Hamelin / Chris Dadge)
All Greased Up For Nothin'
(Bug Incision Records)
Frequent collaborators, Canadian drummer and experimentalist Eric Hamelin joins Chris Dadge, who more typically performs as a drummer/percussionist, in a duo with Dadge on violin, as the two create wonderfully active environments of sound that follow conceptual paths embracing electroacoustic methodology through two pieces performed live in the studio.
Morris, Joe / Chris Dadge / Jonathon Wilcke
Rural Optimism
(Bug Incision Records)
During guitarist Joe Morris' stay as a visiting scholar at University of Calgary, Morris joined the Chris Dadge / Jonathon Wilkes duo, first on stage and then in the studio to record this first-rate album of collective improvisation, merging idiosyncratic percussive activity, abstract and lyrical sax declarations, and profound and pointillistic guitar work.
Bent Spoon Trio
Nine Year Itch
(Bug Incision Records)
Formed in 2002 as a quartet, then in 2005 as the trio of Chris Dadge (percussion, trumpet, bass), David Laing (bass & trombone), and Scott Munro (sax, melodica, &c), then as the duo of Dadge & Monro in 2008; 2016 found the trio together again in Calgary for the closing of the Emmedia performance space, their entire set of unique collective improv captured for this CD.
Midnighties
With Monty
(Bug Incision Records)
The Vancouver duo of Cody Oliver and Chris Dadge is joined by multi-instrumentalist Scott Munro (Bend Spoon Duo) for a mix of acoustic and electronic improvisation to create unusual and interesting sonic environments and improvised discourse.
Perera, Nilan & Bent Spoon Duo
S/T
(Bug Incision Records)
The Vancouver based Bent Spoon Duo of Scott Munro on viola, trombone, electronics & zither and Chris Dadge on percussion meets Toronto's Nilan Perera on electric guitar, performing at Weeds Cafe in Calgary, for a rich interactive release of free improvisation.
Musk Cup, The
Tinned Mind, Tinned Breath
(Bug Incision Records)
The first-ever session from this Calgary supergroup, using drums, saxes, clarinets, flutes, trombones, basses, voices, noise, objects, and a bunch of other stuff.
Dadge, Chris
Silk Thousand
(Bug Incision Records)
The 3rd solo drumset album from Bug Incision operator Chris Dadge, an album of sharply focused workouts vascillating between a handful of densities, operating in simple, clear structures.
Dadge, Chris & Cody Oliver
Midnighties
(Bug Incision Records)
Debut recordings and first recorded document of the duo of resonator guitarist Cody Oliver and drummer/percussionist Chris Dadge performing a live broadcast at CJSW studios in Calgary.
Dadge, Chris
A Moth That Smiles As It Burns Is Better Than You
(Bug Incision Records)
A live recording of a solo performance from percussionist/Bug Incision label leader Chris Dadge live at Weeds Cafe in Calgary on percussion, violin, and acoustic guitar.
Abbott, Simeon + Chris Dadge
a menu isn't a meal
(Bug Incision Records)
Longtime collaborators Abbott and Dadge release their first album together, a dizzying array of ideas and sounds recorded live at the monthly Calgary based Bug Incision concert series.
Bent Spoon Duo
Cover Prince
(Bug Incision Records)
The Calgary duo of Chris Dadge on violin and acoustic guitar, and Scott Munro on violin and partial trombone, performing live in Edmonton, Canada.
Lab Coast
Bookflames [3" CD]
(Bug Incision Records)
Early recordings from Lab Coast (Chris Dadge and David Laing) from an odd session of improvisation recorded to cassette and restored for the band's debut release.
Bent Spoon Trio + 3
Dead Salems Dance in Their Ashtrays
(Bug Incision Records)
The Bent Spoon Trio + 3 (Thom Golub, Jay Crocker, Danny Meichel) from their monthly series at Theatre Junction in Calgary.
Dadge, Chris
I'd Drive Your Ass Across The World, If I Had To
(Bug Incision Records)
Debut Solo recording from Calgary drummer/percussionist Chris Dadge, two medium length tracks of solo drumset improvisations with subtle and occasional amplification.
Dadge, Chris / Rachael Wadham
100 Silk Buttons from the Room Upstairs
(Bug Incision Records)
Chris Dadge & Rachael Wadham, who toured in 2007 in support of Peter Evans, play piano and percussion augmented with found objects, violin, percussion and junk.
Leaney, Aaron
Three
(SOCAN)
Original compositions drawing on free jazz forms from Canadian saxophonist Leaney with Bent Spoon trio drummer Chris Dadge and Thomas Golub on bass.
Crocker, Jay / Dadge, Chris
Humming & Crackling
(Bug Incision Records)
Other Recommended Releases:
Bent Spoon Duo
With & Without Allison Cameron
(Bug Incision Records)
Chris Dadge and Scott Munro (aka the Bent Spoon Duo) recorded this album at Weeds Cafe in Calgary in 2012 as a duo, extending their set to a trio with the compatible style of Allison Camera on amplified & mangled banjo and kalimba.
Bourgeois, Andre & Chris Dadge
Spaces Are The Place
(Bug Incision Records)
Chris Dadge (drums, percussion) and Andre Bourgeois (saxophones) play two sets of mostly straightforward free jazz with reasonably fixed outlines throughout the structure of each piece.
Dadge, Chris
Near and Distant Skies
(Bug Incision Records)
Drummer and percussionist Chris Dadge plays a personal set that was recorded live and includes a variety of percussive stylings varying from minimal ideas to junk-oriented textural play.
Leaney, Aaron & Chris Dadge
Continuity
(Bug Incision Records)
The Leaney-Dadge duo has been working together since 2006; this release is taken from a series of weekly sessions in Mount Pleasant, Calgary, using extended instrumentation including trumpet, percussion, zither, recorder, and piano.



Customers Who Bought This Item Also Bought:
Shelton, Skeeter / Hamid Drake
Sclupperbep
(Two Rooms Records)
After meeting in Detroit when tenor saxophonist & flutist Skeeter Shelton subbed for a sick player in a duo concert with drummer/percussionist Hamid Drake, the two found a bond through Shelton's father, Ajaramu Shelton, who had been one of Drake's mentor at Chicago's AACM; the concert was so successful that this recording was immediately planned, based around many of Shelton's themes.
Bruckmann / Djll / Heule / Nishi-Smith
Brittle Feebling
(Humbler)
The title gives a sense of the unusual acoustic improvisation this West Coast collective perform, along with their description "prickles and bleats, an abrasive delicacy; fricative rasp and withheld breath seethe together in a discomfiting cuddle" — from Kyle Bruckmann on oboe & English horn, Tom Djll on trumpet, Jacob Felix Heule on floor tom, and Kanoko Nishi-Smith on koto.
Eventless Plot (Vasilis Liolios / Yiannis Tsirikoglou / Arias Gatas)
Parallel Worlds
(Another Timbre)
With 20 years of performance history, the "Eventless Plot" trio of Thessaloniki, Greece — Vasilis Liolios (Psaltery, percussion, electronics), Yiannis Tsirikoglou (electronics) and Arias Gatas (piano, percussion, electronics) — present three chamber works, performed with other other Greek instrumentalists; extraordinary works of embracing creativity and depth.
Bascaille
Quelque chose
(Tour de Bras)
Insanely inventive and obsessive, the Bascaille trio of Antoine Letourneau-Berger, Olivier Tremblay-Noel and Tom Jacques use a mix of traditional and world percussive devices, homemade instruments, objects and amplification to create works of contemporary art and percussion, using equal temperament, microtonality, noise music, improvisation, unison, and polyrhythms.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC