The Squid's Ear Magazine


Attias, Michael: Renku In Coimbra (Clean Feed)

An afternoon during saxophonist Michael Attias's residency at the Coimbra's Jazz ao Centro festival in Brazil with the core of his quintet: bassist John Hebert & drummer Satoshi Takeishi.
 

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product information:

Personnel:



Michael Attias-alto saxophone

John Hebert-doublebass

Satoshi Takeishi-drums, percussion

Russ Lossing-piano


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UPC: 5609063001624

Label: Clean Feed
Catalog ID: CF162
Squidco Product Code: 12337

Format: CD
Condition: New
Released: 2009
Country: Portugal
Packaging: Cardstock gatefold foldover
Recorded at Salao Brazil, Colmbra, by Joao Ferraz on June 7, 2008.

Descriptions, Reviews, &c.

"The three-night residency of the Michaël Attias Quintet in the 2008 edition of the Coimbra's Jazz ao Centro festival was documented on a live album, Twines of Colesion, to be released in early 2010; and now we have this one, recorded in one afternoon at the same Club in Coimbra where the concerts took place, this time behind closed doors. The session featured the core trio without Tony Malaby's saxophones and Russ Lossing's piano (not quite: Lossing is present on one track of "Renku in Coimbra"). A "wondrous parenthesis in time", says Attias about the opportunity, and that's quite true: this is beautiful music with a strong improvisatory feeling and lots of space for each musician to show their respective and special skills, either individually or in collective interaction. And "collective" is the key word to describe what is in this record: hearing the music you'll understand why Attias chose the name for what has been since 2003 his primary working band - a renku is collaborative form of traditional Japanese poetry, in which the participating poets build a long poem out of each other's words. Over the last six years, this trio has achieved a group sound that draws from a wealth of experience of working together in numerous projects, as well as under the leadership of such mucians as Paul Motian, Andrew Hill, and Anthony Braxton. On this, their second album, Renku plays the music of Lee Konitz, Jimmy Lyons, Hébert and Attias."-Clean Feed Records


Artist Biographies

"Michaël Attias is a quietly fierce force on the international improvising scene. With a brisk and calming tone Attias is a thinker, traveler, questioner. Born in Israel, raised in Paris and the American Midwest, he has lived in NYC since 1994.

As a leader, Attias has released five critically-acclaimed albums since 2005: Credo, Renku, Renku in Coimbra, Twines of Colesion and, in 2012, Spun Tree. As a sideman, he has performed and recorded all over the world alongside some of today's most compelling musicians: Anthony Braxton, Paul Motian, Anthony Coleman, Masabumi Kikuchi, Tony Malaby, Ralph Alessi, Oliver Lake, Tom Rainey, John Hébert, Nasheet Waits, Sean Conly, Ken Filiano, Kris Davis, and many others.

His current projects include his long-standing trio Renku, with John Hébert and Satoshi Takeishi; Spun Tree, with Ralph Alessi, Matt Mitchell, Sean Conly, Tom Rainey; and the new Michaël Attias Quartet with Aruàn Ortiz, John Hébert and Nasheet Waits.

Michaël Attias has also established himself as creator of live musical scores and sound designs for theatre including, since 2008, five collaborations with legendary director Robert Woodruff: Chair, Notes From Underground, Battle of Black and Dogs, Autumn Sonata, and In a year With Thirteen Moons. These were produced at such prominent New York and regional theatres as Yale Repertory Theatre, La Jolla Playhouse, Baryshnikov Arts Center, and The Duke on 42nd Street.

Michaël Attias was named a 2000 Artists' Fellowship Recipient of the New York Foundation for the Arts and was awarded a MacDowell Arts Colony fellowship in Fall 2008. From 2003 to 2008, he curated the critically acclaimed and highly successful new music series, Night of the Ravished Limbs, at Barbès in Brooklyn, welcoming a wide array of established names such as Barre Philips, Tim Berne, Mark Helias, Jason Moran, as well as an impressive list of rising New York talent including Mary Halvorson, Eivind Opsvik, Gerald Cleaver, and many more.

Earlier

The product of migrations spanning North Africa, the Middle East, Western Europe and the American Midwest, Attias was born in Haïfa, Israel in 1968 and spent the first part of his childhood in Paris, where he attended the music conservatory and studied violin for a brief period. His family moved to Minneapolis in 1977. An early passion for the music of Miles Davis, Charlie Parker, Thelonious Monk, Ornette Coleman led him to start playing the alto saxophone at the age of 15 under the guidance of great Minneapolis saxophonist and composer Pat Moriarty, while attending the Children's Theatre School. Avid for adventure and experience, he graduated from high school as a junior and traveled for a year in Europe before enrolling at New York University as a Film and Music student. Somewhere in between, he had the great privilege of taking a couple of lessons with Lee Konitz. Judging that school was interfering with his education, he dropped out after the spring semester, went back to Paris for a year where he wrote a novel called Twines of Colesion (1000 pages thankfully destroyed), came back to the US for an eight-month cross-country trip that took him from New York City to San Francisco via Mexico, and returned to Paris in 1989 where he became bartender at the IACP, a music school founded by legendary bassist Alan Silva. There he met such heroes of the ex-pat scene as Steve Lacy, Sunny Murray, Frank Wright, Bobby Few and others. He recorded with a pianoless quartet dedicated to the music of Thelonious Monk, Four in One (In Situ 1992), made his first album as leader and composer with a quintet of French musicians (released on Igal Foni's For Elevators/Jazzis, 1993). In January 1993, at the prompting of Anthony Braxton, he moved back to the US, sat in on his classes at Wesleyan University for one semester and finally moved to New York the following winter."

-Michael Attias Website (http://www.michaelattias.com/html/about.php)
2/26/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"John Hebert was born in New Orleans, LA. He attended Loyola University from '90 to '92 where he was awarded with a complete scholarship. In 1992, John moved to the New York State area, completing his formal studies at William Paterson University in New Jersey; he graduated with a B.M. in Jazz Performance in 1994. After graduating, John moved to New York City where he quickly became a highly in demand bassist, both for live performances and studio sessions."

-Marc Mommaas (http://www.mommaas.com/JohnHebert.html)
2/26/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Satoshi Takeishi, drummer, percussionist, and arranger [born 6 February 1962] is a native of Mito Japan. He studied music at Berklee College of Music in Boston, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was "Macumbia" with composer/arranger Francisco Zumaque in which traditional, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia, Lucho Bermudes. In 1986 he returned to the U.S. in Miami where he began work as an arranger. In 1987 he produced "Morning Ride" for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the middle east where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded with many musicians such as Ray Barretto, Carlos "Patato" Valdes, Eliane Elias, Marc Johnson, Eddie Gomez, Randy Brecker, Dave Liebman, Anthony Braxton, Mark Murphy, Herbie Mann, Paul Winter Consort, Rabih Abu Khalil, Toshiko Akiyoshi Big Band, Erik Friedlander and Pablo Ziegler to name a few. He continues to explore multi-cultural, electronics and improvisational music with local musicians and composers in New York."

-Vortex Website (http://home.earthlink.net/~takeishi/id1.html)
2/26/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Russ Lossing (born 1960) is an American jazz pianist, composer, improviser, arranger, educator, scholar.

Early life

Lossing was born in Ohio in 1960, and is from Columbus, Ohio. He had classical piano lessons from the age of 5 and began studying jazz aged 13 in Columbus at the Jazz and Contemporary Workshop with Dave Wheeler. After high school Lossing went on the road with a wide variety of bands including jazz, funk, rock, pop and country music for four years before attending university. He obtained a Bachelor of Music in piano at Ohio State University in 1986. In the early 1980s meetings with composer John Cage had a big effect:

We only had two occasions to get together and talk, but any time spent with him was utterly valuable. He read through my scores we played piano together. His thing was creating, not emulating: don't copy; trust YOURSELF. I was already going in this direction but this experience, listening to Cage's concepts and philosophy in this setting, made so much sense.

Later life and career

Lossing has been part of the New York jazz scene since 1986. In 1988 he earned a Master of Music from the Manhattan School of Music. He has led or co-led numerous bands, including: his own trio with Masa Kamaguchi and Billy Mintz; Three-Part Invention with bassist Mark Helias and trumpeter Ralph Alessi; and duos with saxophonist Tim Berne, drummer Gerry Hemingway, and guitarist Ben Monder. Others are: trio with Paul Motian and Ed Schuller (Dreamer and As It Grows); trio with Mat Maneri and Mark Dresser (Metal Rat); trio with John Hebert and Jeff Williams (Phrase 6); quartet with Loren Stillman, John Hebert and Eric McPherson (Personal Tonal); King Vulture with Adam Kolker, Matt Pavolka and Dayeon Seok; and duos with saxophonist Loren Stillman, bassist John Hebert (Line Up,Hatology), and saxophonost Michael Adkins.

Lossing played with drummer Paul Motian over a period of 12 years and recorded Drum Music, a solo piano tribute album to him in 2011. The JazzTimes reviewer of Drum Music commented that "his two-fisted takes on 'Fiasco', 'Dance' and 'Drum Music' capture the great drummer's unpredictable and audacious rhythmic pulse. Lossing's stark re-imaginings of [... other Motian pieces] all vibrate with a new spirit of exploration." Swiss newspaper Der Sonntag wrote that "Drum Music is a stunning improvisational solo recital, a convincing plunge into 10 Motian compositions. This is music in between contemporary jazz and up to date tonal concert music."

Lossing has performed in some of the world's leading jazz festivals including the London, Vienna, Harlem, Cully (Switzerland), Toronto and Venice (Italy) Jazz festivals to name just a few. He has also performed in jazz clubs in New York and Europe including The Village Vanguard (with Paul Motian), Blue Note NYC, The Jazz Standard, Birdland, Porgy and Bess (Vienna), Unterfahrt (Munich), Jazz Club Ferrara (Italy) and many more over a span of 25 years.

In February 2016, Lossing was invited by John Zorn to do a week long residency at The Stone NYC in which he presented 12 of his ensembles over 6 nights.

Lossing has composed over 400 pieces of music in many genres including jazz, contemporary classical (solo piano works, string quartets, orchestral works and song cycles), song writing in various styles, pop, rock, funk, fusion (in early life), film scoring (30+ films).[citation needed] In 2015, he founded the record label Aqua Piazza."

-Wikipedia (https://en.wikipedia.org/wiki/Russ_Lossing)
2/26/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Creep 7:14

2. Thingin' 6:24

3. Do & the Birds 6:01

4. Fenix Culprit 2:53

5. Wels 5:59

6. Sorry 5:59

7. Universal Constant 6:57

8. Creep (reprise) 5:06

Related Categories of Interest:

Clean Feed

Improvised Music
Jazz
European Improvisation, Composition and Experimental Forms
Quartet Recordings

Search for other titles on the label:
Clean Feed.


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