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Elliot Sharp takes on his own compositions, playing them on a custom-made electroacoustic guitarbass, a hollow-body guitar with 2 bass strings.
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Label: Clean Feed
Catalog ID: CFG 002
Squidco Product Code: 9394
Packaging: Cardstock Gatefold Sleeve
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• Show Bio for Elliott Sharp
"Elliott Sharp is an American multi-instrumentalist, composer, and performer.
A central figure in the avant-garde and experimental music scene in New York City for over 30 years, Elliott Sharp has released over eighty-five recordings ranging from orchestral music to blues, jazz, noise, no wave rock, and techno music. He leads the projects Carbon and Orchestra Carbon, Tectonics, and Terraplane and has pioneered ways of applying fractal geometry, chaos theory, and genetic metaphors to musical composition and interaction.
His collaborators have included Radio-Sinfonie Frankfurt; pop singer Debbie Harry; Ensemble Modern; Qawwali singer Nusrat Fateh Ali Khan; Kronos String Quartet; Ensemble Resonanz; cello innovator Frances Marie Uitti; blues legends Hubert Sumlin and Pops Staples; pipa virtuoso Min-Xiao Feng; jazz greats Jack deJohnette, Oliver Lake, and Sonny Sharrock; multimedia artists Christian Marclay and Pierre Huyghe; and Bachir Attar, leader of the Master Musicians Of Jajouka.
Sharp is a 2014 Guggenheim Fellow, and a 2014 Fellow at Parson's Center for Transformative Media. He received the 2015 Berlin Prize in Musical Composition from the American Academy in Berlin. He has composed scores for feature films and documentaries; created sound-design for interstitials on The Sundance Channel, MTV and Bravo networks; and has presented numerous sound installations in art galleries and museums. He is the subject of a new documentary "Doing The Don't" by filmmaker Bert Shapiro."-Elliott Sharp-Elliott Sharp website (http://www.elliottsharp.com/bio.html)
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1. Through The Wormhole
4. On the Brane
5. Intrinsic Spin
6. Strange Attractor
7. Antitop and Charm
descriptions, reviews, &c.
"Octal: Book One is Sharp's second solo recording for Clean Feed. The first was his all-acoustic take on Thelonious Monk. This time around, however, he tackles his own compositions and plays them on a custom-made electroacoustic "guitarbass," which is a hollow-bodied electric guitar with two extra bass strings. Sharp has long worked with solid-bodied, double-necked guitar-basses, most notably in his noise-rich group Carbon. This new instrument is certainly more manageable than the earlier two-headed monsters, but its real advantage, and the one the Sharp exploits notably on this recording, is its acoustic qualities. He combines the acoustic and electric qualities of the Saul Koll guitar by placing one microphone close its sound hole, processing its built-in acoustic pickups, and running its magnetic pickup into a small amplifier and putting a microphone near that too. The result is a rich sound environment in which Sharp's every snap, tap, pluck, wiggle, drone, and ebow activation feels completely organic. The eight notated, but spontaneously interpreted, Sharp originals on "Octal: Book One" sing as though they are alive."-Clean Feed
NY Downtown & Metropolitan Jazz/Improv
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