Shipping Weight: 4.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Creative Sources
Catalog ID: CS054
Squidco Product Code: 5704
Packaging: Jewel Tray
Recorded in Kleve, Germany, on April 8th and 9th, 2005, by Dieter Schlensog.
Click an artist name above to see in-stock items for that artist.
Highlight an instrument above
and click here to Search for albums with that instrument.
• Show Bio for Birgit Ulher
"Born 1961 in Nuremberg, she studied the visual arts, which still have an important influence on her music. Since moving to Hamburg in 1982 she has been involved in free improvisation and experimental music. Since then she has "established a distinguished grammar of sounds beyond the open trumpet" (jazzdimensions.de). She works mainly on extending the sounding possiblities of the trumpet by using splitting sounds, multiphonics and granular sounds and has developed her own extended techniques and preparations for producing these sounds. Besides this material research she is especially interested in the relation between sound and silence.Since 2006 Birgit Ulher works with radios and uses extended speakers, fed with radio noise in her trumpet mutes. The trumpet functions as an acoustic chamber and modulates the radio noise, thus the trumpet is transmitter and receiver at the same time. Her work with radio is documented on the CD 'Radio Silence No More', released 2007 on Olof Bright.The same concept is the basis of the duo with Gregory Büttner, where Büttner plays his sound contributions via a laptop with an output to a small speaker which Ulher uses a s trumpet mute.Their first CD 'Tehricks' based on this concept was released 2009.She performs solo, with dancers, working ensembles, and one-time collaborations with musicians from around the world.
She has been organising the festival of improvised music Real Time Music Meeting for over ten years.
Music performances in Europe, USA, South America, Russia and the Middle East, together with UNSK (Birgit Ulher / Martin Küchen / Lise-Lott Norelius / Raymond Strid), the Trio PUT (with Ulrich Phillipp and Roger Turner), Nordzucker (with Lars Scherzberg and Michael Maierhof), Heiner Metzger, Martin Klapper, Tim Hodgkinson, Dorothea Schürch, Rhodri Davies, Robyn Schulkowsky, Michael Zerang, Damon Smith, Lou Mallozzi, Gino Robair, Ute Wassermann, Albert Márkos, Sven Ake Johansson, Gene Coleman, Ernesto Rodrigues, Heddy Boubaker, Tim Perkis, Bryan Eubanks, Ariel Shibolet, Christoph Schiller and Sean Meehan, Forbes Graham, Leonel Kaplan, Gregory Büttner, Lucio Capece, Eric Leonardson and Bill Hsu.
Lectures/Workshops at Queen's University of Belfast, Haifa University, SAIC - School of The Art Institut of Chicago, Hochschule für Musik Basel, Workshop Area Sismica in Forlí, Italy, Workshop Anáhuac 33, Mexico City, Workshop Galeria Mérida, Mérida Mexico and Certain Sundays, Berlin.
Residencies at AIR Krems, Austria 2017, ArtInRealeases - GIS Studio - AIR Mexico 2016, Mexico City, Künstlerhaus Lukas, Ahrenshoop 2015, QO-2 werkplaats, Brüssel, 2010, Casa Zia Lina, Elba, Italy, Foundation Thyll-Dürr, 2001 and 2003, Boswil, MKS, Switzerland, 1994"-Birgit Ulher Website (http://www.birgit-ulher.de/bio.htm)
Have a better biography or biography source? Please Contact Us so that we can update this biography.
^ Hide Bio for Birgit Ulher
1. Negative Shape 2:23
2. Aluminium Scatter 4:43
3. Copper Scatter 1 5:30
4. Elements 3:59
5. Possibilities 6:38
6. Metal Scatter 5:46
7. Spill 3:14
8. Copper Scatter 2 4:32
9. Other Sounds 4:06
10. Konzentrat (Edited Version) 1:45
descriptions, reviews, &c.
"It`s useful that German trumpeter Birgit Ulher chose to do a solo session as one of her three new releases for the Portugguese Label Creative Sources (for whom she's done two records prior to this recent set). Useful because hers is a group sound aesthetic, creating more a single voice than a conversation. Scatter affords a chance to isolate her approach and to then recognize her part in group projects. While Ulher is a part of the European community of makers of very small sounds - she's worked with Martin Klapper, Roger Turner, Tim Hodgkinson, Rhodri Davies and Raymond Strid - the precedent for her first solo recording is the solo half of Lester Bowie's 1982 double-disc All the Magic. Without Bowie's humor, she still explores all the sounds of the trumpet, all the smacks and clacks and, sputters that can be pushed through the metal tube. Over the course of ten tracks, she proves herself to be a resourceful experimenter in the vein of such fellow trumpeters as Axel Dorner, Frantz Hautzinger, Greg Kelley and Herb Robertson."-Kurt Gottschalk, Signal to Noise #41
European Improv, Free Jazz & Related
Search for other titles on the Creative Sources label.