An assertive duo of piano and trumpet from Canadian improvisers Marilyn Lerner playing inside and out of the piano, and trumpeter Nicole Rampersaud performing with powerful and unusually expressive technique, this the first meeting between the two in a set of seven studio recordings, creative interactions of wide-ranging and cohesive approaches to their dialogs.
Format: CD Condition: New Released: 2021 Country: Canada Packaging: Cardboard Gatefold Recorded at Union Sound, in Toronto, Ontario, Canada, on February 8th, 2018-08-02, by Jeff Elliot.
"First recording of the improviser duo Nicole Rampersaud and Marilyn Lerner. Brass Knuckle Sandwich is both a conversation and an exploration of a percussive, wind-swept soundscape at the intersection of copper and wood. It is the meeting of two of Canada's finest improvisers. A friendly encounter of creative, daring, patient and generous musicians. "-Ambiences Magnetiques
"Polished and powerful as the first part of its name and as layered as the second, Toronto's Brass Knuckle Sandwich has produced a crunchy but powerful snack of seven in-the-moment improvisations. The duo of pianist Marilyn Lerner and trumpeter Nicole Rampersaud, long-time members of the city's advanced music community, inventively display every flavorful scintilla of sound from the furthest reaches of their instruments. Lerner clips, pumps and slides over the keys in groups or separately and strums, plucks and buzzes the piano's internal strings. Making use of tongue-stopping, tone crackling and half-valve effects, Rampersaud's brass extensions include vocalized blowing, spittle-encrusted squeaks, strangled cries and plunger farts.
Expressing timbres ranging from the dulcet to the dissonant, the two produce a track like "Evermore", which from its carefully shaped keyboard introduction to mid-range capillary slurs conveys winnowing motion. Then they abruptly turn around during the following "nat.pit.hat" to contrast the trumpet's uppermost screech mode with dynamic piano pacing in the most fragmented mode before joining infant-like howls and resonating key clanks into a balanced ambulatory theme. Kinetics may edge out caution on most of the disc, but in spite of numerous advanced motifs, narratives are always fluid. The disc culminates in the almost 15-minute Rizoo, where broken octave creativity including hand muted brass cries and staccato peeps from Rampersaud and bottom board percussiveness and stopped key thumps from Lerner predominate until the track and the CD's finale settles into a connective mode."-Ken Waxman, The Whole Note/Jazz Word