Fall 2022 issue of Canada's most fascinating and diverse music magazine; Montreal Violinist And Composer Jessica Moss; Musical Repatriation and Reconciliation with Canada's Indigenous Peoples; sound artist Tona Walt Ohama; Interdisciplinary Artist Chloe Alexandra Thompson; electronic artist Mariana Vieira; Jordan Dykstra; Sabarah Pilon; The London Contemporary Music Festival, &c. &c.
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Catalog ID: 143
Squidco Product Code: 32587
Format: MAGAZINE + CD
Packaging: Magazine and CD
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Chloe Alexandra Thompson
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• Show Bio for Jordan Dykstra
"Jordan Dykstra (b. 1985, Sioux City, Iowa) is a Brooklyn-based violist and composer exploring the performer-composer-listener relationship through the incorporation of conceptual, graphic, and text-based elements. In 2007 he moved to Portland, OR and became involved in the experimental music scene in the Pacific NW. Aside from performing and recording with individuals and bands - including Dirty Projectors, A Winged Victory for the Sullen with Hildur Guðnadóttir, Atlas Sound, and Valet - he worked at Marriage Records and Publishing House. In 2014 he received a Career Opportunity Grant from the Oregon Arts Commission to apprentice with Daníel Bjarnason, composer and conductor of the Icelandic Symphony Orchestra, in Reykjavík, Iceland. He received his BFA in 2016 under Michael Pisaro, Ulrich Krieger, and Wolfgang von Schweinitz at the California Institute of the Arts in Los Angeles. In 2018 he received his MA in Experimental Composition from Wesleyan University in Connecticut where - under the mentorship of Alvin Lucier and astrophysicist Seth Redfield - his thesis explored connections between microtonality and the cosmic distance ladder. In 2019 he received a Cultural Grant from the Netherlands-America Foundation to compose "The Arrow of Time" and premiere the work with Reinier van Houdt in Amsterdam. In 2020 The Arrow of Time was listed as one of the best Modern Composition albums by The Wire and included in The Best Contemporary Classical Albums of 2020 by Bandcamp. As a media composer he has numerous credits including the films Blow the Man Down, Hail Satan?, It Comes At Night, and the 2019 Emmy winner for Outstanding Investigative Documentary Documenting Hate. His compositions for film have been heard at Cannes, Sundance, TriBeCa, TIFF, and the IFFR. His performance highlights include MOCA (CA), Harpa (Iceland), Musikfestval Bern (Switzerland), Ftarri (Tokyo), CHAFF (Brussels), Echo Bücher (Berlin), Syros Institute (Greece), Yale Union (OR), Big Ears Festival (TN), and the RISD Museum (RI). Recordings of his music (solo and collaborative) have been issued by New World Records, Domino, Milan, Marriage, Mexican Summer, K, Gilgongo, and Dykstra's own cottage industry label Editions Verde."-Jordan Dykstra Website (https://www.jordandykstra.com/)
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1> The Unexpected Encounter with Diversity 8:01
2> King (Idol Worship) 4:00
3> Frantic Ram (Closing Prayer) 3:22
4> I Saw a Light 3:42
5> Elle's Descent 3:28
Chloe Alexandra Thompson
6> An Exchange 5:21
7> And Without A Word (Guide Vocal) 3:37
8> Kara 1:57
9> Contemplation II 6:57
10> Uncanny Being (Violin Study #2) 6:23
sample the album:
"ON THE COVER: JESSICA MOSS
CHLOE ALEXANDRA THOMPSON
Mariana Vieira, first-place winner of our 2021 Electronic Music Composition Contest, talks about her composition The Unexpected Encounter with Diversity.
Jordan Dykstra discusses improvisation, Alvin Lucier, and composing music for chamber ensembles and the small and big screen.
Sabarah Pilon traces her creative journey toward her emotional landscapes, built with drones and post-industrial beats, and threaded with passionate vocals.
Take a little trip to the London Contemporary Music Festival and Sound Symposium XX (St. John's)."
Various Artists & Compilations
Canadian Composition & Improvisation
New in Compositional Music
New in Improvised Music
New in Experimental & Electronic Music
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