The Squid's Ear Magazine


Lopez, Brandon / Tom Rainey / Ingrid Laubrock: No Es La Playa (Intakt)

Despite five years of performance in the NYC area, this is the debut album of the collective trio of Ingrid Laubrock on saxophones, Brandon Lopez on bass and Tom Rainey on drums, fueled by the near-telepathic rapport of Laubrock & Rainey and expanded by the ferocious and astute contributions of Lopez, avoiding histrionics through literate and impeccably controlled discourse.
 

Price: $17.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Ingrid Laubrock-saxophones

Brandon Lopez-bass

Tom Rainey-drums


Click an artist name above to see in-stock items for that artist.




Includes a 12-page booklet with liner notes in German and English, images, credits and discographical information.

UPC: 7640120193768

Label: Intakt
Catalog ID: ITK376.2
Squidco Product Code: 31480

Format: CD
Condition: New
Released: 2022
Country: Switzerland
Packaging: Cardboard Gatefold 3 Panels w/ booklet
Recorded at GSI studios, in New York, on April 25th, 2021, by Jason Rostkowski.

Descriptions, Reviews, &c.

"Dreamlike experiences. Sparks fly and a musical interaction works without arrangement or plan. An organic musical process develops out of intuition alone. The same magic happens every time.

When Brandon Lopez, a New Yorker with Puerto Rican roots, joined the duo of saxophonist Ingrid Laubrock and drummer Tom Rainey, this wasn't simply about adding a plus one to the Laubrock - Rainey duo. Thanks to the young bassist (born 1988), already collaborating with musicians from Dave Liebman via Zeena Parkins to John Zorn, a new dynamic has formed involving all three. In this triangular constellation a different balance is achieved and an altered play of energies. They are clearly on the same wavelength, with a similar sense and understanding of overarching form, inner structure, timing, feeling, energy, density, transparency and volume."-Intakt

"Right from the first note the chemistry between them was right. The interplay between the three worked so effortlessly and naturally it bordered on telepathy. The three want to keep up the momentum and capture the magic moment,"-Christoph Wagner, from the liner notes.



"The debut album by this trio, which has been gigging around the greater NYC area for closing on five years, declares itself honestly. It is not the beach. But depending on your affinity for music that is both free and very thoughtfully organized, it might be every bit as enjoyable as a trip to the seaside.

Everything on No Es La Playa is collectively improvised by bassist Brandon Lopez, soprano/tenor saxophonist Ingrid Laubrock and drummer Tom Rainey. No one here is a stranger to such practices, and it shows. Laubrock and Rainey were already veterans with decades of experience playing no-net improvisation, conventionally swinging and rigorously composed jazz before they joined forces, in both the familial and musical senses, over a decade ago. They worked extensively as a duo before COVID time, and when gigs weren't an option in 2020-2021, they issued 60 home-recorded tracks on their Bandcamp page. The pair has also been part of larger ensembles, including a remarkable trio with Mary Halvorson. Lopez is much younger, but he has thrived in similarly configured, free fall-oriented ensembles with Dave Rempis, Steve Baczkowski and others.

Given all that experience, one might expect to be strongly reminded of all those other projects. But one of this album's virtues is the extent to which it forges a unique collective identity out of its members' familiar strengths. This comes, in part, from dialing back on certain aspects of what they've done. There's less of Laubrock's extended reed techniques than one hears in the Laubrock-Rainey Duo; instead, she pivots to pure-toned, slippery figures that maneuver in unexpected directions that capitalize upon the responsiveness of her fellow musicians. Lopez also plays a bit less aggressively than he often does, but no less fleetly; most of the time, he's the rhythmic center. While it's partly a matter of a very drum-friendly mix, Rainey feels very upfront here, not just due to volume, but because his independent, simultaneous attacks on different parts of the kit creates a possibility-rich sonic framework for the group's interactions, and his strategic punctuations assert strong opinions about where the music should go. Here's hoping that when the virus' lethality fades, this trio hits the road; they're way too good to be confined to home turf."-Bill Meyer, Dusted Magazine


Includes a 12-page booklet with liner notes in German and English, images, credits and discographical information.

Get additional information at Dusted Magazine

Artist Biographies

"Originally from Germany, Ingrid Laubrock resides in Brooklyn, NY. Between 1989 and 2009 she was active as a saxophonist and composer in London/UK. She performed and/or recorded with: Anthony Braxton, Dave Douglas, Kenny Wheeler, Jason Moran, Tim Berne, William Parker, Tom Rainey, Mary Halvorson, Kris Davis, Tyshawn Sorey, Craig Taborn, Luc Ex, Django Bates' Human Chain, The Continuum Ensemble and many others.

Ingrid's current projects as a leader are Anti-House, Sleepthief, Ingrid Laubrock Orchestra, Ingrid Laubrock Sextet and Ubatuba. Collaborations include LARK,Haste,Paradoxical Frog and Ingrid Laubrock/Tom Rainey Duo.She is a member of Anthony Braxton's Falling River Music Quartet, Nonet and 12+1tet, Tom Rainey Trio and Obbligato, Andrew Drury's Content Provider, Mary Halvorson Septet, Kris' Davis Quintet, Nate Wooley's Battle Pieces and Luc Ex' Assemblée. Ingrid was one of the featured soloists in Anthony Braxton's opera Trillium J.

Awards include the BBC Jazz Award for Innovation in 2004, a Fellowship in Jazz Composition by the Arts Foundation in 2006, the 2009 SWR German Radio Jazz Prize and the 2014 German Record Critics Quarterly Award. Commissions include Jammy Dodgers for jazz quintet and dancers (2006), Nonet music for Cheltenham Jazz Festival 2007, SWR New Jazz Meeting 2011 and "Vogelfrei", a piece for chamber orchestra (ACO/Tricentric Foundation). She won Rising Star/soprano saxophone in the 2015 in the 'Downbeat Annual Critics Poll and won the 'El Intruso Critics Poll for tenor saxophone in 2013. Ingrid was Improviser in Residence 2012 in the German city Moers. The post is created to introduce creative music into the city throughout the year. As part of this she led a regular improvisation ensemble and taught sound workshops in elementary schools. Other teaching experiences include improvisation workshops at Towson University, Guildhall School of Music and Drama, Baruch College, University of Michigan, University of Newcastle and many others."

-Ingrid Laubrock Website (http://ingridlaubrock.com/about.html)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"[..] Composer/bassist, Brandon A. Lopez, deemed "The Ubiquitous Free Improv Bass Ace" by the Village Voice and said to play with a "Bruising Physicality" by the Chicago reader.

He was born and raised in the splendors of Northwestern New Jersey, in the shadow of the (New York) city. It was there that he cultivated a taste for the left of center musics and subsequently, dug graves.

He's had the pleasures of working with many of the world's luminary weirdos. Here's a list: Nate Wooley, William Parker, Chris Corsano, Justice Yeldham, Weasel Walter, Peter Evans, Tyshawn Sorey, Gerald Cleaver, Ingrid Laubrock, Tom Rainey, Tony Malaby, Paul Lytton, Mette Rasmussen, Jooklo Duo, Michael Foster, Leila Bordreuil, Jaimie Branch, Joe Morris, Brandon Seabrook, Cactus Truck, John Dykeman, Daniel Carter, and many others.

He's currently leads a trio dubbed "The Mess", another one called the Brandon Lopez Trio, works as a soloist and is formerly/currently/latterly writing more and more music. He may play some it sometime soon (see "gigs").

He attended New England Conservatory."

-Brandon Lopez Website (http://www.brandonlopez.nyc/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Thomas "Tom" Rainey (born 1957, Santa Barbara, California) is an American drummer.

After attending Berklee College of Music he moved to New York in 1979. He has played with American jazz saxophonist and composer Tim Berne, and also with Nels Cline, Fred Hersch, Tony Malaby, Tom Varner, Drew Gress, Kenny Werner, Mark Helias, and Simon Nabatov. A prolific session musician, he has appeared on close to eighty recordings over a career spanning over 25 years.

He released his own first album, Pool School (Clean Feed), in 2010."

-Wikipedia (https://en.wikipedia.org/wiki/Tom_Rainey)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. No Es La Playa 13:33

2. When The Island Is A Shipwreck 8:15

3. Saturnian Staring 8:09

4. Camposanto Chachacha 9:57

5. Little Distance Before 11:21

6. The Black Bag Of Want 5:32

Related Categories of Interest:


Intakt
Improvised Music
Jazz
Free Improvisation
Collective Free Improvsation
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings

Search for other titles on the label:
Intakt.


Recommended & Related Releases:
Other Recommended Releases:
Lopez Trio (Brandon Lopez / Steve Baczkowski / Gerald Cleaver)
Matanzas
(Relative Pitch)
"Matanzas" translates to "Killings", an apt description of this fiercely dark and propulsive free improv album from the NY trio led by bassist Brandon Lopez with saxophonist Steve Baczkowski and drummer/percussionist Gerald Cleaver, drawing unexpected and often malevolent sound from their instruments, particularly on the extended "Dithyramb, Sodomy, Salt".
Smythe, Cory (w/ Jernberg / Modney / Reid / Evans / Elk / Muncy / Laubrock / Leon / Cox / Crump )
Smoke Gets In Your Eyes
(Pyroclastic Records)
After working with the Trondheim Jazz Orchestra, pianist Corey Smythe assmebled this incredible ensemble that includes Peter Evans (trumpet), Ingrid Laubrock (sax), Stephan Crump (bass), Tomeka Reid (cello), &c., performing works influenced by the Kern/Harbach standard "Smoke Gets in Your Eyes", which Smythe then interprets abstractly in 7 solo renderings.
Graham, Forbes (Forbes / Lopez / Lopez)
Another Day, Another Vector
(Relative Pitch)
An unusual set of electroacoustic improvisations recorded at Firehouse 12 from a New York trio led by trumpeter Forbes Graham, also on laptop and drum machine, Cecelia Lopez on analog synth, and bassist Brandon Lopez, Graham mutating his trumpet through sound processing, complemented by Cecelia Lopez's synthetic punctuations, all grounded by Brandon Lopez' solid bass work.
Baker, Jim / Brandon Lopez / Bill Harris
Dura
(Amalgam)
Recorded while double bassist Brandon Lopez was in Chicago, frequent collaborators from two generations--keyboardist Jim Baker on piano and Arp Synth and drummer/percussionist Bill Harris--joined together to record this live-in-the-studio album of highly interactive, explorative, propulsive and often cathartic free improvisation.
Ziegele's, Omri Where's Africa
That Hat
(Intakt)
One of Swiss saxophonist Omri Ziegele smaller group formations with Yves Theiler on electric keyboards and Dario Sisera on drums & percussion, in a lyrical set of compositions yielding strong soloing over solid grooves and warm moods, highlighting Ziegele's remarkably fluid playing; it's nearly jazz/rock fusion, but at heart it's a solid jazz album.
Malaby's, Tony Sabino (w / Monder / Formanek / Rainey)
The Cave Of Winds
(Pyroclastic Records)
Updating his Sabino quartet of Michael Formanek on double bass and Tom Rainey on drums with guitarist Ben Monder taking Marc Ducret's role, saxophonist Tony Malaby, here on tenor & soprano, charges forward with both modern, angular NY jazz and with experimental free improv both light and dark, in this captivating studio album of six Malaby compositions and one collective improv.
Berne, Tim / Gregg Belisle-Chi
Mars
(Intakt)
Succinct interpretations of compositions by New York saxophonist and composer Tim Berne, performed by Berne himself in a duo with guitarist Gregg Belisle-Chi, whose collaborations with Berne and his recent album Koi: Performing the Music of Tim Berne show Belisle-Chi to be the most capably informed player to accompany Berne in these thoughtful renderings.
Lopez, Brandon Trio
Live at Roulette
(Relative Pitch)
Calling his music jazz and not jazz, bassist Brandon Lopez demands of his listeners to dance, as the quartet of Lopez, Steve Baczkowski on saxophones, Gerald Cleaver on percussion and Cecilia Lopez on synthesizer are heard in this energetic live concert at Roulette Intermedium in Brooklyn, blurring free jazz with experimental sound that never loses its strong grooves.
Laubrock, Ingrid
Dreamt Twice, Twice Dreamt (Music For Chamber Orchestra And Small Ensemble) [2 CDs]
(Intakt)
The 2nd orchestral album from saxophonist Ingrid Laubrock, two very different but complementary sets of compositions using electronics in mostly acoustic settings: the 1st with the larger EOS Chamber Orchestra and guests including Cory Smythe, Tom Rainey, & Sam Pluta; the 2nd a smaller group of Laubrock, Smythe & Pluta + guests Adam Motlock, Josh Modney, and Zeena Parkins.
Laubrock, Ingrid / Tom Rainey
Utter
(Relative Pitch)
After their 2016 tour of the US West Coast, husband and wife free improvising duo Ingrid Laubrock (tenor & soprano sax) and Tom Rainey (drums) entered a Brooklyn studio with a set of co-written compositions, which they weave together with free improv, relying on cues that can trigger a given composition at any time, adding a unique layer of communication to their exuberant playing.
Lopez / Nelson / Nicodemou / Cleaver
The Industry Of Entropy
(Relative Pitch)
A great example of Downtown New York modern improvisation that takes unexpected twists and turns, from the collective quartet of bassist Brandon Lopez, a frequent collaborator with Nate Wooley and Ivo Perelman, tenor saxophonist Matt Nelson ( tUnE-yArDs), vibraphonist Andria Nicodemou (Thread Ensemble, Taylor Ho Bynum), and Gerald Cleaver (Veil of Names, Uncle June, &c).
Wooley, Nate
Knknighgh (Minimal Poetry for Aram Saroyan)
(Clean Feed)
Pronounced as "knife", this new project from NY trumpeter Nate Wooley brings together Chris Pitsiokos on alto sax, Brandon Lopez on bass, and Dre Hocevar on drums in a fresh take on the concepts of free jazz, using short material composed by Wooley and based on the poetry of Aram Saroyan, used in looping and repeating structures that never sound as such.
Baars, Ab / Ig Henneman / Ingrid Laubrock / Tom Rainey
Perch Hen Brock & Rainy | Live @ The Jazz Happening Tampere
(Relative Pitch)
Crossing Netherland and New York players, Ab Baars on reeds, Ig Henneman on viola, Ingrid Laubrcok on sax and Tom Rainey on drums present an album of insightful improv that borrows approaches to sound from natural world, performed live at Tampere Jazz Happening, Finland in 2014.
Laubrock, Ingrid / Tom Rainey
Buoyancy
(Relative Pitch)
Drawing on several years and many shared projects, the duo of Ingrid Laubrock (sax) and Tom Rainey (drums) recorded this excellent album of sophisticated improvisation at the end of a 17-date tour, performing for a studio audience at Audio for the Arts in Madison, Wisconsin.



Customers Who Bought This Item Also Bought:
Lowe, Allen And The Constant Sorrow Orchestra
America: The Rough Cut
(ESP-Disk)
Saxophonist Allen Lowe's statement on American music and American song form across the many genres and styles that make up the terrain, including jazz, the blues, gospel, honky tonk, heavy metal, hillbilly/minstrel song & medicine shows, &c.; diverse forms of popular music that reflect a commingled society, as Lowe blurs the sacred and the profane with a stellar ensemble of musicians.
Lowe, Allen And The Constant Sorrow Orchestra
In the Dark [3 CDs]
(ESP Disk)
After suffering and recovering from cancer surgery for a tumor in his sinus, the darkest period of despair in NY-area tenor saxophonist Allen Lowe's life, he turned to composition of new jazz works, finding that the music poured out of him, as heard in this set of lyrical and sophisticated original compositions performed with his aptly named ensemble: The Constant Sorrow Orchestra.
Fujii, Satoko / Otomo Yoshihide
Perpetual Motion
(Ayler Records)
Expanding their instruments into sonic sculpture, this first meeting between acclaimed Japanese improvisers Satoko Fujii, performing inside and out of the piano, and electric guitarist Otomo Yoshihide, demonstrates their incredible compatibly as heard in these live recordings at Tokyo's Pit Inn, part of an annual festival organized by Fujii & trumpeter Natsuki Tamura.
Flying Luttenbachers, The
Imminent Death [VINYL 2 LPs]
(God Records)
The ever-shifting lineup of jazz/no-wave/avant/aberrant improvisers The Flying Luttenbachers, anchored by drummer Weasel Walters, brings multi-reedist Matt Nelson, two guitarists (Brandon Seabrook & Henry Kaiser), bassist Tim Dahl and Brad Laner on synth for an aggressively informed and excitingly unpredictable album of superb playing and possibly bad intention; recommended!
Musson / Moore / Brice / Prevost
Under the Sun
(Matchless)
Quartet, the masterful grouping of Rachel Musson on tenor sax, NO Moore on electric guitar, Olie Brice on double bass and Eddie Prévost on drums, an improvising ensemble of wonderfully unpredictable momentum, from passages of quiet introspection to thunderous density, but always with attentive listening and imaginative responses, heard in this spectacular 2021 concert at Iklektic.
Kuchen, Martin
Utopia
(thanatosis produktion)
Ultimately it's Martin KŸchen's saxophone improvisations that lead these sensitively moody environments built around multi-tracked tapes of ambiance from snare, speaker, radio and tambora (a 2-headed drum) used unusually to create subtle and spacious drone environments over which KŸchen performs, hauntingly, emotionally and beautifully captivating his listeners.
Hellgren, My / Peter Soderberg
Plucked and Bowed
(FRIM Records)
The literal album title belies the subtle interplay between Swedish improvisers, cellist My Hellgren and Peter Söderberg, the latter known for his work on classical lute but here on guitar, oud and theorbo (a long-necked lute that adds additional bass notes), recording an extended, warmly beautiful and intricate acoustic dialog of gentle tension and masterful skill.
Rivers, Sam Trio
Archive Series. Volume 6 - Caldera
(NoBusiness)
Continuing NoBusiness' archive series of late reed & wind player Sam Rivers, this wild and sophisticated concert from 2002 was recorded at the Freeport-McMoRan Theatre in New Orlean's Contemporary Arts Center, by the long-standing Sam Rivers Trio with Doug Matthews on upright & electric bass and bass clarinet, and Anthony Cole on tenor sax & piano.
Moses, Ra Kalam Bob / Damon Smith Duo
Purecircle
(Balance Point Acoustics)
A superb, inventive duo collusion between percussionist Ra Kalam Bob Moses and double bassist Damon Smith, continuing their collaborations that started with "Astral Plain Crash" with Vinny Golia, Henry Kaiser & Weasel Walter, here in concentrated form, recording and layer in the studio for 14 diverse dialogs using advanced techniques on drums, gongs, spring drums and double bass.
Salamon, Samo / New Freequestra
Free Distance, Vol. 2: Poems are Opening [2 CDs]
(Listen! Foundation (Fundacja Sluchaj!))
With titles for the album and all compositions from a poem by US poet E.E. Cummings, guitarist Samo Salamon developed these structured improvisations during the pandemic, inviting a set of masterful improvisers including Martin Küchen, Luis Vicente, Vasco Trilla, Emanuele Parrini, &c. &c. to contribute to these magnificent long distance collective improvisations.
Sewelson, Dave
Smooth Free Jazz
(Mahakala Music)
A soulful and even honky-tonk take on jazz from baritone saxophonist and vocalist Dave Sewleson, covering tunes like Nat King Cole's "Nature Boy" (two versions) or leaning back on riffs from popular music through lap steel guitarist Mike Neer, with Dave Hofstra on bass and Bernice "Boom Boom" Brooks on drums, a surprisingly enjoyable merging of popular and free playing.
Perelman, Ivo Quartet
Magic Dust [2 CDs]
(Mahakala Music)
Four extended collective improvisations of implicit lyricism and transcendent power from Brazilian-born New York-based tenor saxophonist Ivo Perelman, recording in the studio with his quartet of frequent collaborator and masterful bassist William Parker, also performing on shakuhachi, along with pianist Christopher Parker and drummer Chad Anderson.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC