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Souchal / Nick / Lazro / Cappozzo: Neigen (Ayler)

An album of explorative and restrained improvisation, primarily acoustic but also using object and an electro-acoustic octave violin, from the quartet of Nicolas Souchal on trumpet & flugelhorn, Michael Nick on violin & electro acoustic octave violin, Daunik Lazro on tenor & baritone saxophones, and Jean-Luc Cappozzo on trumpet, flugelhorn & objects.
 

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product information:


UPC: 3473351400237

Label: Ayler
Catalog ID: AyLCD-162
Squidco Product Code: 29972

Format: CD
Condition: New
Released: 2021
Country: France
Packaging: Cardboard Gatefold
Recorded in the "Cappozzone", in Luzille, France, between January 30th and February 2nd, 2020, by Celine Grangey.


Personnel:

Nicolas Souchal-trumpet, flugelhorn

Michael Nick-acoustic violin, electro acoustic octave violin

Daunik Lazro-tenor saxophone, baritone saxophone

Jean-Luc Cappozzo-trumpet, flugelhorn, objects

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Artist Biographies:

"Nicolas Souchal: trumpet, bugle, composition. Born in 1979.

Nicolas Souchal is a French trumpet player, active in contemporary jazz and improvised music. He is recognized for his sense of construction in improvisation, his expressive sonority, and his playing including the extended techniques of the instrument. His approach is borrowed from musicians such as Don Cherry, Jean-Luc Cappozzo, Axel Dörner, and Daunik Lazro.

In 1997 in Clermont-Ferrand, he was a founding member of the Collectif Musique en Friche, a bubbling crucible of experiments, close to the ARFI (Association for the Research of an Imaginary Folklore). He developed two wind duets, one with Franck Pilandon, the other with Christiane Bopp, and more recently the quartet Les arbres moved during the night, improvised instrumental music and sound diffusion.

Since 2000, composer and arranger with the Balkan Brass Band, as well as the nebabylonian jazz quartet Humbaba, he appropriates and recomposes the traditional music of Eastern Europe.

Since 2010, he has been heard in various formations on the Parisian scene: Pavillon Rouge (Jean-Luc Cappozzo, Matthias Mahler, Jean-Marc Foussat), ARBF & Hmadcha in Essaouira (meeting between big band free jazz and Sufi musicians Yoram Rosilio), Quintet Cuir (improvised epidermic music, with Jean-Brice Godet, John Cuny, Yoram Rosilio, Jérôme Fouquet)"

-Nicolas Souchal Website (translated by Google) (http://www.nicolassouchal.fr/a-propos-de-nous/)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Michael Nick is a French violinist, known for the groups Claude Tchamitchian Grand Lousadzak, Klezmer Nova, Le Grand Fou Band, Quatuor Aerolithes, Quatuor Qwat Neum Sixx, Tangoneon, and Yochk'o Seffer Neffesh Music

-Discogs (https://www.discogs.com/artist/1228885-Michael-Nick-2)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"The French saxophonist Daunik Lazro combines a tart, piercing tone with a quick mind and a flexible philosophy of music-making. His professional start was in bassist Saheb Sarbib's orchestra, a relationship he maintained through most of the '70s, which included three recordings. His first steps playing his own music involved a radical resizing of the cast on-stage, going from orchestra playing to solo saxophone concerts and duets. In the '80s, he busily played with many on the European improvised music scene, including bassist Jean Jacques Avenel, cellist Tristan Honsinger, violinist Carlos Zingaro, drummer Christian Rollet, and saxophonist Evan Parker, among others. In the mid-'80s, Lazro expanded his partnerships to include dance and theater projects, including work with the Company of the Chance.

He formed a particularly fine trio in 1987 with fellow saxophonist Michel Doneda and the brilliant ppercussionistLê Quan Ninh, playing at many of the major European festivals and also touring in Canada. Duets with the American free improviser Joe McPhee are a 1991 discographical highlight, during a period when Lazro also began playing viola. In 1993, he started his own orchestra as well as a quartet called Outlaws in Jazz with Jac Berrocal, Didier Levallet, and Dennis Charles. In 1995, he toured Europe in a triple-threat combination with both McPhee and Parker, and the former artist also joined him in a quartet the following year with the superb British contrabassist Paul Rogers. In the late '90s, he continued involvement with a series of orchestra projects, often as a guest soloist."

-All Music, Eugene Chadbourne (http://www.allmusic.com/artist/daunik-lazro-mn0000956932/biography)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jean-Luc Cappozzo was born in Belfort, France, in 1954. He started playing the trumpet in the local orchestra of his native town where he performed both jazz and classical music. Following a meeting with the diatonic accordionist Serge Desaunay, he started to perform traditional music as well.

His meeting with Dizzy Gillespie in 1984, who invited him to participate in his concert, was a turning point in Jean-Luc Cappozzo's career.

In 1988 he obtained the State Diploma of Professor of Jazz and subsequently taught trumpet improvisation at the Music School of Lyon (CNSM).

He has taken part in various groups of musicians of the ARFI.

He has been a member of he Louis Sclavis Quintet "L'Affrontement des Prétendants" and of Claude Tchamitchian's "Grand Lousadzak". In addition he has played in Sophia Domancich's Quintet "Pentacle", the Denis Fournier Quartet and with Joelle Léandre's Quintet "Fragments et suite lyrique". He has formed a quartet with Jean Aussanaire , Rémi Charmasson and Bernard Santacruz and created a musical work "Du Vent chez Johannes" with the Johannes String Quartet.

In 2005 he joined the European Mythical Orchestra: the Globe Unity Orchestra. He has played with the Apollo Trio and composed duo s with the cellists Joelle Léandre or Eric Brochard, the singer Géraldine Keller, the drummer Paul Lovens, the tuba player Michel Godard, the pianist Umberto Petrin and the trumpet players Axel Dorner or Herb Robertson. Actually, he is playing with: - "The Bridge" with Joëlle Léandre (cb), Bernard Santacruz (cb), Mickaël Zerang (dms) and Douglas Ewart (sax - flûte) - - " Can You Hear Me" of Joëlle Léandre (cb) - " 2 ème étage " with Christine Wodrascka (p) and Gerry Hemingway (dms) - Duo with Famoudou Don Moye (dms) - Duo with Cécile Cappozzo (p) - Quartet à l'Ouest with Jean Aussanaire (sax), Eric Brochard (cb) and Alfred Spirli (dms) - Duo with Géraldine Keller (voice) - Duo with Eric Brochard (cb) - Trio with Didier Lasserre (dms) and Paul Rogers (cb) For his strength, his creativity, his magnificent sonority, the clarity of his phrasing, Jean-Luc Cappozzo is today an indispensable trumpet player on the European musical scene and is in increasing demand. Jean-Luc Cappozzo, powerful and mellifluous trumpet player, is "a discreet man who would blush to be labeled one of the most relevant soloists and the most complete on the French jazz scene. He may blush".(S. Siclier, Le Monde 1/08/2002)"

- Website (http://www.jlcappozzo.fr/biographie-jean-luc-cappozzo)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Neigen 04:05

2. Connexe 03:35

3. Point d'assemblage 08:05

4. Narcisse Watered 03:18

5. Apnee D'Aphne 09:29

6. Super Spell 03:49

7. Fenetre de periodes impaires 07:42

8. Terra motu 04:15

9. L'attracteur etrange 05:13
sample the album:








descriptions, reviews, &c.

neigen, from the German verb: to tend towards.



"As improvisers we aspire to the unpredictable, in a relationship of mutual trust. Each one, braced in the moment, is inhabited by the memory of countless music played, heard, dreamed of. Determined by instrumental practice, acquired expe- rience, and by instinct and thought of one's own.

This tension implies knowing how to overcome certain pitfalls and traps already identified, to avoid repeating the already said. Finds, like a gold miner's nugget, come by surprise, by chance, because the invention cannot be decreed. Hence: to remain attentive to these precious epiphanies.

Strive for those suspended moments where we surrender to this magic that runs through us, of which we become the receivers, the conducting bodies. Cultivate an appetite for these intense plateaus where one experiences, sometimes fleetingly, an intuitive connection between musicians linked by a telepathic thread. Very special thanks to Florence de Retz and Maurice and Nicole Berland."-Ayler Records

Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
Electro-Acoustic
Electro-Acoustic Improv
Objects and Home-made Instruments
European Improvisation, Composition and Experimental Forms
Quartet Recordings
New in Improvised Music

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