As though an elegy for the departed pianist and composer, Keith Tippett does not perform on this work, which was commissioned for the 2004 Norwich and Norfolk Festival, but conducts an ensemble that includes Julie Tippetts on voice, a saxophone octet that includes long-time collaborator Paul Dunmall, and the polyphonic choir of the BBC Singers; an exquisite and stirring work.
Format: CD Condition: New Released: 2020 Country: UK Packaging: Cardboard Gatefold 3 Panels Recording at Norwich Cathedral, in Norwich, Norfolk, United Kingdom, on May 14th, 2004, by Michael Emery.
"Keith was commissioned to write this work for the 2004 Norwich and Norfolk Festival, where it received its premier (and to date only) performance, together with a broadcast by BBC Radio 3.
It is a beautiful and stirring work for large choir, saxophone octet and solo improvising voice. Whilst clearly referencing the great polyphonic choral music tradition, Keith's score also enables improvisational elements to be present - in such a skilful way that the listener is left with the impression of a unified piece despite the diversity of approaches which a close listen to the work reveals.
Julie Tippetts says "What a thrill to work alongside the BBC Singers, and be in the midst of such wonderful musicians. What generosity of warmth and spirit was displayed in this spine-tingling performance of Keith's wonderful composition. I feel honoured to have been a part of it. I shall never forget the magical magnitude of that wonderful event. So atmospheric. Such a beautiful, moving experience."
And the final word has to be Keith's own dedication "A gift to my father, Patrick" - Keith Tippett
"-Discus Music
"This is a sensational archive album by British Jazz pianist / composer Keith Tippett, which presents a live recording of his composition for large choir, solo voice and a two saxophone quartets, with lyrics by Julie Tippetts. The work was commissioned for the 2004 edition of the Norwich and Norfolk Festival and was premiered that year at the Norwich Cathedral where it was also recorded for broadcast by the BBC. Tippett conducted the performance, which included Julie Tippetts on solo vocals, the BBC Singers choir, an improvising saxophone quartet comprising of Paul Dunmall, Kevin Figes, Ben Waghorn and Chris Biscoe, and also the Apollo Saxophone Quartet.
The music is every bit as innovative, far-reaching and groundbreaking as the rest of Tippett's musical legacy and this posthumous release expands even further the scope of his musical vision, which encompassed enormous variety of works between solo piano music to extremely large ensembles like Centipede or smaller ensembles like Ark, and stylistically spanning various Avant-Garde sub-genres between Improvised Music, via Free Jazz to contemporary Classical Music, rubbing shoulders with Progressive Jazz and Art Pop.
Most of the body of this work is performed by the choir, which often sounds like an instrument rather than a choir, resembling choral works of 20th Century Classical composers like Henryk Gorecki, György Ligeti and Krzysztof Penderecki to mention just the most audacious ones. When accompanied by the saxophone quartets, one supporting the music harmoniously and the other spicing the proceeding with intensive improvisations, the music offers several climaxes, which mark the transitions between the consecutive sections of the entire composition.
It is not surprising to see Julie Tippetts taking a major part in this project, like she did in so many of his endeavors over the years. Her vocal performances are the focal point of this music and her improvised soloing should remind everybody of her incredible abilities from the first moment she arrived on the music scene as a Pop star and throughout her transformation as a highly idiosyncratic Avant-Gardist. The presence of Dunmall and Biscoe, two of the British Jazz most significant veteran saxophonists, adds additional quality to the rich tapestry of sounds and aural stimuli.
Overall this album is an absolutely essential piece of the puzzle, which Tippett managed to create during his lifetime, and perhaps even one of the most inspired of his works. As usual Martin Archer and his Discus label manage to bring an essential piece of the British Culture back to life, saving it from the imprisonment in the darkness of the BBC vaults (God bless them for recording the music), with a lot of help from Julie. This album is an absolutely essential piece of music in any serious music collection!"-Adam Baruch