Composer Jurg Frey's 1988 work "String Quartet" realized by Nadia Francavilla, Clemens Merkel, Stephanie Bozzini and Isabelle Bozzini, exploring ideas of audibility: the moment when sound waves move in space and the air touches the body.
Format: CD Condition: New Released: 2006 Country: Germany Packaging: Cardstock 3 page foldover Recorded at Zurich Radiostudio, in Zurich, Switzerland, on May 2nd and 3rd, 2004.
3. Zwei allerletzte Sachelchen (1990) - Mailied 0:49
4. Zwei allerletzte Sachelchen - Vorbie 0:27
5. Streichquartett II (1998-2000) 29:00
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descriptions, reviews, &c.
"Material can be anonymous. Consider, for example, the middle voices in medieval hymn books: unadorned, not artful, a simple handiwork, a leisurely alternation of single notes. It might be a scale, or, beyond music, the stones of a wall, not artfully stacked, but simply and properly, the formal idea being nothing other than that of a wall.
When I was working on the String Quartet (1988), I encountered the painting of Agnes Martin. I saw clear-cut forms, not overgrown with rhetoric and figuration. Instead, sensuality, radiance and intensity gripped the entire space. There was a kind of visibility to her art, which I felt corresponded to the audibility in my music. Audibility: the moment when sound waves move in space and the air touches the body. The eardrum is the sensory connection between the outside and the inside world: we hear the sound and the composition.
Over the years it became more and more clear to me, that there is no anonymous material - each material has its shape, and as soon as it exists in space and time, it carries a distinct handwriting. Anonymous material is rather an idea that brings the work to a point where concentration on what is essential becomes possible, and allows one to feel that he is starting from zero."-Jürg Frey, translation: Michael Pisaro